Drawing: Suzann Pettersen

Autographed drawing of golfer Suzann Pettersen

Wildcard entry Suzann Pettersen sank an eight foot putt on the last hole to clinch the Solheim Cup-the women’s equivalent to the Ryder Cup-for Europe at Scotland’s Gleneagles course on Sunday. The 38 year-old Norwegian and double Major-winner then announced her retirement. “This is perfect closure. That’s it I’m done. This is a good end to a great career,” she said after the finest conclusion in the tournament’s 29 year history.

After taking a career break to start a family, Suzann’s ranking had dropped to 635th in the world. She was a controversial wildcard choice by Europe’s Captain Catrina Matthews and was unable to participate in the opening foursomes due to illness on Friday.

Europe were the underdogs, written off before the start of play against a very strong US team and with half an hour to go on Sunday afternoon it looked inevitable they would claim victory and retain the Cup. But Suzann’s pressure putt and last hole heroics against Marina Alex gave the hosts the one point win.

She signed my sketch at the Ladies Scottish Open hosted by the Renaissance Club last month.

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Drawing: Jean-Paul Gaultier

Autographed drawing of fashion designer Jean-Paul Gaultier

Although Jean-Paul Gaultier and myself are at the complete opposite ends of the fashion spectrum we did find some common ground – albeit briefly – outside the Artist Entrance to London’s Queen Elizabeth hall last week. The French fashion icon’s ‘eccentric, eclectic and erotic’ FASHION FREAK SHOW made its UK debut at the Southbank venue for a short thirteen performance residency.

Originating at the Folies Bergere in Paris, it is Jean-Paul’s staged autobiography, celebrating 50 years of pop culture through the eyes of this charismatic and influential Frenchman, known for his characteristic irreverent avant-grade style dating back to the early 1980’s, when he was labelled fashion’s ‘enfant terrible.’ Jean-Paul challenged the standard views of fashion to cement his place in its history, establishing a haute couture and pret-a-porter empire, including high fashion luxury goods and perfumes.

Some of his signature creations are the ‘Man-skirt’ and the infamous conical bra worn by Madonna in the 1990’s. Jean-Paul grew up in a Paris suburb, where he was introduced to the fashion world by his maternal grandmother, Marie Garage. Without any formal training in fashion design, he would, from an early age send sketches to stylists he admired. Pierre Cardin was one of the first major designers to recognise his talent and hired him as an assistant in 1970.

He recently told Vogue “even if it doesn’t look like it, I’m quite shy. I like privacy. It seems strange shy people do the most exaggerated things.”

In her Guardian review of the FASHION FREAK SHOW, Lyndsey Winship wrote, “A fabulous fiesta of fabric and flesh… as much a celebration of bodies and sensuality and sexual freedom… a famously fun romp through the French designers life and career,”

Jean-Paul signed my sketch, as he arrived on the opening night at the Queen Elizabeth Hall.

Drawing: Jerry Seinfeld

Comic genius and car collector Jerry Seinfeld returned to London last week to perform four shows over two nights at the Hammersmith Apollo. He is listed as the 12th Greatest Stand-up Comedian of All Time by Comedy Central with his ‘observational comedy’. A couple of examples to remind us of his brilliance, “It’s amazing that the amount of news that happens in the world every day always just exactly fits the newspaper” or “Make no mistake about why these babies are here-they are here to replace us.”
In collaboration with Larry David, he created and wrote the self-titled sitcom SEINFELD, in which he plays a fictional version of himself, a mild germaphobe and neat freak, minor celeb, stand-up comedian with his best friend George (Jason Alexander), friend and former girlfriend Elaine (Julia Louis-Dreyfus) and the neighbour across the hall, Cosmo Kramer (Michael Richards), set in a Manhattan apartment building on New York’s Upper West Side.

SEINFELD ran for nine seasons from July 5, 1989 – May 14, 1998, collecting 41 major awards, including 10 Primetime Emmys and three Golden Globes. It is regarded as one of the greatest and most influential sitcoms ever, and ranked the best TV show by Entertainment Weekly, Rolling Stone and TV Guide among others. The dialogue incorporated ‘Seinfeldian’ code words and recurring phrases, often referred to as ‘Seinlanguage’ that have become cemented in popular culture such as ‘Hello, Newman!’, ‘Not that there’s anything wrong with that’, ‘It’s not a lie if you believe it’….’Yada, yada, yada.’

Jerry also has an impressive collection of 150 cars, including 43 Porches, housed in a three-story, $1.4m Manhattan garage with it’s own dedicated fleet management team. Some of the vehicles appear in his talk show, COMEDIANS IN CARS GETTING COFFEE.
Jerry very kindly dedicated and signed my sketch for me at the Apollo.

Drawing: Henry Blofeld

Autographed drawing of cricket commentator Henry Blofeld

I had the pleasure of catching up with the one and only Henry Blofeld during this years Cricket Word Cup, which was hosted in England and Wales over the past seven weeks. ‘Blowers’ – one of the true legends of cricket commentary – took to the stage in for a Cricket World Cup Special: An evening with Henry Blofeld in conversation at the Emmanuel Centre in London’s Westminister, where he kindly signed and dedicated my sketch with his signature saying, ‘My dear old thing.’

Before Henry entered the commentary realm, he was “an opening batsman of sorts” with sixteen first-class matches for Cambridge University, scoring his only fist-class century against the MCC at Lords in July 1959 in his penultimate game. Realising he had no taste for merchant banking after leaving university, he ‘drifted into sports journalism.’ While covering England’s tour of India in 1963/64 for the Guardian he was close to being picked as an emergency batsman when Micky Stewart fell ill before the second test in Bombay. He also did TV commentary for ITV and later, in the 1990’s for BSkyB.

In 1972 Blowers joined the BBC Radio’s TEST MATCH SPECIAL team. His commentary is characterised by a ‘plummy voice’ and his idiosyncratic mention of superfluous details regarding the scene, including construction cranes, pink shirts in the crowd, pigeons, buses, and other flying objects. He was also a regular member of the commentary team on New Zealand television while England toured there and I recall once sending a cartoon of him as a seagull, captioned ‘Henry Livingston Seagull’, which he displayed during the live broadcast. After 45 years with TMS, Blowers retired at the age of seventy-seven, after commentating the test between England and the West Indies at Lords in September 2017, receiving a standing ovation on a lap of the ground following the match.

He wrote on his website, “Listeners will now be pleased to know that their chances of being told the right name of the fielders at third man and fine leg have greatly increased. I hope some will be sad that they will now hear less about the lifestyles of pigeons, seagulls and helicopters, although I fear the general feeling will be one of huge relief.”

The final of the World Cup was played at Lords last Sunday between the hosts England and my beloved Black Caps from New Zealand. The thriller ended in a tie, as did the subsequent ‘Super Over’. England were crowned World Champions on a count back of boundaries scored – congrats to them. Writing in his column for the Daily Mail, Henry wrote it was the “greatest cricket match of all time. What drama, what tension, what heroics. My dear old things, in all my years of watching cricket I cannot recall any match that kept me on my toes”.

Obviously as a New Zealander I was disappointed with the result, but immensely proud of our team, for the way they not only played and contributed to such a magnificent sporting spectacle, but also for the way they responded to the manner of their defeat. I was very pleased he wrote, “I felt for New Zealand, truly. Their undaunted spirit, their sense of decency even after they lost by that wafer-thin margin was an absolute tonic and very much in the spirit of the game.”

Drawing: Feliciano Lopez

Autographed drawing of tennis player Feliciano Lopez

While his doubles partner Sir Andy Murray was grabbing the headlines for a successful return to competitive tennis after career-saving surgery five months ago, Feliciano Lopez completed a remarkable double winning both titles at the prestigious Queen’s Club in London on Sunday. Initially ranked outside the top 100 in the ATP rankings, the 37 year old Spaniard became the first wild card entry to lift the singles trophy since Pete Sampras in 1999 and the first player to claim the Queen’s ‘double’ since Mark Philippoussis in 1977.

As a consequence he has leapfrogged a massive 60 places to #53 in the world. He would have also become the oldest player ever to win a grass court event in the open era, but a certain Roger Federer, who is one month older secured his tenth Halle title earlier in the day. Given the inclement English weather earlier in the week, the disrupted schedule meant playing catch-up and multiple games in the same day. In Feliciano’s case it was a remarkable act of endurance.

On Saturday he played five-hours of gruelling tennis to reach the two finals. After beating rising star Felix Auger-Aliassime in the singles semi, he took a 12 minute shower and was back on court with Andy to wrap up their suspended quarter finals doubles clash against British pair Dan Evans and Ken Skupski, before taking on the highly-fancied Henri Kontinen and John Peers, which needed a championship tie-break to decide it. The following day, Feliciano beat Giles Simon in the singles and completed Sir Andy’s fairytale comeback, beating Joe Salisbury and Rajeev Ram in another tie-breaker to enter the history books.

Feliciano kindly signed this drawing for me when he arrived at the club on Saturday morning. I didn’t need to state the obvious and mention it was going to be a very busy day for him…but I did.

Drawing: Roberto Alagna

Autographed drawing of tenor Roberto Alagna

One of the world’s most beloved tenors, Roberto Alagna returned to London’s Royal Opera house for his 100th Covent Garden appearance in the title role of Giordano’s greatest opera, ANDREA CHENIER. Born in the Parisian suburb of Clichy-sous-Bois fifty-six years ago to Sillian parents, Roberto was discovered singing for tips in a pizzeria. Largely self-taught, he switched to opera and made his professional debut as Alfredo Germont in LA TRAVIATA with the Glyndebourne touring company, a role he would sing more than 150 times throughout his illustrious career.

He won the Luciano Pavarotti International Voice completion in 1988, making his Royal Opera debut in 1992 as Rodolfo in LA BOMEME and has been a popular regular ever since. In 1995 Roberto won the Olivier Award for his performance as Romeo in ROMEO ET JULIETTE, which catapulted him to International prominence. He was appointed a chevalier de la legion d’honueur in 2008.

I left this drawing at the ROH, of Roberto as Don Jose in the Metropolitan Opera’s most recent production of Bizet’s CARMEN, which he kindly signed and returned.

Drawing: Kenneth Lonergan

Autographed drawing of writer Kenneth Lonergan

American film director, screenwriter and playwright Kenneth Lonergan was in London recently, visiting Wyndham’s theatre where his play THE STARRY MESSENGER opened last month with Matthew Broderick and Elizabeth McGovern. The original 2009 off-Broadway production also featured Matthew and Kenneth’s wife, J.Smith-Cameron.
Kenneth’s playwriting prowess came to prominence in 1996 with THIS IS OUR YOUTH, followed by THE WAVERLY GALLERY three years later, earning him a Pulitzer Prize nomination and LOBBY HERO in 2002. All three plays collected Tony Award nominations for their respective revivals.

Kenneth’s most notable film work is YOU CAN COUNT ON ME (2000) and MANCHESTER BY THE SEA (2016), both written and directed by him and both included Matthew in their cast. He received Academy Award Best Original Screenplay nominations the two films, collecting the Oscar for the later. He also won the BAFTA Award. David Fear, writing in Rolling Stone said that MANCHESTER proved Kenneth was “practically peerless in portraying loss as a living, breathing thing without resorting to the vocabulary of griefporn.” In 2002 he co-wrote Martin Scorsese’s GANGS OF NEW YORK (2002), once again receiving Academy recognition with an Original Screenplay nomination.

It was great to meet Kenneth at Wyndham’s Theatre, where he kindly signed my drawing.

Drawing: Alex Kingston in Macbeth

Autographed drawing of actress Alex Kingston

Alex Kingston made her New York stage debut as Lady Macbeth opposite Kenneth Branagh in Shakespeare’s ‘Scottish play’ at the cavernous Park Avenue Armoury in June 2014. Co-directed by Rob Ashford and Sir Kenneth, this immersive production transferred from a limited run at the deconsecrated St Peter’s church as one of the highlights of the Manchester International Festival a year earlier. “Branagh is expertly matched by Alex Kingston”, wrote Dominic Cavendish in his Telegraph review. “Lady Macbeth – an electrifying, highly wrought Alex Kingston” was The Stage’s Michael Coveney’s summation of her acclaimed performance. The production was also screened in cinemas throughout the UK and internationally as part of the National Theatre Live programme.

Alex’s notable television work includes her title role in the miniseries THE FORTUNES AND MISFORTUNES OF MOLL FLANDERS in 1996, for which she received a BAFTA nomination and her portrayal of British surgeon Elizabeth Corday in the US medical drama ER for seven seasons between 1997-2004, returning for the final season in 2009 for two episodes, winning two SAG Awards as part of the ensemble cast. She played River Song, the Time Lord’s wife in DOCTOR WHO from 2008-2015.

Alex returned to the London stage earlier this year to play Sherri Rosen-Mason, the head of admissions at a sixth-form college in Joshua Harmon’s successful Broadway play ADMISSIONS at London’s Trafalgar Studios, where she signed my drawing.

Drawing: Sidney Poitier

Autographed drawing of actor Sidney Poitier

I was super pleased to receive this back in the mail last week. Sidney Poitier, or should I say Sir Sidney is one of my all-time favourite people.

His parents were farmers on Cat Island in the central Bahamas, which was then a British colony. Sidney was born in Miami, Florida, while they were visiting to sell their produce. He was two months premature and not expected to live. But live he certainly did, celebrating his 92nd birthday this year.

In 1964 he became the first African-American to win the Academy Award for Best Actor, for his role as itinerant worker Homer Smith in LILIES OF THE FIELD. He also won a Golden Globe. It was his second Oscar nomination, having received recognition six years earlier for his portrayal of Noah Cullen in THE DEFIANT ONES, for which he won the BAFTA. His groundbreaking work continued in 1967 with three roles, Mark Thackeray in TO SIR, WITH LOVE, Dr. John Wade Prentice in GUESS WHO’S COMING TO DINNER and Detective Virgil Tibbs in my personal favourite, IN THE HEAT OF THE NIGHT, that all dealt with issues of race and race relations.

Both the Academy of Motion Pictures, Arts and Sciences and the British Academy presented him with an Honorary Oscar and a Fellowship respectively. Sidney has also directed nine films, including the box-office hit STIR CRAZY. Sir Sidney was knighted in 1974, and from 1997-2007 he was the Bahamian Ambassador to Japan. In 2009, President Barack Obama presented him with the Presidential Medal of Freedom, the highest US civilian honour.

Yes, indeed, super, super pleased he signed and returned my drawing.