Drawing: Anthony McCarten

Autographed drawing of writer Anthony McCarten

Continuing with my fellow Massey University alumi after my previous post with Shehan Karunatilaka, another writer with kiwi connections… well… screenwriter, novelist, playwright, journalist, film director and producer, Anthony McCarten also graced our Varsity’s hallowed halls. Born in New Plymouth on the west coast of New Zealand’s North Island, Anthony worked as a reporter for The Taranaki Herald for a couple of years before studying for an Arts Degree at both Massey and nearby Victoria. While there he attended Bill Manhire’s famous creative writing course. This was followed by a period of unemployment, a stint on the boards in a production of the Bard’s KING LEAR and writing, including two abandoned novels and some poetry, but a meeting with Stephen Sinclair in 1987 at a NZ Playwrights’ Workshop resulted in them writing LADIES NIGHT together in six days, which is now New Zealand’s most successful commercial play.

First performed at Auckland’s Mercury Theatre, it had several national sell-out tours in the UK and has been translated into sixteen languages. It continues to play worldwide. The French version at the Theatre Rive Gauche in Paris won the Moliere Award for stage comedy in 2001. Since 1984, fifteen of his plays have been performed, the latest, A BEAUTIFUL NOISE – THE NEIL DIAMOND MUSICAL opened at the Broadhurst Theatre on Broadway earlier this month, following a four-week run in June at the Emerson Colonial Theatre in Boston.

Anthony has written nine novels, translated into 14 languages, winning several accolades. His fourth, SHOW OF HANDS, was adapted into a movie directed by the author in 2008 and nominated for for Best Picture and Best Director at the New Zealand Film Awards. His 2017 work of historical non-fiction, DARKEST HOUR: HOW CHURCHILL BOUGHT US BACK FROM THE BRINK was turned into a critically acclaimed  biopic with Gary Oldman in the lead role. DARKEST HOUR received 5 Academy Award nominations with Anthony given a nod for Best Picture as producer. He also collected two BAFTA noms for Best Film and Best British Film.

Since 1999 he has written nine screenplays, receiving nominations for four Oscars, eight BAFTAs and a Golden Globe. The 2014 biographical romantic drama THE THEORY OF EVERYTHING, detailing the life of theoretical physicist Stephen Hawking, which Anthony adapted from Jane Hawking’s 2007 memoir, TRAVELLING TO INFINITY: MY LIFE WITH STEPHEN was nominated for six Oscars. He was nominated for Best Adapted Screenplay and Best Picture. It also received 10 BAFTA noms with Anthony winning two for his adapted script and Best British. BOHEMIAN RHAPSODY (2018) was nominated for the BAFTA’s Outstanding British Film and the following year THE TWO POPES garnered Anthony Oscar, BAFTA and Golden Globe nominations for his adapted screenplay. His latest screen project is an adaption of his 2022 play THE COLLABORATION, exploring the relationship between artists Andy Warhol and Jean-Michel Basquiat, which originated at London’s Young Vic earlier this year, featuring Paul Bettany and Jeremy Pope and directed by Kwame Kwei-Armah. The Broadway transfer is currently in previews at the Samuel J. Friedman Theatre, opening 20 December with Paul and Jeremy reprising their roles, also directed by Kwame. All three are also involved in the film adaptation.

As you can see, Anthony is one of the busiest people on the planet, but I managed to catch up with him at The Old Vic in February during the first week of THE COLLABORATION, where we acknowledged our Massey alumni status and he signed my portrait sketch.

Advertisement

Drawing: Kane Williamson

Autographed drawing of New Zealand cricketer Kane Williamson

It’s a great time to be a Black Caps supporter and a proud Kiwi. The New Zealand men’s cricket team are ranked No 1 in the world, having beaten India in an absorbing World Test Championship Final in Southampton last month. Central to that victory was Captain Kane Williamson, who appropriately lead his team to victory with an unbeaten half century on the final day.

Not only did his team reach the panicle, he himself returned to the top as the world’s number one test batsman. Kane became the kiwi captain in all forms of the game – test, ODI and T20, in March 2016, after the retirement of Brendon McCullum. New Zealand is also the number 1 side in ODI’s and is the third ranked team in T20 Internationals. Since his test debut in November 2010 against India at Ahmedabad, Kane has scored 7,230 runs in 85 test matches, averaging 53.95, including 24 centuries, the most by a New Zealander and 33 half centuries with a top score of 251. He’s also a useful spin bowler, taking 30 wickets at an average of 44.23. In 151 ODI’s he has scored 6,173 runs with a highest score of 148 and 1805 runs in 67 T2O Internationals.

“Of all the top players, Williamson seems to have the most ideal temperament. His batting is minimalist and his mind calm – as if the zen is given. He rarely plays a shot in anger”, wrote English cricket commentator Mark Nicholas.

Kane signed (with his left hand, despite batting and bowling right-handed ) my sketch at the Headingley Cricket Ground in Leeds, while he played for Yorkshire in the 2018 County Cricket Championship.

Drawing: The Barrett Brothers

Autographed drawing of All Blacks the Barrett Brothers

No, not the musical duo from the Kentish coast, sorry to disappoint the disciples, but New Zealand’s Barrett Brothers, Beauden, Scott and Jodie, who made rugby history this week, becoming the first trio of sibblings to play for the reigning World Champion All Blacks at a World Cup when they cruised past Canada, 63-0 in their second Pool match at the Oita Stadium in Japan. To add to the occasion all three scored tries. It’s not uncommon for two brothers to play for the hallowed AB’s. There have been 46 sets of siblings who have worn the famous black jersey and there has been three other trios, but they did not play all at the same time or at a World Cup.

They were the first trio of brothers to be selected for an All Black starting lineup XV when all three were picked to play in the first test against France at Auckland’s Eden Park in 2018, a match won by the AB’s, 52-11.

Twenty-seven year-old two-time World Rugby Player of the Year and the oldest, but shortest at 6’2″, Beauden is the most capped and plays at first five-eighth as we Kiwis call it, but internationally known as fly-half although at this World Cup he’s at full-back. Scott (25), the tallest at 6’6″ is a lock forward and at times a flanker on the side of the scrum. The youngest, Jordie (22) is 6’5″ and plays pretty much in every back position, regarded as one of the world’s most skilful utility players. Sport was always in the Barrett DNA. Their father, Kevin played provincial rugby for Taranaki in 167 games and their mother Robyn was a renowned runner, netballer and basketballer. When Kevin retired from the game, he stated that he was “going to breed a few All Blacks”, and indeed he did. Growing up on a dairy farm on the West Coast of New Zealand’s North Island meant they had plenty of ‘backyard’ to practice in.

I found out where the ABs were staying in London last November as they prepared for the Autumn International against England, so quickly did this sketch of the ‘ABarrett Bros’, as I labelled them, and they signed it for me.

Drawing: Bret McKenzie and Jemaine Clement – Flight Of The Conchords

Autographed drawing of Bret McKenzie and Jemaine Clement Flight Of The Conchords

Self-styled as New Zealand’s ‘fourth most popular guitar-based digital-bongo acapella- rap-funk-comedy-folk duo’, and ‘retired sex symbols’, Flight Of The Conchords, Bret McKenzie and Jemaine Clement are, by global consensus, one of the most successful musical comedy bands on the planet.

As fellow Kiwis… actually as a members of the human race we had to see them perform live, the first time in eight years in the UK. We managed to get tickets to see them at London’s O2. However their big comeback, sold-out arena tour was postponed after a couple of dates, when Bret fell down a flight of stairs, breaking two bones in his hand, “a very rock ‘n’ roll injury” he wrote on his Instagram post.

Bones fixed, the bona fide rock stars rescheduled, adding extra shows. We finally got to the O2 gig on 22 June. “Sorry we’re three months late,” they said in typical Conchordian laid back schtick. Jemaine also apologised for looking ‘older and dustier’, but Bret pointed out that the audience have also put on some years since they last toured “So we’re even.” In London, they did three sell-out shows at the O2 and four at the Eventim Apollo in Hammersmith.

The O2’s a fortress and nigh impossible to meet the artists let alone get stuff signed. The Apollo isn’t much better, with a reinforced gate protecting the lane to the stage door, but it has an opening. I had also heard that sometimes barriers are erected for after show signing and selfie sessions. I decided to go with an entry rather than exit option and quickly did this sketch, arriving at the said gate just as it was closing after Bret and Jemaine had passed through in a big black van and down to the stage door.

However, while I was muttering the typical antipodean expletive, ‘bugger’ or something stronger, a very accommodating gentleman with a lanyard approached me and asked if he could help. I explained the situation and he promised to pass it on. A month passed, nothing returned. Then yesterday this arrived back in the post. Apologies for thinking the worse of said accommodating gentleman with lanyard… in fact ‘thanks.’

Drawing: Eleanor Catton

Autographed drawing of author Eleanor Catton

It’s always nice to catch up with a fellow kiwi in London, and in this case a very distinguished New Zealander, Man Booker Prize winner Eleanor Catton. Born in Canada, while her father completed his doctorate at the University of Western Ontario, she grew up in Christchurch on east coast of NZ’s South Island. Eleanor’s second novel, THE LUMINARIES won the Man Booker Prize in 2013.

At the age of 28, she was the youngest recipient of the prestigious literary award. It was also the longest book to win, with 832 pages. The chair of the judging panel, Robert Macfarlane said, “It’s a dazzling work. It’s a luminous work. It is vast without being sprawling.”

Set in 1866, THE LUMINARIES follows Walter Moody, a prospector who heads to Hokitika on the opposite coast to Christchurch to make his fortune in the goldfields, but stumbles on a meeting of twelve local men and is drawn into a complex mystery that is covering up a series of unsolved crimes. Each of the twelve men are associated with the twelve signs of the zodiac, astrological principles, the sun and the moon – ‘the luminaries’ in the title. Each of the novel’s twelve parts decreases in length to mimic the waning of the moon. As Eleanor herself said, “It’s a kind of weird sci-fi fantasy thing.”

Eleanor was in London over the weekend speaking at the ‘Series Man Booker 50′ as part of the 50th anniversary celebrations of the Prize. I met her at the Queen Elizabeth Hall Artists’ Entrance on Saturday, where we ‘conversed in kiwi’ as she signed my sketch.

Drawing: Ivan Mauger

Autographed drawing of speedway racer Ivan Mauger

New Zealand’s Ivan Mauger, regarded as the world’s greatest speedway rider died today at the age of 78. The Christchurch-born Ivan, who won a record six individual World Championships was voted the ‘Greatest Speedway Rider of the 20th Century.’ He was also runner-up three times. In all the speedway ace won 15 world titles, mostly in the 1970’s along with countless other events and enjoyed International celebrity status.

I can’t remember when or where Ivan signed this biro sketch for me, but I have a feeling it may have been in Wellington in 1990 when he was the inaugural inductee into the NZ Hall of Fame. RIP Ivan.

Drawing: Sam Wills as Tape Face

New Zealander Sam Wills and his alter – ego Tape Face found International notoriety last year, reaching the finals of America’s Got Talent, where he was the ‘most buzzed- about’ contestant. Described as a ‘modern day Chaplin’ Sam’s contemporary comedic mime revives silent film acting with a piece of tape over his mouth and the traditional stripped shirt, using facial expressions and body movements to captivate his audiences.

He began performing as an apprentice clown at the age of 13. Sam rarely gives interviews to continue the illusion of not speaking, although he was happy to chat in our antipodean accents with a fellow London-based Kiwi and sign my sketch before his matinee show at the Garrick Theatre where he is resident until 23 July.

America’s Cup Cartoons

Against the odds, underdog Team New Zealand has won the 35th America’s Cup, with a ruthless pounding of Oracle Team USA 7-1 off Bermuda to win the ‘Auld Mug’, international sport’s oldest trophy. Here’s a small selection of chicanery from the past year.

   

Drawing: The All Blacks

all blacks team sigs
As a proud but nomadic New Zealander living in the UK I couldn’t let this moment go by  without some homage to our mighty All Blacks, winning the Rugby World Cup for the third time and the first team to retain the Webb Ellis Cup, beating our noisy neighbours Australia, 34-17 in the final at Twickenham on Saturday.

Since becoming the World Champions in Auckland in 2011, they have only had three loses in 53 matches, holding the Number 1 ranking for the past decade. The world’s media have labelled them the greatest rugby team of all time, some saying the greatest team in the history of sport. “Phenomenal doesn’t do them justice,” one scribe wrote.

Rightly so, they also picked up the Best Team trophy at the annual World Rugby Awards for the sixth successive with legendary playmaker Dan Carter winning Best Player after his mercurial Final and final performance, scoring 19 points with the boot, a fitting end to his unparalleled career.

I drew this image of the Cup with the All Blacks iconic silver fern, leaving space for the team – 31 of them – to hopefully sign… and hopefully the winning team. They arrived at the Tower of London for the official welcome to the tournament six weeks ago. Given the history of the venue, some thought the hosts may have had other ideas.

Knowing the chances of me obtaining the entire team at that event were less than minimal, I delivered it to the AB’s long-time manager Darren Shand, who had helped me in the past with previous requests and as sure as God made little green apples (and the All Blacks) he got the job done, like his team in the World Cup. I just had to mention that again.

Drawing: Sonny Bill Williams

sonny bill williams

A photo of All Black impact weapon Sonny Bill Williams consoling his opposite number Jesse Kriel and helping him to his feet after the New Zealanders nail biting 20-18 win over the Springboks in the World Rugby Cup semi-final thriller at Twickenham last weekend went global, adding a poignant perspective to sporting rivalries. It was reminiscent of another Kiwi show of sportsmanship this year, also in a World Cup semi-final and also against South Africa. Black Caps all-rounder Grant Elliot, who hit the winning runs was photographed consolling the Proteas quick Dale Steyn after the epic match.

Sonny Bill told Jesse that he had nothing but respect for him and that he had played well throughout the tournament and will be around for many more.After the game he said that the result could have gone either way and that could have been us. Fellow AB Liam Neeson tweeted in admiration, “Never look down on anybody unless you’re helping them.” It was not Sonny Bill’s only act of compassion. The first Muslim to play for the All Blacks offered his player tickets to Syrian refugees. While he may divide public opinion back in New Zealand, I’m sure all us kiwis both at home and abroad have nothing but admiration for him this week.

Not quite on the same humanitarian level, but equally appreciated by me was his signing and ‘best wishes’ dedication on this sketch, which AB manager Darren Shand organised for me.  The original is drawn with my trusty 4B, which is a soft lead and prone to smudging. Sometimes when people are signing they indadvertedly do this, but generally leave it as part of the process. Sonny Bill’s right eye on the left image got the treatment, but who am i to argue with a champion boxer.  I’m hoping the very hand used  will produce a trademark offload against Austraila in this weekend’s Final and hold the Webb Ellis Cup as World Champions again. If not, I still have a great sporting trophy of my own.