Drawing: Audra McDonald as Billie Holiday in the Lady Day at the Emerson’s Bar &Grill

One of Broadway’s genuine musical theatre superstars has finally made her West End debut. Six-time Tony Award winner Audra McDonald made her long awaited London stage appearance last month, reprising her 2014 Broadway role as Billie Holiday in LADY DAY AT THE EMERSON’S BAR & GRILL at Wyndham’s Theatre.

“One legend playing another,” wrote Michael Billington in his Guardian review. Dominic Cavendish in The Telegraph said her performance was “pouring divine nectar into your ears; here, beautifully modulated, is all the playfulness, mischief, yearning, sadness and stoicism to be found in those crackling records of long ago.”

Audra is the first person to win six Tonys for acting and the first person to win the award in all four acting categories. She has also collected Grammy and Emmy Awards. Her Tony winners are CAROUSAL (1994), MASTER CLASS (1996), RAGTIME (1998), A RAISIN IN THE SUN (2004), PORGY AND BESS (2012) and LADY DAY (2014).

It was an absolute pleasure to meet her at the stage door a couple of weeks ago as she arrived for the Saturday matinee. She loved the drawing and graciously signed it for me.

Drawing: Peter Davison in Legally Blonde and Gypsy

British actor Peter Davison came to prominence as Tristan Farnon in James Herriot’s ALL CREATURES GREAT AND SMALL before becoming the fifth incarnation of the Doctor in DOCTOR WHO. He is coincidently the real life father in law of the tenth Doctor David Tennant.

Apart from his extensive TV work Peter has a distinguished stage career including two of his recent appearances, as Professor Callahan in LEGALLY BLONDE and Herbie in GYPSY, both at the Savoy Theatre in London. He was nominated for an Olivier Award for the latter. I dropped this sketch off at the theatre, having missed Peter a couple of times at the stage door and it eventually came back signed.

Drawing: David Tennant in Don Juan in Soho

I always like drawing David Tennant- so expressive and he has always been kind enough to sign my scribblings over the years. His latest West End outing is the rakish titular lead in Patrick Marber’s revival of his own play DON JUAN IN SOHO at the Wyndham’s Theatre.

Last seen eleven years ago at the Donmar with Rhys Ifans, the play is a free-flowing update of Moliere’s 1665 comedy about a well- heeled hedonist. David is no stranger to seduction at Wyndham’s, having played the part of Benedick in Josie Rourke’s 2011 production of Shakespeare’s MUCH ADO ABOUT NOTHING alongside Catherine Tate.

David’s portrayal of the ‘Satan in a suit from Saville Row’ drew universal praise from the critics. The Guardian’s Michael Billington stating “It is Tennant’s performance that gives the play a disturbing ambivalence.” Eleanor Turney simply said “He’s an absolute bastard, but a charming one.”

Drawing: John Boyega in Woyzeck

English actor and BAFTA-winner John Adedayo B. Adegboyega, known by his stage name John Boyega has returned to the stage after finding International success as the rogue stormtrooper Finn in the seventh film in the STAR WARS series, THE FORCE AWAKENS. He’s come a long way from his first stage role as a leopard in a primary school play.

John is currently playing a British soldier patrolling the East/West border in Berlin during the 1980’s in an adaption by Jack Thorne of the 19th century play WOYZECK by the German playwright Georg Buchner. A handful of us caught up with John at stage door before last Saturday’s matinee when he stopped to sign some graphs, including my sketch. An hour later he was back outside the theatre with other cast and crew and the audience, who were all evacuated to the nearby Imperial Museum Gardens after a bomb threat stopped the play 15 minutes into the performance.

Drawing: Mikhail Baryshnikov in Brodsky/Baryshnikov

Alongside Vaslav Nijinsky, Vladimir Vasiliev and Rudolf Nureyev, Mikhail Baryshnikov is  considered one of the greatest ballet dancers in history. He returned to the London stage last week, not as a dancer, but reading the poetry of Nobel Laurate Joseph Brodsky, who was one of the first people Mikhail meet in New York  when he defected from the Soviet Union in 1974.

Joseph was a huge influence on ‘Misha’ In the years the later revolutionised and popularised ballet as a performer and choreographer, while launching a successful parallel career as an actor, earning an Oscar nomination playing Yuri Kopeikine in the 1977 film THE TURNING POINT. Their relationship forms the basis for Latvian director Alvin Hermanis’s experimental theatre piece, BRODSKY/BARYSHNIKOV in which Mikhail reads his friend’s poetry in the original Russian. After productions in Riga, Te Aviv and New York Mikhail, performed the show for five nights at the Apollo Theatre in London, where I managed to meet him at the stage door and he signed my sketch.

Drawing: Daniel Radcliffe and Joshua McGuire in Rosencrantz & Guildenstern Are Dead

Half a century after it’s premiere on the Old Vic stage, ROSENCRANTZ & GUILDENSTERN ARE DEAD, the  philosophical tragicomedy play that made a young Tom Stoppard’s name overnight, returned to the same venue with Daniel Radcliffe and Joshua McGuire in the title roles. Originally booked until the end of April, the season has been extended until this weekend due to popular demand.

It’s the ultimate identity crisis when two hapless minor characters, flipping coins while watching Shakespeare’s HAMLET from the wings. In his four-star review the Guardian’s Michael Billington said, “Radcliffe is perfectly matched by Joshua McGuire in a nimble hire-wire act that balances quickfire humour with a poignant awareness of death.” Both Dan and Joshua signed my sketch a couple of weeks ago after a Saturday evening performance at the Old Vic.

Drawing: Cherry Jones and Sally Hawkins in Mrs. Warren’s Profession

In one of my rare departures from the 4B, I did this 2010 sketch of Cherry Jones and Sally Hawkins in the Broadway revival of George Bernard Shaw’s ‘problem play’ MRS. WARREN’S PROFESSION in a black fine line Pilot pen. Actually it was part of my black-liner-with-the-rogue-biro-thrown-in phase.

Sally actually signed it after she returned to the UK, so obviously Cherry wasn’t able to graph it. I got that chance last month to complete the sig-set when she made her West End debut at the Duke of York’s theatre in the Broadway transfer of Tennessee William’s THE GLASS MENAGERIE which is currently running until the end of the month.

Drawing: Brian J Smith in The Glass Menagerie

American actor Brian J Smith’s portrayal of Jim O’Connor, the ‘gentleman caller’ in John Tiffany’s celebrated Procyon of Tennessee William’s THE GLASS MENAGERIE has garnered him award nominations on both sides of the Atlantic. He was shortlisted for both the Drama Desk and Tony Awards for the Broadway run at the Booth Theatre in 2013 and this year’s Oliviers after its transfer to London’s Duke of York’s Theatre, which finishes next week. Brian kindly signed this sketch for me a couple of weeks ago and he said he’s staying in London for another William’s play.

Drawing: The Philanthropist at the Trafalgar Studios

Simon Callow directs a brand new production of Christopher Hampton’s most celebrated play THE PHILANTHROPIST at London’s Trafalgar Studios, which opens this week after a fortnight of previews.  It’s a ‘fiendishly clever inversion’ of Moliere’s THE MISANTHROPE, which the writer describes it as a ‘biting bourgeois comedy’, centring on an academic whose morbid compulsion to please everyone has the opposite effect.

After a ‘try-out’ at the Royal Court in London, the play premiered on Broadway at the Ethel Barrymore Theatre in March 1971. It was nominated for three Tony Awards, including Best Play. “Christopher Hampton was 23 and it was his first big hit – a stonking success,” said Simon Callow, who has gathered together a young cast, light on theatre experience, but well known to TV audiences.

THE INBETWEENERS star Simon Bird makes his stage debut, joined by Tom Rosenthal, his co-star in Channel 4’s FRIDAY NIGHT DINNER, FRESH MEAT and CALL THE MIDWIFE’s Charlotte Ritchie, BAFTA winner Matt Berry from the IT CROWD and actress-model Lily Cole, who all signed my montage sketch heading in for Saturday’s matinee.

Drawing: Alfie Boe in Les Miserables

Tony Award winner, Alfie Boe first played Jean Valjean in the concert performance celebrating the 25th Anniversary of LES MISERABLES at London’s O2 arena in October 2010, before taking on the role in the full stage production at the Queen’s Theatre from June to November the following year. In 2015 he reprised the role at the Imperial Theatre on Broadway, succeeding Ramon Karimloo. He shared the 2003 Tony Award with the other principal leads of Baz Luhrmann’s LA BOHEME. He was born Alfred Giovanni Roncalli Boe to Irish-Norwegian parents in Blackpool. It’s the Italian name of Pope John XXIII. Thankfully he shortened it to ‘Alfie’, which takes less time to sign, and he did just that last Saturday at the London Coliseum, before the matinée of CAROUSEL in which he stars with Katherine Jenkins.