The world’s longest continuously running play for the past 68 years, Agatha Christie’s THE MOUSTRAP in London’s West End has finally ended its ‘initial’ run. On March 16 this year, when the British Prime Minister issued a statement in response to the Covid-19 pandemic advising people to avoid gathering in theatres, cinemas, bars and restaurants, the producers appropriately ‘suspended’ all performances until 30 June at the earliest. All theatre’s are now dark until further notice after the lockdown was formalised a week later.
The timeless tale of ‘whodunnit’ by the ‘Queen of mystery’, involving a small group of people who gather at Monkswell Manor, where a murder takes place during a blizzard, opened at the Ambassadors Theatre on 25 November 1952, running until Saturday 23 March 1974, before transferring next door to St Martin’s on the Monday. It has become a West End staple ever since.
One of my recent routines is to draw the actresses playing the strange and aloof Miss Casewell and the Manor’s co-proprietor, Mollie Ralston after each cast change – in this case, Victoria Lucie and Mollie Roberts respectfully, who now have the distinction of being part of final cast of THE MOUSETRAP’s ‘initial’ run. Victoria is making her West End debut and has just finished a TV pilot for NOIR-MAN. Mollie is the Artistic Director for Poleroid Theatre and is a regular on stage and screen, receiving multiple Off West End Award nominations.
Both signed my sketch prior to the lockdown.