Drawing: Stephen Sondheim’s Old Friends tribute concert 3 May 2022

Drawing of Stephen Sondheim signed by Sir Cameron Mackintosh, Maria Friedman, Dame Judy Dench, Petula Clark, Julia McKenzie, Michael Ball, Bernadette Peters, Sian Philips, Bonnie Langford, Janie Dee, Gary Wilmot, Clive Rowe, Charlie Stemp, Michael Xavier, Jon Robyns, Damien Lewis, Rob Brydon, Haydn Gwynn and Julian Ovenden, from the Stephen Sonheim Old Friends Tribute Concert, London

British producer and theatre impresario, Sir Cameron Mackintosh invited many of the late Stephen Sondheim’s old friends to join him in celebrating the great composer’s extraordinary talents and legacy at the West End theatre named after him. Considered one of the most influential figures in twentieth-century musical theatre, Stephen passed away at his home in Roxbury, Connecticut last November at the age of 91, before he was able to attend the official naming ceremony of the Shaftesbury Avenue theatre.

The tribute concert STEPHEN SONDHEIM’S OLD FRIENDS (from a number in 1981’s MERRILY WE ROLL ALONG) on 3 May, directed by Maria Friedman was also simulcast at the nearby Prince Edward Theatre, due to ticket demand. All proceeds went to the Stephen Sondheim Foundation. In his five star review for the Guardian, Mark Lawson wrote, “A glorious all-star memorial service… Stephen Sondheim was so vast a talent that London required two theatres to remember him… each of the (41) tunes a eulogy.”

While I wasn’t unable to get (or indeed fit) every artist, I did manage 19 from the glittering line-up, who respectfully signed around the pencil portrait of the great man; Sir Cameron Mackintosh, Maria Friedman, Dame Judy Dench, Petula Clark, Julia McKenzie, Michael Ball, Bernadette Peters, Sian Philips, Bonnie Langford, Janie Dee, Gary Wilmot, Clive Rowe, Charlie Stemp, Michael Xavier, Jon Robyns, Damien Lewis, Rob Brydon, Haydn Gwynn and Julian Ovenden.

Drawing: Charlie Stemp in Half A Sixpence

charlie-stemp

The West End sensation at the moment is the effervescent 23 year-old Londoner Charlie Stemp and his performance as Arthur Kipps in Julian Fellowes’ revised version of HALF A SIXPENCE, which transferred from the sell-out season at the Chichester Festival Theatre to the Noel Coward Theatre last November. It’s a role originally created as a star vehicle for Tommy Steele and the 1963 West End Premiere. Despite Charlie’s dizzying rise to the top of the theatre world, he is kept grounded by his family. His Dad sent him a review with his name misspelt, “this Charlie Stump is doing well.”

But he new how to sign his name on my sketch for me last Saturday when I caught up with him arriving for the matinee.