Drawing: Katarina Witt

Autographed drawing of figure skater Katarina Witt

Regarded as one of the most successful figure skaters of all time, Katarina Witt dominated the sport for over half a decade in the 1980s, combining technical skill with charisma and a dazzling flair for showmanship. Representing East Germany and often described as the “ most beautiful face of socialism,” Katarina won gold at both the 1984 Sarajevo and 1988 Calgary Olympics. She was World Champion in 1984, 85, 87 and 88 and won six consecutive European titles from 1983-88.

She also starred alongside men’s Olympic medalists Brian Boitaio and Brian Orser in the 1990 telefilm CARMEN ON ICE, which won the trio an Emmy Award. Since retiring she had pursued a number of sporting and entertainment ventures, establishing her production company ‘With Witt’ in 1995 and is a member of the Laureus Sports Academy.

I sent this montage sketch to Katarina at her production company in Germany and it came back signed and dedicated.

Drawing: Rita Moreno

Autographed drawing of actress Rita Moreno

Rita Moreno was born Rosa Dolores Alverio Marcano 87 years ago in Humacao, Puerto Rico. In a career that has spanned seventy years, she is one of only fifteen artists to complete the EGOT; winning all four of America’s competitive entertainment awards, the Emmy, Grammy, Oscar and Tony, honouring achievements in television, recording, film and theatre, often referred to as the ‘grand slam’ of American show business. She is also the recipient of the Presidential Medal of Freedom, America’s highest civilian honour.

Rita has won two Emmy Awards, the first in 1977 for her appearance on an episode of THE MUPPET SHOW, and her second, the following year for her guest role on THE ROCKFORD FILES. Her Grammy was for THE ELECTRIC COMPANY Album in 1972. She won the Academy Award for Best Supporting Actress for her portrayal of Anita in the film adaption of Leonard Bernstein’s and Stephen Sondheim’s groundbreaking Broadway musical WEST SIDE STORY and a Tony for Best Featured Actress as Googie Gomez in THE RITZ at the Longacre Theatre in 1975.

I sent this sketch of Rita to her home in California a few weeks ago, and it came back signed and dedicated.

Drawing: Nigel Slater

Autographed drawing of Chef Nigel Slater

I finally got to meet another culinary hero of mine last week. Nigel Slater was at The Other Palace theatre for the West End premiere of the sage adaption of TOAST, the comedy-drama, based on his best-selling , award-winning autobiography ‘Toast: The Story of a Boy’s Hunger.’ The extraordinary story of a childhood revealed through food was also made into a successful film, featuring Helena Bonham Carter in 2010.

One of Britain’s foremost gastronomic writers, Nigel is famous for his stripped-back recipes, which show how easy it is to make delicious meals from just a few high-quality ingredients. The play was commissioned in 2018 by The Lowry in Manchester, where it had a sell-out run at the Week 53 Festival. Written by Henry Filoux-Bennett, the production moved to the Edinburgh Fringe, embarking on a UK National tour, before its London transfer.

I met Nigel at the theatre, where he very kindly signed my sketch, before the press night performance. I’ve always admired Nigel’s handwriting, which features in many of his TV shows, so was able to satisfy both culinary and calligraphic obsessions. I later discovered, not only was it his birthday, (one day before mine) but we are the same age, so a belated many happy returns.

Drawing: David Suchet, Brendan Coyle, Adrian Lukis and Sara Stewart in The Price

Autographed drawing of David Suchet, Brendan Coyle, Adrian Luke's and Sara Stewart in The Price at Wyndham's Theatre in London's West End

Arthur Miller’s final masterpiece, THE PRICE premiered on Broadway at the Morosco Theatre in the winter of 1968. The play about family dynamics, the price of furniture and the price of one’s decisions has had a number of revivals, including Jonathan Church’s ‘rich and powerful’ 50th anniversary production at the Theatre Royal Bath last summer, which transferred to the Wyndham’s Theatre in London’s West End this February with the same cast.

Two estranged brothers meet for the first time in sixteen years to sell the family furniture stored in a New York attic. Victor Franz (Brendan Coyle), a New York cop, nearing retirement and his brother Walter (Adrian Lukis), a successful surgeon learn the cost of dividing the family spoils. They are joined by Victor’s alcohol-dependent wife Esther (Sara Stewart) and a silver-tongued 89 year-old furniture dealer, Gregory Solomon (David Suchet) who is asked to access and bid for the family heirlooms. The Guardian’s Michael Billington summed up the critical response by simply saying it is a “superbly acted production.”

Special mention has been made of David’s tragicomic tour de force, with Dominic Maxwell writing in his review for the Times, that the show is “blessed by one truly great star turn. David Suchet has an almost indecent amount of fun as Gregory Solomon”.  Both David and Adrian have been nominated for Best Actor and Best Supporting Actor Olivier Awards respectively, at this weekend’s ceremony.

Adrian and Sara signed my montage sketch for me in person at the stage door prior to Saturday’s matinee a couple of weeks ago, but I missed David and Brendan, so left it for them at the theatre. It was returned TTM (Through The Mail) as we say in the collecting business, graphed and dedicated.

Drawing: Dario Cecchini

Autographed drawing of Chef Dario Cecchini

One of life’s little pleasures is David Gelb’s Netflix series, CHEF’S TABLE. It’s part of my overall vice for watching cooking shows, replacing a gap in my vocational achievements. The latest series was released this February with four episodes. My favourite was about Dario Cecchini, the charismatic Tuscan butcher and celebrity showman. In the small village of Panzano in the Chianti region off Italy, where Dario grew up, his father ran the local butcher shop, which had been in the family for eight generations, spanning 250 years. Dario, however did not want to be a butcher. He wanted to be a vet. After his mother passed away from cancer, Dario moved to Pisa to study veterinarian science, but he had to cut his studies short and return home to look after his ailing father, who also died leaving Dario no option but to take over the family business.

He said, “I won’t be the one to save the animal, I will be the one who kills the animal.” Even though he grew up in a butcher’s family he knew nothing of the it. He contacted Orlando, his father’s meat adviser and confidente, who took him to many farms and introduced Dario in his philosophy, “When an animal is born, we must try to give it the best life and when the animal dies by our hand we must respect the gift of the animal.”

Dario customers just wanted steaks and fillets, he but wanted to use all the animal, including the ‘less noble’ parts, as he puts it, from ‘nose-to-tail.’ All parts of the animal are useful if butchered and cooked in the appropriate way. Dario says it’s a combination of knowledge and a consciousness respect for the animal. In order to persuade his customers of this, he starting cooking to show how this could be done, establishing ‘Ristorante Soloccia’ across the street from his shop “I am not a cook. I am a butcher who cooks.”

He relies on instinct and keeping things simple and a glass of red wine that helps the process. It became such a huge success that a second ‘meat-centric’ restaurant Officina Della Bistecca was opened next door. The boy who wanted to be a vet had become the most famous butcher in the world.

Combining another vice, the need to scribble, I did this quick sketch and sent it to Dario to sign, which he did, appropriately in a big red marker, cleverly adapting the philosophical phrase ‘carpe diem’ to ‘carne (meat) diem’.

Drawing: Dave Myers and Si King aka the Hairy Bikers

Autographed drawing of Si King and Dave Myers The Hairy Bikers

My ritual Sunday diet of TV cuisine shows always includes an ample helping of the UK’s most popular cooking duo, Dave Myers and Si King, aka the Hairy Bikers. The exuberant, down-to-earth chefs have had a string of hit television shows over the past twenty years, involving a mixture of cooking and travelogue, creating their own fresh take on culinary classics.

They have now taken to the road on a nationwide tour. AN EVENING WITH THE HAIRY BIKERS is described as an “epic night of cooking and conversation’. The pair rocked up to the iconic London Palladium on Saturday for their only gig in the capital. Luckily I noticed them from my vantage point across the road where I was watching a Six Nations rugby match and partaking of the local hospitality. I quickly raced across to catch them.

After eventually sorting a car park outside the stage door and posing for the obligatory selfies with a few passers-by I asked them to sign my sketch. “Is that a kiwi accent?” asked Si. “Guilty,” I said. That’s why I often put a little stick-note on the drawing ‘To Mark’ to avoid getting ‘Mack’ or ‘Mike’ or some other deviation. But he was conversant with the Antipodean tongue and inscribed correctly.

Drawing: Danny Dyer in The Dumb Waiter

Autographed drawing of Danny Dyer in The Dumb Waiter at the Harold Pinter Theatre on London's West End

A “propa nawty geezer” is how one interviewer described the parts English actor Danny Dyer is famed for, the  generic ‘hard man-with-a-heart’. He returned last month to the West End stage as a killer in Harold Pinter’s THE DUMB WAITER, which was part of the Pinter Seven double bill with A SLIGHT ACHE.

It concluded the PINTER AT THE PINTER season, Jamie Lloyd’s ambitious box-set approach to all of the Nobel Laureate’s 21 one-act plays over the past 21 weeks at the theatre named after him.

THE DUMB WAITER, written in 1957 is set in a basement of a Birmingham restaurant, where two cockney hit men, Gus and Ben are preparing to execute an unknown victim as a dumb waiter (a shelf on pulleys) descends from above with food requests. Danny played Ben alongside Martin Freeman as Gus.

Jamie said that Danny, who had a close friendship with the playwright was one of Harold’s favourite actors and considered him a protégé “There were no airs and graces about Harold,” said Danny, “I learned so much from him that set me up for the rest of my career.”  THE DUMB WAITER is Danny’s fourth Pinter play. He met Harold in 1999, who cast him as the waiter in CELEBRATION at London’s Almeida Theatre, which transferred to New York’s Lincoln Centre in 2001 as part of the Harold Pinter Season. He followed that with the role of Foster in NO MAN’S LAND at the National Theatre and in 2008 as Joey in THE HOMECOMING back at the Almeida.

Danny’s breakthrough came in 1997 in the cult film HUMAN TRAFFIC as the mad raver Moff. He later said in a Guardian interview that it wasn’t much of a transition “That role was me. I was still living it then. It was the only audition where the first question was “Do you take drugs?” I said, “Yes, I love drugs.” They said, ‘Perfect.”  Since 2013 he has played The Queen Victoria pub’s landlord Mick Carter in the BBC TV soap EASTENDERS, winning three National Television Awards.

I left this sketch of Danny as Ben at the stage door on the final day of the PINTER AT THE PINTER season and it came back signed and dedicated with a nice inscription.

Drawing: Ruby Turner

Autographed drawing of singer Ruby Turner

Described as both a ‘national and international treasure’, Jamaican-born British R&B and soul singer, songwriter and actress Ruby Turner returned to the equally legendary Ronnie Scott’s Jazz Club in London’s Soho earlier this month for a sold-out run. In recognition of her 30 year career the British Academy of Songwriters, Composers and Authors presented her with its prestigious Gold Badge for her contribution to British music in 2009. Over the three decades she has released twenty albums, including her 2007 double album ‘Live At Ronnie Scott’s’. Apart from her music, Ruby is also a very accomplished actress, with an impressive list of stage and screen appearances, including A STREETCAR NAMED DESIRE, CARMEN JONES, SIMPLY HEAVENLY and FAME in theatre and films LOVE ACTUALLY, JEWEL OF THE NILE and HOTEL BABALYON.

Ruby signed a profile ink portrait I sent to her when she performed at the Auckland Town Hall in New Zealand way back in 1995, which I posted in December 2013. This is my updated 4B pencil sketch, which Ruby kindly signed for me at Ronnie Scott’s on 6 February.

Drawing: Daniel Kaluuya

Autographed drawing of actor Daniel Kaluuya

Daniel Kaluuya’s status as a ‘rising star’ was bolstered last year when he received the British Academy’s Rising Star Award. Born in London to Ugandan parents, Daniel was raised on a council estate. He wrote his first play at the age of nine and started his acting career in improvisational theatre. He featured as part of the original cast of the British teen comedy drama TV series SKINS, co-writing some episodes.

His entry into mainstream theatre drew plenty of attention, playing the lead role in the Royal Court’s 2010 production of SUCKER PUNCH by Roy Williams. The play and cast received rave reviews with Daniel winning both the Evening Standard and Critics’ Circle Awards for his performance as Leon, a young boxer.

Daniel’s International screen breakthrough was his role as photographer Chris Washington in the horror GET OUT in 2017, for which he received Academy Award, BAFTA, SAG, Critics’ Choice and Golden Globe Award nominations. He followed that with Marvel Studio’s blockbuster BLACK PANTHER, playing chief of the Border Tribe, W’Kabi.
Daniel signed for me at the Gala Screening of Steve McQueen’s heist film WIDOWS, which opened last years BFI Londo Film Festival at Cineworld’s Empire Cinema in Leicester Square.

Drawing: Greg Davies

Autographed drawing of comedian Greg Davies

The 100 Hearts Night of Comedy at the London Palladium last week gave me an opportunity to catch some more of my favourite comics, including Greg Davies. The sold-out evening raised money for the Brompton and Harefield Hospital charity.

The English comedian is technically from Wales. Davies is a clue. While living in the West Midlands of England, his Welsh father drove his mother, across the border to ensure Greg was born in Wales… in St Asaph, Flintshire to be precise, fifty years ago.

TV viewers will know Greg from a number of small screen appearances, including Mr Gilbert, the archetypal misanthropic and permanently bitter comprehensive school teacher in THE INBETWEENERS, who treats his pupils with utter contempt with biting wit and sarcasm. In another classroom role Greg played Dan, a teacher who hates his job. Thirteen years teaching Drama and English, prior to his comedic career change would have given Greg plenty of material.

He is currently in his BAFTA-nominated role as Ken Thompson in the fifth episode of the popular BBC/Netflix sitcom CUCKOO. Other high profile appearances on the telly include LIVE AT THE APOLLO, MOCK THE WEEK, WOULD I LIE TO YOU? and the host of the panel game show TASKMASTER. I was waiting at the Palladium’s impressive new stage door for the talent to arrive.

You can’t miss Greg. He is literally one of the biggest comedy stars, standing 2.03 metres, (that’s 6’8″ in the old money). I presented my sketch of Greg as a suitably harassed teacher and his friend asked, “Who’s that?” “That’s me!” he replied, which is always a good sign when they recognise themselves in a drawing, which he was pleased to sign.