Drawing: Rachel Tucker in Wicked

Posted on October 21, 2016 by Mark Winter / Chicane

rachel-tucker

Northern Irish singer Rachel Tucker has returned to the Apollo Victoria Theatre in London to play Elphaba in WICKED-a role she knows well, having played it longer than anyone else in the production’s history. Rachel replaced Alexia Khadine in March 2010 and in June 2012 she succeeded Kerry Ellis as the longest running performer to play the green witch. She left the show in October of that year for maternity leave after over 900 performances. In September 2015 Rachel reprised the role on Broadway, replacing Caroline Bowman at the Gershwin Theatre until 30 July this year. In early September she returned to the London production in time for its 10th Anniversary, replacing Emma Hatton where she signed my sketch.

Drawing: Matthew Lewis and Ruta Gedmintas in Unfaithful

Posted on October 20, 2016 by Mark Winter / Chicane

unfaithful

The penultimate play this season at London’s ‘hippist, shabby, chic theatre space’ Found 111 was Owen McCafferty’s latest blackly comic UNFAITHFUL. The four-handler, 75 minute piece is a exploration of infidelity and its effects on a marriage. “When paths cross, a spark is ignited that reveals the hidden truths of two tangled relationships, the unspoken desires, the piercing regrets and the postponed conversations.” One of the couple is Peter and Tara played by Matthew Lewis and Ruta Gedmintas.

Matthew is probably best known as Neville Longbottom, one of the ‘Big Seven’ in the HARRY POTTER film franchise and latterly as Jamie Bradley in THE SYNDICATE AND Ruta’s TV CV includes THE STAIN, SPOOKS, CODE9, THE BORGIAS and THE TUDORS. I meet both at the trendy pop-up Charing Cross theatre during the six-week run of UNFAITHFUL and they signed this drawing for me.

Drawing: Abbi Greenland and Helen Goalen in Two Man Show

Posted on October 13, 2016 by Mark Winter / Chicane

two-man-show

Two women look at masculinity and patriarchy in TWO MAN SHOW, the latest hit show from RashDash’s high octane duo, Abbi Greenland and Helen Goalen. Actually it’s three women, Becky Wilkie joins them as the production’s musician. The eighty minute genre-defying sketch exploration of gender, language and humankind played this year’s Edinburgh Fringe, before a sold out month’s residency at London’s Soho Theatre. It won the 2016 Fringe First Award and due to demand will return for another run in early 2017.

The VERY physical theatre uses a combination of performance styles including music and dance to communicate what it means to be a man and a woman. As Abbi says on their website, “I make all the shows with Helen. We always give ourselves the best parts. At the moment we are making shows that are big and messy and angry.” Helen adds, “I couldn’t imagine performing in a RashDash show where I wasn’t a breathless, sweaty mess by the end.” In between all their theatrical turbulence they both found time to sign my sketch at the Soho.

Drawing: Ken Stott and Reece Shearsmith in The Dresser

Posted on October 12, 2016 by Mark Winter / Chicane

the-dresser

THE DRESSER, considered Ronald Harwood’s greatest play, returned to the West End this month at the Duke of York’s Theatre with Ken Stott as ‘Sir’ and Reece Shearsmith as his devoted dresser Norman, directed by Sean Foley.

The story of an ageing actor’s personal assistant who struggles to keep his charge’s life together takes place over the course of one night in a small English regional theatre during the Second World War. It’s based on Sir Ronald’s own experience as the dresser for English actor-manager Sir Donald Wolfit who is the model for ‘Sir.’

The Oscar-winning playwright is always puzzled by the play’s popularity. When it opened at Manchester’s Exchange Theatre in 1980 he thought it would only last six weeks. It’s been a long six weeks. The original production transferred to the Queen’s Theatre in London’s West End a few months later before moving to Broadway and in 1983 a film starring Albert Finney as Sir and Tom Courtenay as Norman (who reprised the role in both stage and screen versions) was released. In all formats THE DRESSER was nominated for multiple Olivier, Tony and Academy, BAFTA and Golden Globe Awards.

I caught up with Ken and Reece earlier this week at the Duke of York’s during previews before tomorrow night’s opening and they signed my Dresser drawing for me.

Drawing: Jasper Britton as Charles II in The Libertine

Posted on October 11, 2016 by Mark Winter / Chicane

jasper-britton

I read that versatile British actor Jasper Britton spent a number of years as an assistant stage manager and sound operator until in 1989 he marched into Jonathan Miller’s Old Vic office and threatened to stay there unless he as given an audition for KING LEAR. His subsequent King of France to Eric Porter’s Lear was the start of a distinguished stage career, punctuated by playing monarchs at The National and under Mark Rylance’s tenure at Shakespeare’s Globe. His latest is Charles II in THE LIBERTINE at the Theatre Royal Haymarket, captured here in majestic 4B.

The ignoble British sovereign spent many an hour in the company of the notorious 17th century rake and poet John Wilmot, Earl of Rochester and the many… shall we politely say, fallen daughters of Eve. He is one of the only characters in the play to stand up to Rochester and grants him a valuable commission with the proviso, ”Don’t fuck it up.” Paul Taylor wrote in the Independent, “The best performance of the evening comes from Jasper Britton who brilliantly captures the posturing, overripe Charles II’s unnerving swings between chumminess and assertion.”

Jasper’s mode of transport to the theatre is a motorbike. Don’t ask me the make or model, but it’s big and fast. Clad in resplendent grey leathers, befitting royalty he arrived for Saturday’s matinee on the said cycle, popped into the stage door to sign in and sort out the removal of his garb, then sauntered back out to sign this drawing.

Drawing: Mona Golabek in The Pianist of Willesden Lane

Posted on October 6, 2016 by Mark Winter / Chicane

mona-g

“Hold on to your music, it will be your best friend,” was the last thing young 14 year-old Austrian piano prodigy Lisa Jura’s mother told her as she boarded the ‘Kindertransport’ in 1938 bound for London. She was one of the 10,000 Jewish children bought to England before WW2 as part of the mission to rescue them from the threat of the Nazi regime and it’s anti-Semitic violence. Torn from her family and just about to embark on a concert career in Vienna, Lisa spent the war years, surviving the Blitz in a rambling hostel that housed 30 children on Willesden Lane in North London. She later resumed to her concert career and married French Resistance hero Michel Golabek, moving to Los Angeles in the early 1950’s.

In 2002 their daughter and renowned concert pianist, Grammy-nominated Mona Golabek co-wrote with Lee Cohen, the book ‘The Children of Willesden Lane’ that chronicles her mother’s wartime experiences. She adapted the publication into a one woman play, THE PIANIST OF WILLESDEN LANE, which opened at LA’s Geffen Playhouse in April 2012 and transferred to London’s St Jame’s Theatre in January this year, selling out and receiving a galaxy of stars from all the critics. The Londonist said, “Effortlessly moving, joyful, sobering and spellbinding.” Due to the demand, Mona has returned for an encore season until 22 October. I left this drawing at the theatre and she kindly signed and dedicated it for me, returning it with a thank you note.

Drawing: Nina Toussaint-White

Posted on October 5, 2016 by Mark Winter / Chicane

nina-t-w

Nina Toussaint-White romps about the West End boards as Jane, the favoured prostitute in THE LIBERTINE, the bawdy 17th century tale of the Earl of Rochester (Dominic Cooper) currently playing the Theatre Royal Haymarket.
She made her professional debut in 2007 in an episode of CASUALTY, then THE BILL before securing regular and recurring roles in the soap EASTENDERS as the straight-talking Nurse Syd Chambers and Angie Bailey in EMMERDALE. She has also appeared in HOLBY CITY and DOCTOR WHO among others. Nina’s last stage appearance as Tree in the Theatre Royal Stratford East’s production of THE ETIENNE SISTERS garnered Nina a nomination for Best Performance in a Musical in this year’s UK Theatre Awards.

On Saturday, while a passing, annoying Autumn shower threatened to dampen my mission, I interrupted her fast trek to the stage door. Between us we managed to balance her cooling cup of coffee, my broken umbrella, the artwork and a sharpie, all of which were co-ordinated sufficiently to get the said rendering signed with only minor rain-drop impressions.

Drawing: Lizzie Roper in The Libertine

Posted on October 4, 2016 by Mark Winter / Chicane

lizzie-roper

Equally at home in stand-up, comedy and straight theatre on stage and screen for the past 25 years, the always popular Lizzie Roper is part of an impressive ensemble in the romping period piece, THE LIBERTINE at London’s Theatre Royal Haymarket.

When not appearing in sold out shows at the Edinburgh Fringe, Lizzie has put in shifts on all the British small screen ‘biggies’, CORONATION STREET, WATERLOO RD, SHAMELESS, HOLBY CITY, THE BILL and being killed off in HOLLYOAKS, after playing Sam Lomax for over a year as well as appearing on London stages in plays such as ONE FLEW OVER THE CUCKOO’S NEST with Christian Slater at The Garrick in 2006 and THE ODD COUPLE in Edinburgh, opposite Alan Davies and Bill Bailey a year earlier.

In THE LIBERTINE Lizze plays four roles in this ‘delightful naughtiness’, including Big Dolly who is ‘enthusiastically rogered’ on a balcony by King Charles. For her solo show PICCADILLO CIRCUS, which she performed at the EdFringe, the Trafalgar Studios in London and as part of a National Tour, Lizzie researched and interviewed members of the public about their sex lives, which may have come in handy for her participation in LIBERTINE.

It was great to meet Lizzie on Saturday at the stage door to get this drawing signed.

Drawing: Dominic Cooper in The Libertine

Posted on October 3, 2016 by Mark Winter / Chicane

dominic-cooper

Described as one of Britain’s more eclectic actors, Dominic Cooper returns to the London stage as the legendary 17th Century poet and Restoration rebel the John Wilmot who’s appetite for excess is chronicled in the revival of Stephen Jeffrey’s THE LIBERTINE at the Theatre Royal Haymarket. Last seen seven years ago at the National Theatre in PHEDRE, opposite Helen Mirren, where he also played Dakin in Alan Bennett’s THE HISTORY BOYS at the National in 2004, transferring to the Broadway production and then an International tour, including Sydney, Wellington and Hong Kong. He also repeated the role in the 2006 film version.

Directed by Tony and Olivier Award winner Tony Johnson, THE LIBERTINE is a portrait of debauchery and self-destruction, chronicling the exploits of the 2nd Earl of Rochester, the notorious willy-wagging rake, boozer and frenemy of King Charles II who died from his sins at the young age of 33. He wrote some of the most distinctive poetry of the 1670’s, sweetly versified, pungently phrased prose about premature ejaculation, impotence and the love of a young woman for an older man.

“You will not like me,” Dominic tells the audience in his opening monologue, clearly not the case, judging by the popular reaction of patrons and press alike.

Dominic signed my sketch on arrival at the theatre for Saturday’s matinee.

Drawing: Alice Bailey-Johnson in The Libertine

Posted on September 29, 2016 by Mark Winter / Chicane

alice-baily-johnson

THE LIBERTINE, which follows the debauched exploits of the 2nd Earl of Rochester opened this week at the Theatre Royal Haymarket in London after a limited run at the Theatre Royal Bath. Dominic Cooper plays the lead, besotted by the young actress Elizabeth Barry (Ophelia Lovibond) who ultimately rejects him. Consoling himself with
much whoring and drinking, he returns to his long-suffering, rusticated wife Elizabeth Malet played by Alice Bailey Johnson and dies.

Alice was recently seen in Mike Leigh’s MR TURNER, the biopic of eccentric British painter J M W Turner, and the popular TV series GRANTCHESTER. Her stage credits include OH WHAT A LOVELY WAR opposite Caroline Quentin in 2014 at the Theatre Royal Stratford East and NOISES OFF at the Old Vic, which I was lucky enough to see and Alice signed my cast sketch. I caught up with her again before Saturday’s matinee of THE LIBERTINE and she signed this Elizabeth drawing for me.