Drawing: The Motive and the Cue

Autographed drawing of Johnny Flynn, Mark Gatiss, Tuppence Middleton in The Motive and the Cue at the Noel Coward Theatre on London's West End

After a sell-out season at the National Theatre last spring, THE MOTIVE AND THE CUE, Jack Thorne’s latest, critically acclaimed fierce and funny play directed by Sam Mendes, described by many critics as ‘a love letter to theatre’, transferred to the Noel Coward Theatre in London’s West End in December, running until 23 March.

Winner of the Best New Play at the Evening Standard Theatre Awards, it centres on the 1964 experimental, modern-dress Broadway production of Shakespeare’s HAMLET starring Richard Burton, the most famous actor in the world at the time, newly married to Elizabeth Taylor, directed by theatre royalty, Sir John Gielgud. Burton,”still smoking hot from his big-screen romance with Taylor in CLEOPATRA, was looking to solidify his street cred as a serious actor after a few Hollywood duds. Gielgud’s motivation was a little less obvious, as gradually became clear to the rest of the cast and crew”.

As rehearsals progress, two ages of theatre collide, as the collaboration soon threatens to unravel. It was a difficult production with Burton behaving badly because he didn’t get the direction from Gielgud he felt he required… or perhaps he got more direction than expected. The two, who were prior friends, couldn’t work out how their HAMLET might work. For Gielgud, the play mattered a great deal, having played the role more than 300 times, over forty-plus years of playing Shakespearean roles.

Jack Thorne was inspired by two first-hand accounts of the politics of the rehearsal room and the relationship between art and celebrity. William Redfern, a cast member, who played Guildenstern, wrote a series of letters to his friend Bob Mills, which were eventually published as ‘Letters From An Actor’ and Richard L. Sterne’s ‘John Gielgud Directs Richard Burton In Hamlet’. The title comes from HAMLET’s “O, what a rogue and peasant slave” speech. As Gielgud explained, the motive is Hamlet’s reason for a given act, the cue is the passion behind that act.

The three leads, Johnny Flynn as Burton, Mark Gatsis as Gielgud and Tuppence Middleton as Taylor reprised their roles for the West End run and kindly signed my quick sketch at the stage door a couple of weeks ago.

Drawing: Mark Gatiss

Mark Gatiss

An accomplished actor, director, producer, comedian, novelist, screenwriter and playwright, Mark Gatiss is the modern Renaissance man. “I’m all over the TV like a rat,” he said in The Independent, when they listed all his  small-screen involvement over the past winter season. He has written for and acted in DOCTOR WHO and SHERLOCK, which he also created and produced with Steven Moffat and is cast as banker Tycho Nestoris in Season 4 of THE GAME OF THRONES. Mark’s latest stage appearance was Menenius in the Donmar’s acclaimed production of CORIOLANUS, opposite Tom Hiddleston. It was his first Shakespearean role since his student days at Bretton Hall drama school in Yorkshire. The RadioTimes said,”… a beautifully modulated performance, provides the voice of reason throughout the play with skill and precision”. With other super turns under his belt-such as his Charles I in Hampstead Theatre’s 55 DAYS last year – Gatiss really is growing in statue as a stage performer”. Mark said he spent a lot of  the play saying “calm down”. He was like Geoffrey Howe to Coriolanus’s Thatcher. Both Mark and Tom, in the title role were nominated for Olivier Awards, which were presented at the Royal Opera House last Sunday (13 April,2014). I drew a quick montage of Mark as Menenius and the seventeenth-century British Monarch, which he signed on the red carpet at the ceremony.

Drawing: The Recruiting Officer, signed by Josie Rourke, Nicholas Burns, Nancy Carroll, Mackenzie Crook, Kathryn Drysdale, Mark Gatiss, Gawn Grainger, Tobias Menzies and Rachael Stirling

The recruiting officer001

George Farquhars 1706 Restoration comedy The Recruiting Officer was Josie Rourke’s first play as the new artistic director at the Donmar Warehouse in 2012. She assembled an impressive cast for this pacy and complicated piece in which big themes (love and war) are presented amid a riot of bed-hopping, social blockades, meddling servants and enticing legacies. Described as an unashamed celebration of love, lustiness and victory in battle and in the bedroom, it was a critical success, ensuring Josie’s tenure at the Donmar got off to a bright start.

On the 12th of April 2012, I managed to get all the cast on my sketch (Nicholas Burns, Nancy Carroll, Mackenzie Crook, Kathryn Drysdale, Mark Gatiss, Gawn Grainger, Tobias Menzies and Rachael Stirling) to sign it – not an easy feat given that there were eight of them leaving through various exits and often at the same time.

recruiting officer