The infamous line, listed in various polls as the funniest ever in film, uttered by Brian Cohen’s mother, Mandy to the gathering crowd, after her son, born on the same day as their neighbour Jesus, is subsequently mistaken for the Messiah in the cult 1979 religious farce MONTY PYTHON’S LIFE OF BRIAN.
Regarded as the British comedy troupe’s masterpiece, and by a number of critics as the best comedy film of all time, the cutting-edge, controversial movie was banned in Ireland, Norway and several parts of Britain, securing its a place in cinematic history. It was directed by the late Python, Welsh genius Terry Jones, who also appeared as Mandy, as well as various other roles including a saintly passer-by, and an alarmed crucifixion assistant.
Sadly we lost Terry last January at the age of 77. In early 2016 he directed the world premiere of JEEPERS CREEPERS , Robert Ross’ play about the life of comedian Marty Feldman at the Leicester Square Theatre in London. After drawing this quick portrait sketch of Terry and as Mandy Cohen, I caught up with him at the venue during rehearsals, where he was happy to sign.
The 89 year-old maestro, John Williams, considered one of the greatest and most influential film composers of all time, producing the most popular, recognisable and acclaimed movie scores over the past seven decades (including JAWS, the STAR WARS sagas, CLOSE ENCOUNTERS OF THE THIRD KIND, ET, THE EXTRA TERRESTRIAL,the INDIANA JONES and JURASSIC film franchises and SCHINDLER’S LIST to name only a handful). He has won 25 Grammys, five Oscars, seven BAFTAs, four Golden Globes, three Emmys and a myriad of other accolades, which sums up his spectacular contribution to film music. His 52 Academy Award nominations are the second most by an individual, behind Walt Disney. He has had a long association with Steven Spielberg since 1974 scoring all but five of his feature films.
I’ve had the privilege of meeting the maestro once, when he and George Lucas were at ShoWest in Las Vegas in the 1990s. He was conducting the local symphony orchestra performing a number of STAR WARS medleys. From 1983 to 1993 John was principal conductor of the Boston Pops succeeding Arthur Fiedler. While there he signed a card for me adding the opening few bars of the infamous dum dum dum dum Intro to JAWS. A few years ago I sent this sketch to his agent hoping to get it signed, but unfortunately it wasn’t possible.
John was scheduled to conduct the London Symphony Orchestra in October 2018 which gave me an opportunity to get the drawing signed in person, but due to a last minute illness he was unable to attend.