Irish actor Rory Keenan joined the cast after Richard Eyre’s 2016 production of Eugene O’Neill’s LONG DAY’S JOURNEY INTO NIGHT after it transferred to the West End last month. He plays Jamie, one of the Tyrone’s two son’s opposite Jeremy Irons and Lesley Manville in the 1945 study of the hellish damage a sick person can wreck on a family.
This is Rory’s second play under Sir Richard’s direction, having played the title role in LIOLA at the National. He won Best Supporting Actor at the Irish Times Theatre awards for his portrayal of Ronan in THE LAST DAYS OF THE CELTIC TIGER at Dublin’s Olympia Theatre in 2009. His extensive screen work includes PEAKY BLINDERS and the BIRDSONG mini series. In her Arts Desk review for JOURNEY, Ismene Brown wrote, “Rory Keenan’s terrific, (as the) cynical Jamie… roughens and undersells himself to very touching effect.”
I caught up with the likeable and friendly Rory at the Wyndham’s stage door on a bitterly cold lunchtime prior to last Saturday’s matinee and he managed to get the sharpie to work on my sketch.
Kyle Soller is an American actor, living in London having graduated from RADA in 2008. His breakthrough year was in 2011 when he won the Evening Standard Theatre Award for Best Newcomer for stellar performances in The Glass Menagerie and The Government Inspector, both at the Young Vic and The Faith Machine at the Royal Court.
In 2012 he performed the role of Edmund in Eugene O’Neill’s harrowing autobiographical play A Long Day’s Journey Into Night at the Apollo Theatre with David Suchet and Laurie Metcalf. The sketch is based on that character and he signed it for me at the theatre. Kyle is currently appearing in Marlowe’s Edward II at the National.
Jude Law signed this portrait on his way to an evening performance at the Donmar Warehouse in August 2011. He was the big draw in this outstanding revival of Eugene O’Neill’s play Anna Christie, playing the role of the hulking seadog hero Mat Burke.
Jude’s fine ear for the salty vernacular of the New York waterfront in the twenties earned him an Olivier Award nomination and five stars from all the major critics.