Drawing: Sarah Alexander

Sarah Alexander

English actress Sarah Alexander finished her A-levels then left home at 19 for the Edinburgh Festival Fringe, turning down a place at the University of Manchester for her first professional acting job.

Sarah has specialised in comedy, appearing in a number of high profile TV shows  including ARMSTRONG AND MILLER, SMITH AND JONES, COUPLING, SMACK THE PONY and WORST WEEK OF MY LIFE. She also played Dr Amanda Hunter in the hospital comedy GREEN WING.

Since 2013 Sarah has played the role of Polly Creek, the wife of Alan Davies’ title character in the BBC’s mystery crime drama JONATHAN CREEK.

Sarah’s stage credits include THE VAGINA MONOLOGUES and Lady Macbeth in ‘the Scottish play’. She returned to boards this month at the Arts Theatre in the West End in the new political satire A VIEW FROM ISLINGTON NORTH, where I met her after the opening matinee on Saturday and she signed this portrait sketch for me.

Drawing: Jenny Seagrove in Volcano

Jenny Seagrove Volcano

In first saw popular British actress Jenny Seagrove way back in 1993 when she starred opposite Tom Conti as a “glamorous praying mantis” in Noel Coward’s PRESENT LAUGHTER at the then Globe Theatre (renamed the Gielgud a year later) in London’s Shaftesbury Avenue. Nineteen years later she appeared in the first staging of the English playwright’s ‘lost’ play VOLCANO. After a short tour it settled in for a limited season at the Vaudeville during the summer of 2012.

Over the past thirty something years Jenny’s extensive stage and small screen career has seen her appear in numerous acclaimed productions. One of her most notable roles was QC Jo Mills in the long-running BBC drama JUDGE JOHN DEED.

In VOLCANO she plays the elegant widow Adela, the subject to one man’s philandering urges alongside a smouldering volcano-the ideal metaphor as ‘bubbling emotions are about to erupt.’

Jenny is currently featuring in Alan Ayckbourne’s vintage comedy about adultery HOW THE OTHER HALF LOVES at the Theatre Royal Haymarket. I meet her on a pleasant Spring Saturday as she rode her bike to work and chained it outside the stage door. Our brief chat included some reminiscing about her Noel Coward roles as she signed this VOLCANO sketch for me.

Drawing: Lily James in Romeo and Juliet

Lily James

Young English actress Lily James’s star continues its meteoric rise with the title role in Shakespeare’s tragic tale of young star-crossed lovers, ROMEO AND JULIET as part of Kenneth Branagh Theatre Company’s Plays at the Garrick season in London.

Already well known for her roles are Lady Rose Aldridge in ITV’s period drama DOWNTON ABBEY, for which she and the ensemble cast have won two Screen Actors Guild Awards and this year’s BBC drama series WAR & PEACE, Lily is no stranger to the stage. After graduating from London’s The Guildhall School of Music and Drama in 2010 she quickly appeared in a variety of prominent plays, including the modern version of Chekhov’s THE SEAGULL at the Southwark Playhouse and as Desdemona in OTHELLO alongside Dominic West at the Crucible Theatre in Sheffield. The Daily Mail’s Quentin Lett’s wrote “…she practically sweeps all before her as Desdemona, poise, diction, allure – she has them all.”

I managed to position myself in a good place at the Garrick’s stage door barriers after the first night performance last Thursday, where initially two security officers were in attendance and soon joined by a third after he had finished his duties at Kit Harington‘s meet-and-greet one street over at the Duke of York’s. Obviously they were anticipating a large gathering and that proved to be the case. Eventually, both Lily and her ‘Romeo’, Richard Madden, who was also her Prince Kit in Disney’s 2015 live-action version of CINDERELLA appeared and Lily signed and dedicated this sketch for me.

Drawing: David Benson and Alice McCarthy in Boris: World King

Boris World King

Boris Johnson’s eight year term as London’s Mayor ended last week, but at the Trafalgar Studios he has assumed the mantle, ‘World King”… well at least for 80 minutes, (no interval) in the smash hit play, BORIS: WORLD KING.

Alexander Boris de Pfeffel Johnson is one of the most controversial figures in British politics and journalism, ideal for a bit of satire. After a sell out run at the Edinburgh Fringe Festival,  the production relocated for a four-week transfer at the West End venue.  Impressions master David Benson plays the bumbling Boris and Alice McCarthy is his long-suffering assistant Helen.

“Buffoonery conceals the dark heart of the London mayor in Tom Crawshaw’s mischievous and unsettling Boris-bio,” wrote Stewart Pringle in his four-star review for the The Stage.

David and Alice signed my sketch at the Trafalgar Studios last week. The play finished on Saturday. Boris may last a little longer.

Drawing: Ron Cook in Trelawny of the Wells

Ron Cook

Patrick Marber’s adaption of Pinero’s ‘ love letter to theatre,’ TRELAWNY OF THE WELLS, directed by Joe Wright in the early Spring of 2013, at the Donmar Warehouse in London’s Covent Garden. Included in the outstanding cast was the impressive and very busy Ron Cook – so busy he played two roles in this production. Opening the 1898 comic play he appears in drag as the ‘theatrical landlady’ described by Charles Spencer in The Telegraph as a “brilliant comic coup” before settling into his role as the “superb” crusty old judge Sir William Gower.

Ron is always very friendly and obliging at the stage door. He signed this drawing for me at the Trafalgar Studios earlier this year when he was appearing in THE HOMECOMING. He returns to the Donmar in June in FAITH HEALER.

Drawing: Amanda Drew

Amanda Drew

Florian Zeller’s five-star play THE FATHER returned to the West End for a four-week run at the Duke of York’s last month. Joining Olivier winner Kenneth Cranham was Amanda Drew who replaced Claire Skinner as his daughter Anne.

Amanda has previously signed a few of my drawings so this gave me another opportunity to catch up with her to get my latest sketch signed-a montage of her versatile and varied stage career over the past seventeen years, incorporating PARLOUR SONG (2009), ENRON (2010), THE HOUSE OF BERNARDA ALBA (1999), MADAME BOVARY (2003), OTHERWISE ENGAGED (2005) and her current role.

THE FATHER is currently on a short tour,which concludes at the Royal Brighton Theatre at the end of the month.

Drawing: Timothy Spall, Daniel Mays and George MacKay in The Caretaker

The Caretaker

When it premiered in 1960, Harold Pinter’s first big hit, THE CARETAKER changed the face of modern theatre. The psychological study of the confluence of power, allegiance, innocence and corruption among two brothers, Aston and Mick and the homeless hobo Davis. The Old Vic’s latest revival, directed by Matthew Warchus stars Timothy Spall, who specialises in characters outside the social norms He plays Davis, the classic Pinter outsider,disruptive, insistent, menacing yet pathetic. Daniel Mays is the kindly Aston and George MacKay portrays the brutal brother Mick, who exposes Davis as an ‘Artful Dodger.’

I caught up with Daniel and George during a passing shower, under the protection of a cheap umbrella at the stage door and Timothy a week later in drier conditions. All three were happy to sign this sketch.

Drawing: Kit Harington in Doctor Faustus

Kit Harington

Successful Elizabethan playwright and Shakespeare’s contemporary Christopher Marlowe is buried in an unmarked grave not far from where I reside, in the churchyard of St Nicholas, Deptford. It was on May 18, 1593 that Marlowe was arrested for blasphemy. Ten days later his mysterious early death was reported after being knifed in a local tavern. He was only 29.

One of his most renowned plays was ‘The Tragical History of the Life and Death of Doctor Faustus’, commonly referred to simply DOCTOR FAUSTUS, based on the German ‘Faustbuch’. The story of an embittered academic, frustrated with the futility of religion and desperate for a deeper understanding of the universe, he risks everything to conjure up a meeting with the demon Mephistophilis, asking him to make a deal with the devil and  selling his soul in return for the ability to perform absolutely anything including the power to perform black magic. References to ‘The Devil’s Pact’ go back as far as the 4th Century, but Marlowe’s hero differs in that his protagonist is unable to repent in order to have the pact annulled.

Playing the title role in Jamie Lloyd’s latest revival at the Duke of York’s theatre is another 29 year-old Christopher… Christopher Catesby  Harington, commonly known as Kit, making his first return to the London boards since playing Albert in the National Theatre’s WAR HORSE. As the new series of HBO’s  GAME OF THRONES is about to screen, he confirmed that his character, Jon Snow, was killed off and dies in the snow at the hands of his own men in the series 5 finale. “I do appear in the new series, but as a corpse,” he revealed to the NY Daily News. “It’s my best work”, he joked.

The show’s massive fan base has descended upon the theatre in droves. I joined the frenzied gathering at the end of the stage door alleyway on Saturday night, held out this quick drawing of Kit as Faustus and he managed to sign it for me, before barriers were installed and some decorum prevailed… and Kit left.

Drawing: James Norton in Bug

James Norton

James Norton is certainly flavour of the month, if not the year and according to The Sunday Express, the 30 year old British actor is “set to become one of the biggest names of his generation”. A BAFTA nomination for his role as a psychopath in the TV crime drama HAPPY VALLEY, a lead role in WAR & PEACE and the crime-solving vicar, Sidney Chambers alongside Robson Green in the latest cult series GRANTCHESTER has cemented his status.

He is currently treading the London boards at Found 111, the tiny 130 seat pop-up theatre space on Charing Cross Road in Tracy Letts 1996 paranoia play BUG. He plays Peter, a Gulf War vet who is on the run from being experimented on at an army hospital and arrives at a seedy hotel where he meets lonely waitress (Kate Fleetwood).

Both are damaged souls and both become concerned with the infestation of bugs, both insects and surveillance devices. Henry Hutchings wrote in his Evening Standard review, “the impressive Norton slowly exposes Peter’s psychological injuries. As he treats his body like a laboratory for a series of gruesome (one audience member fainted during Wednesday’s evening performance) experiments, every audience member’s flesh starts to crawl.”

Jame arrived with plenty of time to spare for Saturday’s matinee and was happy to spend time with a gathering of fans, mostly female and a couple of us male types and signed this sketch for me. He even said he liked it, but I guess what he has to suffer on stage being sketched is the least of his worries.

Drawing: Tom Conti in Jeffrey Bernard is Unwell

Tom Conti Jeffrey Bernard Is Unwell

JEFFREY BERNARD IS UNWELL was a  famous one-line apology on a blank page in the respected British magazine, The Spectator, when the infamous columnist and constant soak Jeffrey Bernard was either to drunk or hung-over to produce the required copy for his LOW LIFE column. It is also the title for Keith Waterhouse’s hit play and loving tribute to the legendary Soho drunk, which premiered in the West End at the Apollo Theatre in 1989 with Peter O’Toole in the title role. He also revived the part in the sell-out run at the Old Vic ten years later. Peter was followed by Tom Conti, who also revived the role at the Garrick Theatre in 2006.

According to the playwright, Jeffrey Bernard was born in 1932 – probably by mistake. He had few friends at school, preferring to sit at the back of the classroom, playing with himself. He left, a chain smoker with no worthwhile academic qualifications. In 1946 Jeff paid his first visit to Soho and from that point he was never to look forward, finding himself in his element as a registered layabout in the cafes and pubs of Dean and Old Compton Streets. It was here that he ‘developed his remarkable sloth envy and self-pity.’

He failed at a number of odd jobs, including a disastrous stint as a barman, which was to lead to his chaotic life of alcohol abuse and ‘chronic unwellness’.

A sycophant, he mixed with the famous Soho residents including Dylan Thomas and Francis Bacon and by chance became a journalist firstly for ‘Sporting Life’ before establishing himself as one of the funniest columnists in British journalism. He was the first racing correspondent to write from the point of view of the loser, a stance that was to become the basis for his future writing.

He once wrote the following, which summed up his existence. “I have been commissioned to write an autobiography and I would be grateful to any of your readers who could tell me what I was doing between 1960-1974.”

Tom signed this appropriately chaotic sketch I drew of him in his role as Jeffrey Bernard at the Garrick, which he signed for me at the Park Theatre last week during his season in THE PATRIOTIC TRAITOR.