Drawings: Ralph Fiennes

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Ralph Nathaniel Twisleton Wykenham Fiennes was only signing programmes and tickets at the stage door of the Royal Theatre Haymarket in London in August 2011. He was playing Prospero in Shakespeare’s The Tempest.

Although spelt ‘Ralph’ it is pronounced ‘Rafe’, so don’t ask ‘Ralph’ for a ‘graph or you may not get one! The theatre management were very strict about the signing policy, so I made do with my ticket and programme siggys. I did however, leave a drawing of Ralph as Prospero and Elisabeth Hooper as his daughter Miranda at the stage door, and it was returned, signed by both.

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Later that year Ralph also made his film directional debut, with an adaption of the Bard’s tragedy Coriolanus, in which he also played the title role. It screened at the BFI London Film Festival in October that year. Ralph attended and was happy to sign and dedicate my sketch at the Odeon West End Theatre in Leicester Square. Coriolanus actually had its premiere at the Curzon Mayfair in early January 2012. Once again Ralph attended and this time signed a sketch I did some years earlier, when he was on Broadway in 2006, playing Frank Hardy in Faith Healer at the Booth Theater. I was, in fact, in New York during the play’s season, but couldn’t get a ticket. Anyway, he was once again obliging with his autograph and complimentary comments.

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Drawing: Michael Sheen in Hamlet

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Michael Sheen’s performance as the Great Dane in Ian Rickson’s controversial production of Shakespeare’s Hamlet was described by critics as ‘bonkers and brilliant’. The bard’s longest and most famous play was set in a mental institution.

Michael is one of the nicest people in entertainment and was very generous with his compliments and time as he signed my sketch in the Cut Bar at the Young Vic Theatre in November 2011.

Drawing: Patrick Stewart in Shakespeare

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The Cut Bar at the Young Vic is a popular theatre restaurant. Named after the street location rather than the state of its patrons…. mostly, it provides a convivial place to wait for the talent as they slip through to the stage door and the bar’s western hall.

I had heard that Sir Patrick wasn’t likely to sign going in, so left this sketch of him in his role as William Shakespeare in Bingo at the theatre rather than suffer a rejection in person. I was finishing a quiet ale in the aforementioned establishment, when Captain Picard walked past me. I was sketching at the time and he complimented me, we exchanged some pleasantries, but I decided not to mention my request. The Shakespeare sketch was returned, signed.

Drawing: Roger Allam

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Roger Allam was the original Javert in the London production of Les Misérables – one of his many high profile parts in an illustrious theatrical career, which has included winning three Olivier Awards.

He signed this sketch at Shakespeare’s Globe in October 2010, playing the role of Falstaff in Henry  IV Parts 1 and 2 for which he won the Olivier Award for Best Actor. He is currently back on stage at the Globe playing Prospero in The Tempest and on the telly as Magister Illyrio Mopatis in the popular Game of Thrones.

Drawing: James McAvoy and Claire Foy in Macbeth

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Glasgow-born James McAvoy has just completed the lead role in a sell out season of ‘the Scottish play’, with English actress Claire Foy as Lady Macbeth.

After an eighty day run as London’s Trafalgar Studios, James goes straight into filming the next instalment of X Men alongside the two Knights, Patrick Stewart and Ian McKellen, who have both also starred as the murdering Scot. James commented that it would be fun having three Macbeths in the one place “We might have a Macbeth-off – my Macbeth’s better than your Macbeth!”

The production received rave reviews, but the interaction with the audience didn’t always go to script. He suddenly stopped mid-scene when someone in the front was filming with his mobile phone. He refused to continue with the play until the device was firmly put away. James also stopped in the middle of the climatic sword fight to help an audience member who had collapsed. He called for help, cracked a joke or two, then continued the scene with the same intensity, according to one witness who tweeted the event. On another occasion, he told two drunk women who kept talking through the early scenes to “shut up”. They eventually complied and later fell asleep.

When he signed my sketch, going in for the Friday evening’s performance, he was telling the gathered ‘graphers that he had injured an eye and his hand due to the intense physicality of the play. Luckily it was his left hand, so he could still sign!

Drawing: Kevin Spacey in Richard III at The Old Vic Theatre

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The enigmatic multi award-winning actor, Kevin Spacey has been the Old Vic’s Artistic Director since 2003. His efforts have been recognised by a variety of accolades, including an honorary CBE from the Queen.

On stage, I have been fortunate enough (without paying a fortune) to see Kevin in two productions at the theatre. Inherit the Wind and Richard III. The latter reunited director Sam Mendes with Kevin for the first time since their successful collaboration in the Oscar winning film American Beauty.

With Kevin in the title role as the tyrant monarch (although his newly found skull, found under a Leicester car park, suggested he did not have the face of a deformed despot, which pleased the anti-Shakespeare/pro-Richard faction) the production began at the Old Vic in mid 2011, followed by a worldwide tour, culminating in a New York season in 2012.

With his other play and at various public appearances such as opening nights, premieres, even Mikhail Gorbachev‘s 80th birthday bash (Kevin was MC) at the Royal Albert Hall. I have always found him a generous and gracious signer.

He even had his own ‘siggy stall’ – a custom built signing window next to the Old Vic stage door, which he stands behind after each performance, signs and poses for pics. However, for Richard III he did not use the protective porthole and did not sign at all. It was probably due to the taxing final scenes in which he hangs upside down for some length of time. It would take a while for him to stabilise into a Sharpie controlling state. So I left the sketch at the stage door with a note and a stamped self-addressed envelope. It was returned to me within the week.

Drawing: David Tennant in Hamlet at the Novello Theatre

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A few years ago David Tennant pulled out of Hamlet due to back problems and I didn’t get a chance to have him sign my drawing. I saw him later in Much Ado about Nothing and got the signature.

Drawings: Richard III and Twelfth Night; starring Mark Rylance, Stephen Fry, James Garnon, Peter Hamilton Dyer, Roger Lloyd-Pack, Colin Hurley, Samuel Barnett and Johnny Flynn

Here are my drawings from Shakespeare’s Richard III and Twelfth Night at the Globe and Apollo Theatres. Loved both plays, the cast was amazing.

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Stephen Fry

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James Garnon

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Peter Hamilton Dyer

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Roger Lloyd-Pack and Colin Hurley

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Samuel Barnett and Johnny Flynn

Drawing: Julius Caesar at the Donmar Warehouse starring Frances Barber, Jenny Jules, Cush Jumbo, Harriet Walter

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The all female cast of  ‘Julius Caesar’ at the Donmar Warehouse Frances Barber, Jenny Jules, Cush Jumbo and Harriet Walter signed sketch.  Haven’t seen the play yet, which looks interesting and has been well reviewed by the critics. The setting a women’s prison. They all loved the drawing.

Drawing: Mark Rylance – Richard III and Twelfth Night

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I met Mark Rylance tonight who is performing Richard III and Twelfth Night in repertory. He leads an all male cast – both brilliant plays. My drawings of the rest of the cast are here.

He slipped down to the stage door to have a sneaky ciggie, so I got his siggy and had a great discussion with him about playwriting. He’s just finished writing “Nice Fish” which will premiere in Minneapolis in April this year.