The musical MAN OF LA MANCHA returns to the West End after fifty years in a semi-staged concert production at the London Coliseum with Kelsey Grammer as Miguel de Cervantes/Don Quixote and Danielle de Niese as Aldonza/Dulcinea and English National Opera’s 30-piece orchestra. Based on Dan Wasserman’s non-musical teleplay with music by Mitch Leigh and lyrics by Joe Darion, it opened on Broadway in 1965, winning five Tony Awards, including Best Musical. The original London production opened in April 1968 at the Piccadilly Theatre. Inspired by Miguel de Cervantes and his 17th century novel ‘Don Quixote’, MAN OF LA MANCHA is a ‘play within a play’ as Miguel de Cervantes languishes in a dungeon awaiting his hearing with the Spanish Inquisition, he and his fellow prisoners perform the story of the ‘mad’ knight Don Quixote.
Kelsey returns to the London boards after his successful 2017 debut in BIG FISH at The Other Palace. Even though many will know him for his multi-award winning role as Dr. Frasier Crane in the TV shows CHEERS and FRASIER, he is no stranger to the stage. His turn as Georges in LA CAGE AUX FOLLIES at New York’s Longacre Theatre in 2010 was recognised with a Tony nomination, an award he won eight years later as one of the producers for THE COLOUR PURPLE. In LA MANCHA he gets to sing the big number, ‘The Impossible Dream’ (The Quest).
Australian-born lyric soprano Danielle moved to Los Angeles with her family, making her operatic debut with the Los Angeles Opera at the age of fifteen. A year later she won an Emmy for hosting the TV programme LA KIDS. Danni, as she is known to family, friends and colleagues has been described by the New York Times as ‘Opera’s coolest soprano,’ and an opera pop star. She has performed around the globe at many of the major opera houses, including Convent Garden where she debuted in the Royal Opera’s production of Handel’s ACIS AND GALATEA in 2009.
Both Kelsey and Danielle kindly signed this sketch for me at Wogan House a couple of weeks ago when they appeared on Graham Norton’s BBC Radio2 show.
One of the most recognisable faces on British TV is Irish funnyman Dara O Briain, although the London-based comic and presenter says he’s only recognised once a day. Described as one of the most charismatic, intelligent, fast-talking and downright funny performers working today, ‘Britain’s favourite Irishman’, who studied maths and theoretical physics at Dublin’s University College was voted the 16th greatest stand-up comic on Chanel 4’s 100 Greatest Stand-Ups.
On stage he has the ‘aristocratic bearing of someone esteemed in almost every household in the land,’ according to Guardian reviewer Brian Logan. The ‘craic dealer’ is a regular fixture on the telly, hosting the hugely popular MOCK THE WEEK, plus STARGAZING LIVE, ROBOTWARS, GO8BIT and THE APPRENTICE: YOU’RE FIRED! among others. He is also a frequent guest on QI and LIVE AT THE APOLLO, reminding us that ‘nostalgia is heroin for old people’ and ‘stop taking it literally – it’s only the Bible, it’s not gospel!’ His favourite word is ‘defenestration’, which is a form of political assassination where people are thrown out of a window. His most overused one is ‘fuck’, which he justifies -“it’s a solid word,” When asked what extinct thing he would bring back, he said, the fountain pen. Write so!
It was great to finally meet Dara earlier this year when he signed my sketch at the London Palladium stage door in February when he arrived for the 100 HEARTS NIGHT OF COMEDY charity evening.
Regarded as one of the most successful figure skaters of all time, Katarina Witt dominated the sport for over half a decade in the 1980s, combining technical skill with charisma and a dazzling flair for showmanship. Representing East Germany and often described as the “ most beautiful face of socialism,” Katarina won gold at both the 1984 Sarajevo and 1988 Calgary Olympics. She was World Champion in 1984, 85, 87 and 88 and won six consecutive European titles from 1983-88.
She also starred alongside men’s Olympic medalists Brian Boitaio and Brian Orser in the 1990 telefilm CARMEN ON ICE, which won the trio an Emmy Award. Since retiring she had pursued a number of sporting and entertainment ventures, establishing her production company ‘With Witt’ in 1995 and is a member of the Laureus Sports Academy.
I sent this montage sketch to Katarina at her production company in Germany and it came back signed and dedicated.
Considered one of the greatest, certainly the most breathtaking final at the famous Crucible theatre in Sheffield, this years ultimate match of the World Snooker Championship saw the twenty-nine year old Judd Trump finally win his maiden title with an emphatic 18-9 victory over four-time champion John Higgins last night. Having been touted as a potential champion for many years the Englishman finally fulfilled his potential.
“The standard was astonishing,” said six-time winner and BBC commentator Steve Davis. “It may have been the greatest final we have ever seen and Judd Trump was at the heart of it. He dismantled one of the greatest players to have ever held a cue.”
With a record 11 century breaks – seven to Judd – and frame-winning breaks of 50 in 23 of the 27 played, it was a remarkable example of potting from both players, taking the standard of snooker to another level. For the forty-three year old Scot, it was his third defeat in a row, having reached the final in the last three years, and his fourth in eight appearances, but all agree, he played his part in this classic contest. “I was lucky to get nine frames,” John modestly said after the encounter.
Judd now joins John and nine other players in achieving the career ‘Triple Crown’, winners of the sport’s three most prestigious tournaments-the World Championship. The UK Championship and the Masters.
Both Judd and John signed sketches for me at the Crucible in 2015, which I’ve previously posted, but to pay tribute to such a classic sporting moment, here they are again.
Jeremy Herrin’s revival of Arthur Miller’s early classic ALL MY SONS opened last month at the Old Vic theatre to critical acclaim. Amongst the stellar cast are three well known names, all making their London stage debuts. Double Oscar winner Sally Field is joined by Bill Pullman and Jenna Coleman.
Bill’s long stage career includes his role as Martin in Edward Albee’s THE GOAT, OR WHO IS SYLVIA? at New York’s John Golden Theatre in 2002, alongside Mercedes Ruehl as Stevie. When the cast changed later that year, Bill Irwin replaced Bill, and Sally took over as Stevie in her Broadway debut. Jenna is making her first professional appearance in the West End after a number of high profile TV roles, including Clara Oswald in DOCTOR WHO and the Queen Victoria in the biographical drama VICTORIA.
Considered the play that made his name, Arthur Miller wrote ALL MY SONS in 1947, inspired by real-life events at an Ohio engineering firm who conspired to supply defected aircraft engines during the World War II.
Sally, fresh from her Tony-nominated appearance on Broadway last year in Tennessee William’s THE GLASS MENAGERIE, plays Kate Keller, trying to hold her family together, while refusing to accept the death of her pilot son, Larry who has been missing-in-action for the past three years. Bill is her husband Joe, exonerated after being charged for knowingly supplying the military with damaged aircraft engine cylinder heads, causing the death of 21 pilots and Jenna plays Annie, the late pilot’s sweetheart.
I was fortunate to meet all three early on in rehearsals at the Old Vic, where they kindly signed their respective sketches for me.
Rita Moreno was born Rosa Dolores Alverio Marcano 87 years ago in Humacao, Puerto Rico. In a career that has spanned seventy years, she is one of only fifteen artists to complete the EGOT; winning all four of America’s competitive entertainment awards, the Emmy, Grammy, Oscar and Tony, honouring achievements in television, recording, film and theatre, often referred to as the ‘grand slam’ of American show business. She is also the recipient of the Presidential Medal of Freedom, America’s highest civilian honour.
Rita has won two Emmy Awards, the first in 1977 for her appearance on an episode of THE MUPPET SHOW, and her second, the following year for her guest role on THE ROCKFORD FILES. Her Grammy was for THE ELECTRIC COMPANY Album in 1972. She won the Academy Award for Best Supporting Actress for her portrayal of Anita in the film adaption of Leonard Bernstein’s and Stephen Sondheim’s groundbreaking Broadway musical WEST SIDE STORY and a Tony for Best Featured Actress as Googie Gomez in THE RITZ at the Longacre Theatre in 1975.
I sent this sketch of Rita to her home in California a few weeks ago, and it came back signed and dedicated.