Drawing: Sir Michael Parkinson

Autographed drawing of Sir Michael Parkinson

The Guardian newspaper simply described Sir Michael Parkinson as ‘the great British talk show host.’ The doyen of his craft, peerless and unrivalled then and now, ‘Parky’ was the flagship of the BBC’s prime time schedule with his PARKINSON series.

The eighty-three year old Yorkshireman and son of a miner, started in print journalism before ‘discovering’ TV. His career has spanned over five decades, interviewing every notable celebrity – with two exceptions – and in the process becoming one himself. The most remarkable, he said was Muhammad Ali and the two he regrets not interviewing were Frank Sinatra and Sir Don Bradman.

I’ve meet Parky on a few occasions, the last at Lords during the England vs India cricket test match last month, but never had a sketch to get graphed. That was rectified when I drew this one, sent it to his home in Berkshire and it came back suitably inscribed.

Drawing: Ian McEwan

Autographed drawing of writer Ian McEwan

“I like stories and I am always looking for the one which I imagine to be irresistible,” wrote British novelist and screenwriter Ian McEwan, considered one of the most powerful people in UK culture and listed by The Times in the 50 greatest British writers since 1945.

Winner of numerous accolades, including six nominations for the Man Booker Prize, Ian won the prestigious award in 1998 for his novel AMSTERDAM. The acclaimed screen adaption of his romantic war drama ATONEMENT collected Oscars, BAFTAs and a Golden Globe.

I had hoped to catch Ian in person at the premiere of his latest film adaption THE CHILDREN’S ACT at the Curzon Mayfair, but missed him, so sent this sketch to his agent and it came back signed and dedicated.

Drawing: Michel Legrand

Autographed drawing of composer Michel Legrand

In musical terms there are few bigger names than Michel Legrand. The celebrated Frenchman, known for his ‘often haunting, jazz-tinged film music’ has composed nearly 200 movie scores, winning every accolade going, including three Academy Awards, 5 Grammys and a Golden Globe.

One of my favourite songs, ‘Windmills Of Your Mind’ from THE THOMAS CROWN AFFAIR and sung by Noel Harrison, won the Best Song Oscar in 1968. He seems to have worked, at one time or another with practically every figure of consequence in popular music and film since the end of the Second World War. His theatre work has also been recognised with a Tony nomination for AMOUR and he even has an asteroid – 31201 michellegrand – named in his honour.

The 86 year-old performed for the first time in the UK last month at the Royal Festival Hall, when he conducted and played the piano with the Royal Philharmonic Orchestra, or as it was dubbed on the night, the ‘Michel Legrand Big Band,’ celebrating 60 years of his most cherished film scores.

In his review for London Jazz News, Andrew Cartmel summed up the experience in one paragraph, “ICE STATION ZEBRA demonstrated the mastery of film composition that Legrand had achieved as early as 1968. The pointillist mystery of the introduction, comprising cross-hatched strings and glockenspiel, yielded to supple shoots of wood winds springing up, subtly and adroitly conjuring the mood before the brass section injected a stab of menace… Legrand’s music remains compelling, absorbing and masterful.”

It was an honour to have Monsieur Legrand sign my drawing at the venue.

Drawing: Kelli O’Hara and Ken Watanabe in The King And I

Autographed drawing of Ken Watanabe and Kelli O'Hara in The King and I at the London Palladium

The hugely popular 2015 Broadway revival of Rodgers and Hammerstein’s 1951 classic musical THE KING AND I transferred to to the London Palladium for the summer with both its leads making their West End debuts. Ken Watanabe and Kelli O’Hara reprised their roles as the King of Siam and English schoolteacher Anna Leonowens in this unconventional and tempestuous relationship, set in Bangkok in the 1860’s.

Bartlett Sher’s lavish Lincoln Centre Theatre production was nominated for 9 Tony Awards, winning four, including the Best Actress award for Kelli and a nom for Ken. Due to demand, the London season was extended by an extra three weeks, finishing last Saturday.

In her WhatsOnStage review, Daisy Bowie-Sell wrote, “Overall the two make a superb double act… Kelli O’Hara is made for the part, her acting skills and delicate rich voice come together to imbue Anna with an engaging compassion and humanity… Ken is brilliantly funny, sharp and betrays moments of convincing vulnerability.”

I left this sketch at the stage door and it came back signed by both.

Drawing: Paul Greengrass

Autographed drawing of director Paul Greengrass

One of my favourite filmmakers is British director Paul Greengrass… in fact he’s one of the nicest people in the business. I have been fortunate to meet him on a few occasions and he has always been nothing less than affable, ‘cheerful and deeply untortured’ as Danny Leigh described him in his Financial Times interview.

The most recent occasion was just over a week ago. He was sitting in the BFI having a quiet coffee, before taking part in a special event about his work with broadcaster Mark Kermode. I interrupted the serenity with a sig request on my sketch. He was nothing less than affable, cheerful, even deeply untortured and accommodating.

An Alma Mater of Queen’s College, Cambridge, Paul joined the ITV current affairs programme WORLD IN ACTION in the 1980’s. He co-authored the book SPYCATCHER, with Peter Wright, former assistant director of M15, which the British government tried to ban due to its sensitive content, ensuring its profit and notoriety. Paul’s background in TV journalism marks his signature visual style, what he calls ‘the unknowing camera’ – often hand-held, never keeping pace with events happening half a second ahead. He makes action thrillers with brains and startling realism, inspired by real-world events such as UNITED 93, his 2006 film about the fate of United Flight 93, one of the planes hijacked on September 11, 2001 that crashed near Shanksville, Pennsylvania, when passengers foiled the terrorist plot.

Paul was honoured with an Oscar nomination and won the BAFTA for his direction. He was also nominated for a Writers Guild Award for the original screenplay. Paul’s latest film, 22 JULY, based on Norway’s largest terrorist attack is set to be Netflix biggest global theatrical release.

Drawing: Alice Fraser

Autographed drawing of comedian Alice Fraser

The intro to Alice Fraser’s bio states, “Alice is an award-winning writer, broadcaster, performer and comedian.” It then follows with, “She’s also an ex-academic, ex-corporate lawyer and (sort of) banjo player. “The Australian-born comic, who is now a popular regular on the UK scene, completed a law degree at Sydney University and then a Masters in English Lit at Cambridge, where she also came under the influence of the infamous Footlights theatre club, followed by a stint in New York’s cut-throat comedy scene before landing back in Blighty”. Continuing her bio… “Alice does reliably silly, unpredictably meaningful unorthodox, gut-punch comedy.”

Among the many satirical things Alice does is her semi-regular hosting spot (referred to by one commentator as ‘a frequenter’) on the long-running podcast THE BUGLE with Andy Zaltzman, on which she mentioned she would sign anything given to her. So I left this sketch at The Colonel Fawcett in Camden a few weeks ago where she was part of the Monday evening Good Ship Comedy troupe and true to her word it came back, signed. You can finish reading Alice’s bio and find out where she will be to get stuff signed on www.alicecomedyfraser.com.

Drawing: Chris Walley in The Lieutenant of Inishmore

Autographed drawing of Chris Walley at The Lieutenant of Inishmore at the Noel Coward Theatre on London's West End

Twenty-three year old Irish actor Chris Walley knew from the age of eight that he wanted to be an actor because he ‘just loves entertaining people.’ When he left school, he immediately applied for RADA in London, but was unsuccessful. So he returned home to full time study at the Cork School of Music in the BA Drama and Theatre Studies programme. A year later he reapplied to RADA and was offered one of the coveted 28 places from 3,500 applicants.

He starred as Jock in Peter Foott’s film THE YOUNG OFFENDERS, which became an instant hit at the Irish box office and garnered Chris several award nominations. The subsequent TV series was equally popular, winning Chris an IFTA Award. He made his West End debut in June this year as Davey in Martin McDonagh’s dark comedy THE LIEUTENANT OF INISHMORE opposite Aidan Turner, directed by Michael Grandage at the Noel Coward Theatre and received exceptional reviews.

TimeOut’s Andrzej Lukowski wrote, “in a uniformly strong cast, special praise should go to Walley. A virtual unknown, he is excruciatingly brilliant as the mullet-clad Davey who meets each new indignity heaped upon him with an impressive mix of resignation and hysteria.” He was nominated for TheStage Debut Award.

Chris signed my drawing at the stage door during the plays final week earlier this month.

Drawing: Claire Price in King Lear

Autographed drawing of Claire Price in King Lear at the Duke of York's Theatre on London's West End

Claire Price joined the cast of Jonathan Munby’s KING LEAR, for its limited West End transfer to the Duke of York’s, after the productions critically acclaimed sell-out run at Chichester’s Minerva Theatre.

Claire plays the ruthless, uptight older sister Goneril… described by one reviewer as a ‘Sloaney, (for those not familiar with the term, it’s a portmanteau of Sloane Square in London’s Chelsea, famed for the wealth and affluent lifestyle of its residents) pearls-and-headscarf Goneril’.

Claire is no stranger to Shakespeare. Previous roles include Beatrice in MUCH ADO ABOUT NOTHING, Miranda in THE TEMPEST and Rosalind in AS YOU LIKE IT. She’s also well known to UK TV viewers as DS Siobhan Clarke in REBUS and many guest appearances on popular shows such as AGATHA CHRISTIE’S POIROT and MIDSOMER MURDERS.

Thankfully Claire is the complete opposite to her LEAR stage persona and signed my sketch at the stage door, heading in for last Saturday’s matinee, one of the 100 performances scheduled to finish in early November.

Drawing: Elaine Cassidy in Aristocrats

Autographed drawing of Elaine Cassidy in Aristocrats at the Donmar Warehouse on London's West End

Award-winning London-based Irish actress Elaine Cassidy has spent most of her stage time over the past four years at the Donmar Warehouse and the majority of that under the direction of Lyndsay Turner in Brian Friel plays. In 2014 she appeared in the late, great Irish dramatist’s – often referred to as the Irish Ckekov – adaptation of Russian novelist Ivan Turgenev’s best known work, FATHER AND SONS and returned this year in his haunting 1979 piece ARISTOCRATS, a play about a generation whose past threatens to obliterate its future, which finished its two month run last weekend.

It’s the first major revival of this minor modern classic since Brian’s death three years ago. In between the two productions, Elaine stepped in at the 11th hour to replace Michelle Dockery in LES LIASIONS DANGEREUSES. Central to the ARISTOCRATS are the damaged O’Donnell sibblings, who gather at their crumbling family home, Ballybeg Hall in Donegal for the marriage of sister Claire. It’s a far cry from the former glory days. Elaine played Alice, an alcoholic, described by Paul Taylor in his Independent review as ‘elegantly sozzled’ with ‘brutal fits of self- awareness.’

She signed my sketch at the Donmar during the final week of the production.

Drawing: Ammar Haj Ahmad in The Jungle

Autographed drawing of Ammar Haj Ahmad in The Jungle at The Playhouse Theatre on London's West End

“It’s not about refugees, it’s about humans,” said Syrian actor Ammar Haj Ahmad in a recent interview about the theatrical phenomenon, THE JUNGLE in which he stars and leads a multinational, multiethnic cast, vividly recreating the life in the sprawling makeshift camp called ‘the jungle’ in Calais on France’s northern coast, where thousands gathered from all corners of the world to escape war and terror, hoping to cross the English Channel and build a new life.

Ammar plays Safi, the main spokesperson for the Jungle’s inhabitants, who also functions in the play as the guide and chronicler. In 2011, Ammar was a cast member in a production of the Arabian classic ONE THOUSAND AND ONE NIGHTS, which completed its global tour in Edinburgh. His visa ran out, but the crisis back in this homeland had escalated to the point where he felt he could not return. He contacted the British Home Office to apply for asylum and the 36 year-old has not returned to Syria since.

The Broadway-bound National Theatre and Young Vic co-production with the playwrighters Joe Murphy and Joe Robertson’s Good Chance Theatre premiered at the Young Vic last November. Directed by Stephen Daldry and Justin Martin, it transferred across the river to the Embankment’s Playhouse Theatre earlier this year where it resides until 3 November before crossing a bigger stretch of water to New York.

The sell-out production received a powerful reaction. Audiences and critics were blown away. The Telegraph’s Dominic Cavendish has called it “the most important play in the West End.” The immersive nature of the play, which transports everyone into the jungle itself is “an experience we do together- actors and audience,” said Ammar. “I am truly grateful to be part of theatre that makes a difference.”

I met Ammar at the stage door after a Saturday matinee a few weeks ago where he signed my sketch.