Drawing: Martina Hingis

Former World Tennis Number 1, Martina Hingis won her 23rd Major title on Sunday collecting the Wimbledon Mixed Doubles crown with Jamie Murray. She now has twelve women’s doubles, six mixed doubles titles from all the four Grand Slams and has won the singles on five occasions, only missing out on the French, although she was a finalist twice.

She also has an Olympic silver doubles medal from Rio in 2016. In 2005 Tennis Magazine named her the 8th greatest female tennis player of all time. Although I have collected Martina’s graph on a few occasions I didn’t have a signed sketch. Twice I had attempted but had missed the Swiss Miss. But I was lucky enough to catch her at Gate 13 a few days before this year’s Wimbledon Championships started and while she said she didn’t usually sign sketches, was happy to do so this time.

Drawing: Paddy Considine in The Ferryman

Paddy Considine Drawing

“Paddy Considine puts in a phenomenal performance as a father fighting against his past,” wrote Variety’s Matt Trueman in his review of Jez Butterworth’s latest masterpiece, THE FERRYMAN, directed by Sam Mendes, which transferred from the Royal Court to the Gielgud Theatre last month. It’s Paddy’s professional stage debut and the double BAFTA winner has earned unanimous critical praise. Michael Billington in his five-star Guardian review described his performance as “uncompromising brilliance”.
Paddy signed my drawing before last Saturday’s matinee.

Drawing: Patti LuPone

Patti LuPone is musical theatre royalty on both sides of the Atlantic. Since making her professional debut 45 years ago she has played every major role and won every major West End and Broadway accolade, including the Olivier and two Tonys. She’s also collected a couple of Grammys for good measure.

Patti originated the title role of Eva Peron in the 1979 Broadway production of EVITA, picking up her first Tony. She played the part of Fantine in the original London cast of LES MISERABLES in 1985, the same year she appeared as Moll in THE CRADLE WILL ROCK, winning the Olivier for both roles. In 2008 she won her second Tony for portrayal of Rose in the Broadway revival of GYPSY.

Her latest appearance on the Great White Way is as Helena Rubinstein in WAR PAINT at the Nederlander Theatre, which garnered her seventh Tony nom. I sent her this montage sketch in March this year at the theatre and it came back dedicated and signed.

Drawing: Sam Wills as Tape Face

New Zealander Sam Wills and his alter – ego Tape Face found International notoriety last year, reaching the finals of America’s Got Talent, where he was the ‘most buzzed- about’ contestant. Described as a ‘modern day Chaplin’ Sam’s contemporary comedic mime revives silent film acting with a piece of tape over his mouth and the traditional stripped shirt, using facial expressions and body movements to captivate his audiences.

He began performing as an apprentice clown at the age of 13. Sam rarely gives interviews to continue the illusion of not speaking, although he was happy to chat in our antipodean accents with a fellow London-based Kiwi and sign my sketch before his matinee show at the Garrick Theatre where he is resident until 23 July.

Drawing: Joe Root

ROOOOOOOOOOOOOOOOOOOOOTTT is the battle chant for the popular and prolific Yorkshireman cricketer and New England captain Joe Root. And there was plenty of it on the opening day of the first test again South Africa at Lords yesterday. It was a ‘dream’ start to his captaincy, scoring a majestic unbeaten century on the hallowed slope at the home of cricket.

It was his 12th test ton and once again rescuing his side from a precarious position. After winning the toss and electing to bat, England were in early trouble at 17/2 when he came to the crease, slumping further to 74/4. But at the close of play, Joe was still there on 184, guiding his team to a satisfying 357/5. However it seems it’s not unusual for English captains on debut to score a century. Joe is the sixth to achieve the feat.

One of the truly nice guys in sport, Joe always has time for his numerous fans and he signed this sketch for me after the historic ODI match against Ireland at Lords last month.

Drawing: Audra McDonald as Billie Holiday in the Lady Day at the Emerson’s Bar &Grill

One of Broadway’s genuine musical theatre superstars has finally made her West End debut. Six-time Tony Award winner Audra McDonald made her long awaited London stage appearance last month, reprising her 2014 Broadway role as Billie Holiday in LADY DAY AT THE EMERSON’S BAR & GRILL at Wyndham’s Theatre.

“One legend playing another,” wrote Michael Billington in his Guardian review. Dominic Cavendish in The Telegraph said her performance was “pouring divine nectar into your ears; here, beautifully modulated, is all the playfulness, mischief, yearning, sadness and stoicism to be found in those crackling records of long ago.”

Audra is the first person to win six Tonys for acting and the first person to win the award in all four acting categories. She has also collected Grammy and Emmy Awards. Her Tony winners are CAROUSAL (1994), MASTER CLASS (1996), RAGTIME (1998), A RAISIN IN THE SUN (2004), PORGY AND BESS (2012) and LADY DAY (2014).

It was an absolute pleasure to meet her at the stage door a couple of weeks ago as she arrived for the Saturday matinee. She loved the drawing and graciously signed it for me.

Drawing: Woody Allen at the Royal Albert Hall

On my way to SW19 to catch a few tennis stars practicing for the Wimbledon Championships on Sunday, I detoured to South Kensington to visit the Royal Albert Hall, where one of the biggest names on the planet, Woody Allen, was appearing with his jazz band that evening. My intention was to try and catch him in person or failing that, leave a drawing for him to sign. I gave myself a window of an hour. I had a letter written and a stamped-addressed envelope already to go. What I didn’t have was the sketch. I had plenty of tennis players but I had left Woody on the drawing board. Bugger.

So, not for the first time, I quickly looked up an image on my phone and did this literal two-minute scribble. The concert notes said there would be no set list and the band would go with the Woody flow, described as ‘an energetic collection of improvisation’ …a bit like my drawing.

Woody was labelled “a treasure of cinema” by Roger Ebert, but jazz has been his lifelong passion, playing clarinet from an early age. Apparently his stage name is based on the American clarinetist and Big Band legend Woody Herman. A regular on Monday nights for the past 40 years at the upmarket Cafe Carlyle on Manhattan’s Upper East side, Woody and the Eddy Davis New Orleans Jazz Band have been part of the fabric of New York since the 1970’s. When he won his first two Academy Awards in 1978 for writing and directing ANNIE HALL, Woody was not present at the ceremony. It was Monday, 3 April and he was playing jazz. His priority may also have something to do with his dislike of awards and he’s on record saying ANNIE HALL was not his favourite film, which also picked up Best Picture.

Anyway my hasty and rough rendering made it to Woody, as the kind gentleman at the stage door desk promised, because it came back signed and dedicated in two days.

Drawing: Peter Davison in Legally Blonde and Gypsy

British actor Peter Davison came to prominence as Tristan Farnon in James Herriot’s ALL CREATURES GREAT AND SMALL before becoming the fifth incarnation of the Doctor in DOCTOR WHO. He is coincidently the real life father in law of the tenth Doctor David Tennant.

Apart from his extensive TV work Peter has a distinguished stage career including two of his recent appearances, as Professor Callahan in LEGALLY BLONDE and Herbie in GYPSY, both at the Savoy Theatre in London. He was nominated for an Olivier Award for the latter. I dropped this sketch off at the theatre, having missed Peter a couple of times at the stage door and it eventually came back signed.

Drawing: Ian Anderson, Jethro Tull

The rock god Ian Anderson, frontman and flautist for the legendary band JETHRO TULL is one of my all-time musical heroes. Ever since I was introduced to their music as a high school student visiting my Aunty Tricia and John, her boyfriend (and subsequently her husband and my uncle) at their university flat. Tull was always playing and became a influential or should that be in-flute-tial part of my formative and not-so-education, listening to albums such as THICK AS A BRICK, AQUALUNG and A PASSION PLAY.

Ian’s signatures are the one legged stance and the iconic flute, which he actually took up started playing because of his frustration with the guitar and he wanted something a bit more idiosyncratic for the band formed in 1967 and named after the British 18th century agriculturist.

I have been lucky enough to see Ian and Tull perform a few times and in fact meet Ian before a concert in Melbourne, Australia, albeit it briefly many moons ago. It only occurred to me a couple of weeks ago that I hadn’t drawn him, so that go sorted lickity split and I posted the drawing to his company. It came back even lickity splitter, signed, before he embarked on the latest North American tour. It’s one of my most treasured pieces.

Drawing: David Tennant in Don Juan in Soho

I always like drawing David Tennant- so expressive and he has always been kind enough to sign my scribblings over the years. His latest West End outing is the rakish titular lead in Patrick Marber’s revival of his own play DON JUAN IN SOHO at the Wyndham’s Theatre.

Last seen eleven years ago at the Donmar with Rhys Ifans, the play is a free-flowing update of Moliere’s 1665 comedy about a well- heeled hedonist. David is no stranger to seduction at Wyndham’s, having played the part of Benedick in Josie Rourke’s 2011 production of Shakespeare’s MUCH ADO ABOUT NOTHING alongside Catherine Tate.

David’s portrayal of the ‘Satan in a suit from Saville Row’ drew universal praise from the critics. The Guardian’s Michael Billington stating “It is Tennant’s performance that gives the play a disturbing ambivalence.” Eleanor Turney simply said “He’s an absolute bastard, but a charming one.”