Drawing: Maggie Smith

Maggie Smith001

Alan Bennett’s The Lady in the Van opened at London’s Queen’s Theatre in late 1999 with Dame Maggie Smith in the lead role as Miss Shepherd, an eccentric bag lady who lived in a van.

Bennett first became aware of ‘the lady in the van’ in the late sixties. She died in 1989, after spending two decades living in her broken down Bedford van in his driveway. She could most kindly be called eccentric, hearing voices and the Virgin Mary appeared to her on a regular basis. The play is the story… or, more accurately, a series of incidents… between the playwright and the delusional, failed nun, Miss S, who was reclusive but not opposed to publicity.

Dame Maggie is once again nominated for another primetime Emmy Award for Best Supporting Actress in the ITV drama Downton Abbey. She is one of the few people to win the ‘triple crown of acting’ (Emmy, Oscar and Tony). Her impressive list includes seven BAFTAS, two Oscars, three Golden Globes and a Tony. She is the only person to receive an Academy Award for playing an Academy Award nominee – Diana Barrie in California Suite (1978).

Despite being nominated six times, she has never won the Olivier Award, the highest honour in British theatre. Her last nomination was in 2000 for her role as Miss Shepherd.

I was fortunate enough to see the play just before it ended in July 2000. Dame Maggie signed my sketch last week at her London office.

Drawing: Anita Dobson and Greta Scacchi

Bette and Joan

Anton Burg’s Bette and Joan played the Arts Theatre in London’s West End from May till June in 2011. It starred Anita Dobson as Joan Crawford and Greta Scacchi as Bette Davis. Based on the real life legendary feud between the two stars, the play shows them at a low point in their careers when they meet on the set of Whatever Happened to Baby Jane? which became a surprise hit and propelled them back to stardom.

Both Anita and Greta signed my original and kept copies of the sketch and sent me a thank you letter… so I guess they like it!

Drawing: Scarlett Strallen, Victoria Hamilton-Barritt and Leigh Zimmerman in A Chorus Line

leigh zimmerman scarlett strallen victoria hamilton-barritt

Marvin Hamlisch’s A Chorus Line is one of the most successful musicals of all time. The story of seventeen dancers auditioning for a spot on a chorus line, the action takes place on the bare stage of a theatre.

It opened in July 1975 and became a box office and critical hit, winning 9 Tony Awards and the Pulitzer Prize for Drama. It ran for 6,137 performances and a West End production started in 1976, winning the Olivier for Best Musical. A number of revivals have followed, the most recent at the London Palladium, which opened earlier this year to rave reviews. It was booked to continue into 2014, but posted early closing notices for the end of August.

The female leads – Scarlett Strallen (Cassie), Leigh Zimmerman (Sheila) and Victoria Hamilton-Barritt (Diana) all signed my sketches at the stage door and requested copies. I gave them redrawn originals. Leigh won this year’s Olivier Award for Best Supporting Actress in a Musical.

Drawing: Dustin Hoffman in The Merchant of Venice

Dustin Hoffman001

Known for his versatile portrayal of antiheroes and vulnerable characters, two-time Oscar winner Dustin Hoffman took on the challenging role of ‘Shylock’ in Peter Hall’s production of Shakespeare’s The Merchant of Venice in London’s West End. After a 13 week run at the Phoenix Theatre, mixed reviews and packed houses, the production transferred to The 46th Street Theatre on Broadway in December 1989, where it played till March the following year after 19 previews and 84 performances.

Dustin continued his role as the Jewish money lender with his thirst for revenge and ‘a pound of flesh’

Dustin was nominated for both a Tony and the Drama Desk Award. He signed my sketch at the theatre in New York in February 1990.

Drawing: Indira Varma, John Simms and Simon Russell Beale in The Hothouse

The Hothouse

Harold Pinter’s macabre tragicomedy The Hothouse returned to London’s West End in a production directed by Jamie Lloyd at the Trafalgar Studios. An excellent cast, headlined by Simon Russell Beale and John Simm opened to rave reviews.

“It’s Christmas Day in a nameless state-run institution where the inmates are subjected to a tirade of mindless cruelty. A maniacal and self-obsessed leader breeds a contagion of hierarchical savagery amongst his staff, who thrive on a noxious diet of delusion and deceit.”

Written in the 1950’s, Pinter’s biting political commentary on the perils of unchecked power proves as pertinent and subversive today.

Simon, John and Indira Varma (Miss Cutts) signed my sketch at the stage door on a variety of nights, depending on their exits during June this year.

Drawing: Mel C

Mel C001

Melanie Chisholm, or Sporty Spice to some, took on the prized role of Mrs Johnstone in the musical Blood Brothers at London’s Phoenix Theatre in 2009.

She was nominated for both an Evening Standard Theatre Award and an Olivier and is currently playing Mary Magdalene in the UK Arena Tour of Jesus Christ Superstar. She signed my sketch at the stage door in 2009. She was very friendly and stayed to chat with the gathered crowd, posing for photos and signing and seemed in no rush to leave.

Drawing: Elliot Cowan, Rachel Weisz and Ruth Wilson in A Streetcar Named Desire

Weisz+Cowan001

Tennessee Williams 1947  Pulitzer Prize winning play A Streetcar Named Desire had a hugely acclaimed revival at London’s Donmar Warehouse from July to October in 2009.

It featured Oscar winner Rachel Weisz as the drunken, pretentious Southern belle, Blanche DuBois; Ruth Wilson as her self-effacing sister, Stella Kowalski and Elliot Cowan as Stanley Kowalski, the primal, brutish husband. All three signed for me in September 2009.

The first West End staging starred Vivien Leigh and was directed by her husband Laurence Olivier in 1949.

Both Rachel (Best Actress) and Ruth (Best Supporting Actress) won Olivier awards for their performances.

Ruth WIlson001

Drawing: Richard Wilson in Twelfth Night

Richard Wilson001

Richard Wilson played Malvolio in the Royal Shakespeare Company’s Twelfth Night in 2010, a role which dragged him some way out of the shadow of the nation’s favourite misanthrope Victor Meldrew in the hugely successful sitcom One Foot in the Grave. Virgin territory, playing his first Shakespearean part and donning the yellow stockings to play the puritan steward duped into erotic humiliation.

It transferred to the Duke of York’s Theatre in London’s West End and Richard signed for me in January 2010 at the stage door, well, more the public pathway on St Martin’s Lane since the stage door is inaccessible.

Drawing: Charlotte Rampling

Charlotte Rampling001

In her films Charlotte Rampling often conveys a sense of severity that is accentuated by her unique beauty: the prominent cheek bones, the narrow mouth, adorned at times by an enigmatic smile and of course those narrow, cat-like eyes whose colour, depending on the light, can vary from green to grey and even yellow.

Meeting her in person is far less forbidding than her films and features suggest. At the rear entrance to the renowned Savoy Hotel in London on a chilly November night in 2010.

Charlotte was a guest presenter at the Evening Standard Theatre Awards. In fact, it was too cold to be standing around for any length of time, so I left it to the last possible moment to enter the fray.

My arrival coincided with hers. I did intend to go behind the barriers, but didn’t get time. She stepped out of her car, saw the sketch, signed it then added the inscription when I asked. She smiled and said thank you, I returned the thank you. It was very all very symmetrical and pleasant…. I then had to contend with the hunters and collectors behind the barriers, but that’s another story.

Drawing: Judi Dench

Judi Dench Dame Judi Dench – one of the greatest stage and screen actresses of all time, is also one of the best signers. Her most recent stage performance was as Alice in Peter and Alice at the Noël Coward Theatre in London. There was huge demand for her ‘graph and she always obliged – a real trouper!

I did this quick ‘portrait study’ in March 2010 and dropped it into the Rose Theatre in Surrey, where she was playing Titania as Queen Elizabeth I in A Midsummer Night’s Dream – almost 50 years after she first played the role for the Royal Shakespeare Company.