Drawing: Kit Harington and Johnny Flynn in True West

Auotographed drawing of Kit Harington and Johnny Flynn in True West at the Vaudeville Theatre on London's West End

Kit Harington and Johnny Flynn are currently playing warring brothers Austin and Lee until next month in the West End revival of Sam Shephard’s ‘ferociously funny’

TRUE WEST at London’s Vaudeville Theatre. Described as a classic study of sibling rivalry, the 1980 play was a finalist for the Drama Pulitzer Prize. Austin is a clean-cut family man and Hollywood writer who has retreated to his mother’s Southern California home to finish a screenplay. He is disrupted by Lee, his older, feral brother, a petty thief and drifter, who has been wandering the Mojave Dessert for past three months.

In his Guardian review, Michael Billington points out that, “putting it crudely, Austin and Lee are both sides of a single personality – the instinctual and the intellectual aspects of the American character,” and summarises the performances, “At their best, the two actors are very good. Harington is especially convincing in the later stages as Austin unleashes his inner fury, aiming wild, drunken swings at the empty air and threatening to strangle his brother with a whipcord. Flynn also captures Lee’s initial menace as he hovers in a bullying manner over his brother and turns a golf club swing into a virtual death threat.”

Both Kit and Johnny kindly signed my drawing at the stage door prior to Christmas, and not a golf club in sight.

Drawing: Hangmen

Hangmen 2

After a 12-year hiatus writing for the stage, London-born Irish playwright Martin
McDonagh returns to theatre, which he described in The Observer as the ‘worst of all artforms’. If that’s the case, he’s doing his best to mock that  statement with his latest dark comical  offering, HANGMEN, a savage satire on the justice and punishment system – ‘the grimmer side of the swinging sixties’.

Described by one reviewer as a cross between Harold Pinter’s ‘linguistic gamesmanship’ and Joe Orton’s ‘gallows humour’, it’s the Olivier, Oscar and BAFTA winner’s first play set in England, in a small pub in Oldham in 1965 to be precise. Receiving rave reviews and a cluster of five-stars after it’s sell-out run at the Royal Court earlier last year, the production transferred to the West End’s Wyndham’s Theatre and is scheduled to finish in March this year.

What’s Harry Wade, the second-best hangman in England to do on the day they’ve abolished hanging? A reporter and the regular tavern sycophants want to know his reaction, as a peculiar stranger lurks amongst them with a very different motive. Led by David Morrissey as Wade, the outstanding cast includes Andy Nyman, Johnny Flynn, Sally Rogers, Bronwyn James, Ryan Pope, Simon Rouse, Craig Parkinson, Tony Hirst, John Hodgkinson,James Dryden and Josef Davis.
With such a large  ensemble, it took more than one sketch to fit them all in and more than one attempt to get it graphed. At this point I thought of resisting the term ‘hanging around stage doors’. But I didn’t. If it’s good enough for distinguished critics like Dominic Cavendish to write “doesn’t loosen it’s grip from start to finish,” and Paul Taylor to say “drop-dead hilarious… perfectly executed,” then I’m in good company. And speaking of good company, the HANGMEN cast were excellent on and off the stage.