Drawing: Jim Carter in Downton Abbey

Autographed drawing of actor Jim Carter in Downton Abbey

Jim Carter’s portrayal of Charles Carson in the hugely successful and popular British historical drama DOWNTON ABBEY (2010-2015) is one of his most recognisable roles in a long and distinguished screen and stage career that began when he dropped out of his law studies at the University of Sussex fifty plus years ago to join a Brighton fringe theatre group for five quid a week, plus free board and lodgings.

His big stage break came with the National Theatre’s 1982 revival of GUYS AND DOLLS directed by Richard Eyre. At the same time he met his wife-to-be, Imelda Staunton, who was also in the show and they later appeared together in THE WIZARD OF OZ for the Royal Shakespeare Company – Imelda as Dorothy and Jim as the cowardly lion.

His film credits include THE MADNESS OF KING GEORGE (1994), RICHARD III (1995), BRASSED OFF (1996) and SHAKESPEARE IN LOVE (1998), which won the Outstanding Performance by a Cast Screen Actors Guild Award and the Oscar for Best Picture. On the small screen, Jim has appeared in so many, THE BILL, MIDSOMER MURDERS, ZORRO, CASUALTY, CRANFORD and THE SINGING DETECTIVE to name a few. Created and co-written by Julian Fellowes, DOWNTON ABBEY is based on the lives of the aristocratic Crawley family and their domestic servants in the fictional Yorkshire country estate of Downton Abbey during the early part of the 20th Century.

Jim played a leading role as Mr Carson, the butler who is In charge of the male staff, the pantry, wine cellar and the dining room. Mr Carson is described as having a ‘fatherly disposition over the other servants’ while making sure that their duties are carried out to his exacting standards. For his portrayal Jim has received four Primetime Emmy nominations and has twice won the SAG Award for Outstanding Performance by an Ensemble. He also reprised the role for the 2019 film version. Jim received the OBE for services to drama last year.

He signed my sketch last month at the Kiln Theatre in North London, where he was hosting a fundraising event with the screening of the 2014 film PRIDE followed by a cast Q&A.

Drawing: Rosamund Pike in Hitchcock Blonde

Autographed drawing of Rosamund Pike in Hitchcock Blonde at the Lyric Theatre on London's West End

Rosamud Pike played the ‘Blonde’ in Terry Johnson’s HITCHCOCK BLONDE, which opened at London’s Royal Court theatre in April 2003, before transferring to the Lyric in Shaftesbury Ave in the West End. The play interweaves between three time zones – a 1919 short film featuring a blonde woman that later fascinated ‘the master of suspense’, influential English film director Alfred Hitchcock, 1959, during the filming of his best-known film PSYCHO, where the blonde acts as a body double for Janet Leigh in the famous shower scene and in 1999 when a media studies professor and one of his students, a blonde woman, discover the 1919 short film and re-examine Hitchcock’s work through its lens.

Rosamund’s screen credits include her role as undercover M16 double agent Miranda Frost in the 2002 Bond film DIE ANOTHER DAY with Pierce Brosnan and the disappearing wife, Amy Dunne in David Fincher’s 2014 psychological thriller GONE GIRL, earning her SAG, Golden Globe, BAFTA and Academy Award nominations. This year she won a Primetime Emmy for her performance as Louise in the British Comedy about a disintegrating marriage, STATE OF THE UNION.

Rosamund was a guest on Dermot O’Leary’s BBC Radio 2 show at its studios in Wogan House earlier this month to discuss her latest role as Nobel Prize-winning Polish scientist Marie Curie in RADIOACTIVE, where she signed my sketch.

Drawing: Paul Simonon, The Clash

Autographed drawing of musician Paul Simonon of The Clash

British punk and experimental rock group The Clash’s landmark double-album LONDON CALLING, was released in the winter of 1979. To mark the 40th Anniversary, the British Film Institute screened Don Lett’s Grammy Award-winning doco, THE CLASH: WESTWAY TO THE WORLD, forty years to the day on 14 December 2019 with the band’s original members Mick Jones and Paul Simonon in attendance.

The apocalyptic, politically charged title track, written by the late Joe Strummer and Mick was influenced by the BBC World Service call signal and the panic that resulted in the Three Mile Island nuclear scare. The era-defining record is regarded as one of the greatest rock albums ever recorded. It was voted the Best Album of the 1980’s a decade later by Rolling Stone ranking it number 8 of all time and, in 2004 The Clash were ranked at number 28 on it’s Top 100 Greatest Artists of All Time list.

The iconic cover design by Ray Lowry was based on Elvis Presley’s self-titled 1956 debut LP. It features the classic photo by Pennie Smith of the band’s bass guitarist Paul Simonon smashing his Fender Precision guitar in frustration at the bouncers stopping audience members from standing up out of their seats on the Palladium’s stage in New York on 20 December 1979. Pennie thought the image was too far out of focus and didn’t want it used, but Joe and Ray thought otherwise. In 2001 Q magazine called it the best ever rock ‘n roll photo, commenting, “it captured the ultimate rock and roll moment – total loss of control”. It also selected it the 9th best album cover design of all time.

I drew this montage sketch of Paul, including his immortalised instrument demolition, but my attempts to get it signed at the BFI event was thwarted by the large gathering of fans with similar ambitions, so I sent it to his home and he kindly signed and returned it.
The Museum of London also hosted an exclusive exhibition, LONDON CALLING:40 YEARS OF THE CLASH featuring over 100 personal items including Paul’s broken fender, which I visited last November.

Photo of The Clash smashed guitar from London Calling album cover

Drawing: Kaitlyn Dever

Autographed drawing of actress Kaitlyn Dever

At 23 years of age, American actress Kaitlyn Dever’s career has already past a decade, with 15 films and ten TV shows on her impressive CV, resulting in eight Award nominations, including a Golden Globe and the BAFTA Rising Star Award. Starting in 2009 with her first notable role as Gwen Thompson, a homeless girl in AN AMERICAN GIRL: CHRISSA STANDS STRONG. Two years later she appeared in the Clint Eastwood-directed J.EDGAR.

Three films in the past two years has cemented her reputation as one to watch, playing Lauren in the biographical drama BEAUTIFUL BOY with Timothee Chalamet in 2018, followed by Dilly Picket in the thriller THEM THAT FOLLOW opposite Oscar-winner Olivia Coleman and Amy Antsler in the coming-of-age comedy BOOKSMART last year. Kaitlyn’s small screen successes include her recurring role as no-nonsense teen Loretta McCready in JUSTIFIED between 2011-2015 and as Tim Allen’s daughter Eve Baxter in LAST MAN STANDING since 2011. Last year she was nominated for a Golden Globe for her portrayal of sexual assault victim Marie Adler in the Netflix miniseries UNBELIEVABLE.

Kaitlyn signed my sketch at a British Academy event involving the nominees for the Rising Star Award at London’s Savoy Hotel, the day before this year’s BAFTA ceremony in early February.

Drawing: John Williams, Executive Chef at The Ritz London

Autographed drawing of Chef John Williams

As the ever enthusiastic gastronaut I was watching the first episode of the ITV’s mini-series INSIDE THE RITZ HOTEL one lazy Sunday afternoon a few weeks ago. It featured the famous Piccadilly Hotel’s venerable Executive Chief John Williams and the launch of The Ritz’s first ever cookbook, compiled by him and containing its most famous signature recipes, including the Roast Scallops Bergamot and Avocado, the Saddle of Lamb Belle Époque and the Grand Marnier Soufflé. The recipes are said to be ‘simple to the seasonal, to the signature and the sublime.’

I thought he would make a great addition to my collection, drawing this quick sketch, I posted it to him for signing. South Shields-born, on England’s North East coast and the son of a Tyneside fisherman, John’s culinary career began peeling spud’s in his mum’s kitchen. He moved to London at the age of 16 and after working at the Royal Garden, Claridges and The Berkeley Hotels he arrived at The Ritz in 2004 as the Executive Chef. Seen by many as the symbol of high society and luxury it is described as one of the best dining experiences you’ll ever have or in my case ever wish to have.

The fortunate diner is spoiled for choice with The Ritz Restaurant, which was awarded it’s first Michelin Star in 2017, the iconic Palm Court, the legendary Rivoli Bar, six private dining suites not to mention room service. It is the recipient of a Royal Warrant for Banqueting and Catering Services from HRH The Prince of Wales-the first and only Hotel to receive the prestigious accolade.

John himself has been personally recognised with numerous awards, including the Pierre Taittinger International prize, known as the ‘Everest of Gastronomy’ and the Craft Guild of Chefs Award in 2000. In 2005 he was the first British Chef to be conferred with the CMA by the French Government for his contribution to French cuisine. He was made a Member of the British Empire in 2008.

His favourite dish? The lobster with lemon verbena, which has had a few variations over the years. It used to be accompanied by a spiced carrot purée, but now it’s served with a vegetable tagliatelle.

As you can see John kindly signed and returned my drawing.

Drawing: Stephen Schwartz

Autographed drawing of composer Stephen Schwartz

I had the good fortune to meet one of the great contemporary composers and lyricists last night at the West End opening for his new musical THE PRINCE OF EGYPT at London’s Dominion Theatre. Winner of three Academy Awards, three Grammys, and nominated for six Tony Awards and an Olivier, Stephen Schwartz added ten new songs to the original five he wrote for the original 1998 DreamWorks Animation feature for the stage adaption, which is directed by his son Scott. He won the Best Original Song Oscar for ‘When We Believe’.

Stephen made his name with GODSPELL in 1971, his hippy-era, communal-clownish presentation of Christ’s parables and now returns to the Good Book with the story of Moses as a once prince of Egypt who leads the children of Israel out of Egypt. It debuted at Mountain View Centre for the Performing Arts in Silicon Valley, California in October 2017 and had its international premiere at The Fredericia Theatre in Denmark in April 2018, followed by a summer season at the Royal Danish Theatre in Copenhagen last year.

Stephen’s stage hits include PIPPIN (1972) and WICKED (2003) and his film successes GODSPELL (1973), POCAHONTAS (1995), THE HUNCHBACK OF NOTRE DAME (1996) He won a Golden Globe, a Grammy and two Oscars for Original Score and Original Song (‘Colours of the Wind’) for POCAHONTAS.

In 2015 he was the recipient of the Isabelle Stevenson Tony Award.
Luckily I caught Stephen after he did his press interviews at the Dominion Theatre, where he was happy to sign my portrait sketch.

Drawing: George MacKay

Autographed drawing of actor George MacKay

Since being nominated for BAFTA’s Rising Star Award in 2014, London-born actor George MacKay’s star has certainly been on the rise. He is currently dominating the big screen in one of the best and most decorated pictures of the year, the Sir Sam Mendes directed, co-written ( with Krysty Wilson-Cairns) and produced WW1 epic, 1917. George plays the lead character, Lance Corporal William Schofield, who along with fellow Lance Corporal Tom Blake (Dean-Charles Chapman) are given a seemingly impossible mission, to cross no man’s land to deliver a warning to the commanding officer of the Second Battalion of the Devonshire Regiment to call of an attack that will jeopardise the lives of 1,600 men, including Tom’s brother.

Sir Sam based the screenplay on a ‘fragment’ of a story, told to him as a child by his grandfather Alfred Mendes, a native of Trinidad, who was a messenger for the British on the Western Front. At its core it is “the story of a messenger, who has a message to carry”, said Sir Sam. George’s ‘messenger’ very rarely leaves the screen, because of the decision to film and edit the picture to appear as one take – actually two takes, split with a blackout at the midpoint when he is knocked unconscious – he is almost continuously on screen for the entire two hours of the film. 1917 was nominated for ten Academy Awards, winning three and nine BAFTAs, winning seven including Best Picture.

It’s not the first war film George has starred in. He was Private Tommo Peaceful in the 2012 adaption of Michael Morpurgo’s PRIVATE PEACEFUL and Lutz, the son of a high-ranking SS officer in Nazi Germany in the rite-of-passage war drama WHERE HANDS TOUCH in 2018. In 2013 he won a Scottish BAFTA for his portrayal of Aaron, an ostracised misfit and sole survivor of a strange fishing accident in FOR THOSE IN PERIL. Other prominent roles included playing Viggo Mortensen’s son, Bodevan Cash in CAPTAIN FANTASTIC (2016), earning a Screen Actors Guild nomination as part of the cast. George won the Trophee Chopard last year at the Cannes Film Festival. His next film role is the outlaw Ned Kelly in Justin Kurzel’s TRUE HISTORY OF THE NED KELLY GANG with Russell Crowe, due for release in the UK at the end of February and the US in April.

He has also walked the boards in the West End, most recently as Mick in the Old Vic’s production of Harold Pinter’s THE CARETAKER (2016), opposite Timothy Spall and Daniel Mays.

George signed my sketch for me at the Corinthia Hotel in London as he was leaving to attend the BAFTA Awards earlier this month.

Drawing: Sara Bareilles in Waitress

Autographed drawing of Sara Bareilles in Waitress at the Adelphi Theatre on London's West End

In 2015 Sara Bareilles wrote the music and the lyrics for her hit musical WAITRESS, which opened on Broadway a year later at the Brooks Atkinson Theatre. Based on Adrienne Selly’s 2007 film of the same name, it tells the story of Jenna Hunterson, a pregnant, pie-baking waitress in an abusive relationship with her husband, earning Sara a Tony and Grammy Award nomination. Last year it transferred to London’s Adelphi Theatre where Sara made her West End debut at the end of January this year, stepping into the title role for a six-week run, alongside Olivier and Tony winner Gavin Creel as Dr. Jim Pomatter, after both played their respective roles in the Broadway production last year.

Sara has sold over a million albums and five million singles, receiving eight Grammy Award nominations, eventually winning for her song ‘Saint Honesty’ last year.

Her portrayal as Mary Magdalene in NBC’s live TV adaption of Andrew Lloyd Webber and Tim Rice’s rock opera JESUS CHRIST SUPERSTAR in 2018, earned her critical acclaim and a Primetime Emmy nomination.

Sara signed my portrait at the Adelphi Theatre’s stage door after her first Saturday evening performance.

Drawing: Thelma Schoonmaker

Autographed drawing of editor Thelma Schoonmaker

I had the absolute privilege of meeting the legendary editor, Thelma Schoonmaker when she visited London earlier this month for the BAFTA Awards, receiving her eighth nomination for her cutting of Martin Scorsese’s THE IRISHMAN. It’s one of Hollywood’s greatest collaborations, working with Marty for over fifty years, since their first film in WHO’S THAT KNOCKING AT MY DOOR, in 1967, after meeting on a six-week film-making course at New York University.

She made an uncredited contribution to TAXI DRIVER (1976) and has edited all his films after that, including RAGING BULL (1980), THE AVIATOR (2004) and THE DEPARTED (2006), winning an Academy Award for each. She is tied with Michael Kahn with the most nominations (8) for Best Editing in the Academy’s history.

Thelma along with Michael, Daniel Mandell and Ralph Dawson are the only people to win the Oscar on three occasions. She won the BAFTA for GOODFELLAS in 1992 and received the Fellowship last year. Asked how a nice lady like her could edit Martin’s violent gangster pictures, Thelma replied, “Ah, but they aren’t violent until I edit them.”

Thelma signed my quick portrait sketch as she was leaving the Corinthia Hotel for the BAFTA Award ceremony at the Royal Albert Hall.

Drawing: Sandy Powell

Autgraphed drawing of costume designer Sandy Powell

It’s BAFTA-Oscar week, and one of the awards’ season favourites is British costume designer extraordinaire Sandy Powell, who once again is nominated for both, for her work on the epic crime drama THE IRISHMAN, continuing her collaboration with Martin Scorsese after previously working on THE AVIATOR and GANGS OF NEW YORK.

Sandy has now received 15 nominations for both prestigious prizes, winning three each. Her Oscars were for SHAKESPEARE IN LOVE (1998), THE AVIATOR (2004) and THE YOUNG VICTORIA (2009) and BAFTAs for VELVET GOLDMINE (1998), THE YOUNG VICTORIA (2009) and THE FAVOURITE (2018). She has received dual Oscar noms twice, in 1999 for SHAKESPEARE IN LOVE and VELVET GOLDMINE and again in 2016 for CINDERELLA and CAROL. On three occasions she has had BAFTA doubles, replicating her Academy success plus last year for THE FAVOURITE and MARY POPPINS RETURNS.

In an interview with the Guardian, when asked who would play her in a biopic, Sandy suggested Eddie Izzard. She was honoured by the London Film Critics’ Circle last week with the Dilys Powell Award for Excellence her career achievements in film at London’s May Fair Hotel, where she signed my sketch.