Drawing: The Miser at the Garrick Theatre

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Moliere’s classic comedy THE MISER has received a liberal adaption by director Sean Foley and co-adaptee Phil Porter in a major revival which started at the Garrick Theatre last week after short runs at the Bath Theatre Royal and Richmond. Griff Rhys Jones plays the Harpagon, the paranoid lead, fanatical about protecting his abundant wealth. He is ably supported by a  splendid comedic cast that includes Lee Mack, Mathew Horne, Ryan Gage and Kathy Wix, who all signed this sketch for me on arrival for the matinee on Saturday.

Drawing: Stephen Mangan and Lisa Dillon in Birthday

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Back in the summer of 2012, Stephen Mangan and Lisa Dillon starred in Joe Penhall’s BIRTHDAY at the Royal Court in London. Lisa played Lisa and Stephen was Ed, a thirty-something couple with fertility problems who reverse roles and take advantage of a new procedure that allows him to give birth to their second child.

I drew this sketch, but didn’t get a chance to get it signed at the time.I managed to catch-up with Stephen when he appeared in JEEVES & WOOSTER at the Duke of York’s a year later and posted it here. This week I completed the mission when Lisa also ‘graphed it for me at the Theatre Royal Haymarket where she is featuring in the Shakespeare double-Bill (sorry), MUCH ADO ABOUT NOTHING and LOVE’S LABOUR’S LOST. So here it is again.

Drawing: Maddy Anholt

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English character comedienne extraordinaire Maddy Anholt has had two sell-out shows in the past two years at the Edinburgh Fringe Festival. Following the critically acclaimed, five-star DIARY OF A DATING ADDICT in 2015, Mandy returned with RENT GIRL last year, co-written and directed by Hardee’s Singh Kohli. With thirty fast approaching and facing the Grim Wrinkler, Maddy goes online in DATING ADDICT to find the man of her dreams.

In RENT GIRL she introduces us to a myriad of characters such as Shazza, bastard child of Persia and South London, Belle of Brixton, Princess of Peckham, Queen of Quitters, Dame of Dickheads. Maddy also brought both shows to London. I left this sketch for her at the Museum of Comedy last year and she returned it signed with a nice thank you note.

Drawing: Charlie Stemp in Half A Sixpence

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The West End sensation at the moment is the effervescent 23 year-old Londoner Charlie Stemp and his performance as Arthur Kipps in Julian Fellowes’ revised version of HALF A SIXPENCE, which transferred from the sell-out season at the Chichester Festival Theatre to the Noel Coward Theatre last November. It’s a role originally created as a star vehicle for Tommy Steele and the 1963 West End Premiere. Despite Charlie’s dizzying rise to the top of the theatre world, he is kept grounded by his family. His Dad sent him a review with his name misspelt, “this Charlie Stump is doing well.”

But he new how to sign his name on my sketch for me last Saturday when I caught up with him arriving for the matinee.

Drawing: Ben Turner and Andrei Costin in The Kite Runner

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Afghan-American author Khaled Hosseini’s debut 2003 novel THE KITE RUNNER became an International best-seller and was adapted into a 2007 film. Matthew Spangler’s stage version is currently running in the West End at Wyndham’s Theatre until March.

It’s a haunting tale of the unlikely friendship between Amir, a wealthy boy from Kabul and his closest friend and kite-running partner Hassan, the son of his father’s servant. Andrei Costin is Hassan and former CASUALTY star Ben Turner plays Amir as an adult who speaks directly to the audience, retrospectively looking back at the events that led to him becoming a refugee in California and the terrible incident that would shatter their lives forever. Both signed this drawing for me after last Saturday’s matinee.

Drawing: Amy Griffiths as Florabel Leigh

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Hart and Kaufman’s great old-fashioned Broadway comedy hit ONCE IN A LIFETIME was revived at London’s Young Vic theatre over the festive season. Satirising the entertainment world at the arrival of ‘talking pictures’, the story follows three enterprising New Yorkers as they head west to cash in after the first sound film became a smash hit, setting up an elocution studio in Tinseltown.

Amy Griffiths plays Florabel Leigh, a somewhat famous silent film star who finds that the switch to sound puts her at a disadvantage because of her accent, so she needs to enrol in elocution lessons to work in the talkies. Misadventures abound. Amy signed my Florabel sketch after the final matinee in January.

Drawing: Gemma Arterton at the Apollo

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British actress Gemma Arterton has been the subject for a number of my theatrical renderings and here’s another one. It must have something to do with the fact she has ‘art’ in her name. I drew two sketches of her as NELL GWYNN, one a single portrait and this montage of her as the the celebrated 17th century actress and mistress to Charles II, when she appeared in the Globe’s transfer of Jessica Swale’s play at the Apollo theatre last year.

She signed the portrait there and I was passing the Donmar Warehouse on Saturday and she happened to be outside the front doors signing after the final matinee performance of George Bernard Shaw’s SAINT JOAN after a two-month run. Following her triumph at the Apollo, Gemma’s portrayal of the feminist icon and spiritual warrior was equally acclaimed in the Josie Rourke-directed contemporary production. I also happened to still have this sketch in my folder, which she was happy to also sign.

Drawing: Barnaby Kay in Buried Child

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My final character sketch of the cast of Sam Shepard’s dark psychodrama BURIED CHILD is Barnaby Kay who plays Tilden, a ‘distracted man-child’ who has returned to his paternal home and a dysfunctional family to potter around outside digging up vegetables….which his parents performed by Ed Harris and Amy Madigan say don’t exist! The limited run at London’s Trafalgar Studios began last November and has been extended until next month. Barnaby’s career involves an extensive mix of TV, film and stage appearances. He spent the early years as a member of the Royal Shakespeare Company and appeared in the 1998 Best Picture Oscar-winner SHAKESPEARE IN LOVE. He signed this sketch for me at the stage door last December.

Drawing: Ashleigh Grey, Lizzy Connolly and Lauren Samuels in Vanities

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A revised version of  VANITIES, A NEW MUSICAL, based on Jack Heifner’s book and the 1976 play, debuted at the Trafalgar Studies in London for a limited, one-month run last September.

The original production premiered Off-Broadway in 2009. The West End show starred Ashleigh Grey, Lizzy Connolly and Lauren Samuels as Kathy, Joanne and Mary, three best friends growing up in Dallas,Texas at a time when image and style was more important than brains and ambition.

As the promotional slogan stated, “They’re Pretty, They’re Popular, They’re Clueless.” The London production featured new material not heard in New York.

I left this drawing of Ashleigh, Lizzy and Lauren at the Studios on the final day and when it didn’t come back, I thought I must have missed them. But, yesterday it arrived in the mail.

Drawing: Jeremy Irvine in Buried Child

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Six years ago British actor Jeremy Irvine was playing a tree in David Greig’s RSC production of DUNSINANE at Hampstead theatre, before he was plucked from ‘the forest of obscurity’ to play the lead role in Steven Spielberg’s big-screen adaption of the epic WAR HORSE.

Jeremy was about to give up acting, finding work was difficult and a career change was on the cards. He had never been in a film before, but learnt to ride, gained 14lb of muscle and learnt the Devonshire accent for two months of auditions. The legendary director wanted a newcomer to play the role of Albert. “I saw hundreds of actors, but no one had the heart, the spirit and the communication skills that Jeremy had,” he said.

Late last year he returned to the London boards as Vince in Sam Shepard’s American gothic play BURIED CHILD at the Trafalgar Studios, alongside Ed Harris and Amy Madigan. I caught up with him in after a Saturday evening performance in December and he signed my drawing for me.