Drawing: Haydn Gwynne as Margaret Thatcher in The Audience

Haydn Gwynne Blog

Britain’s ‘Iron Lady’ died yesterday.The former and first (and only)  female British Prime Minister, Margaret Thatcher’s passing has bought mixed reactions in the UK.  Tony and Olivier nominated actress, Haydn Gwynne currently portrays her in Peter Morgan’s new play, THE AUDIENCE at the Gielgud Theatre. “I don’t know many people who would be neutral about Margaret Thatcher,” she wrote in the programme. “Everything about her was antithetical to what I believe in,but I would never play her through a filter of my own view of her…it’s not what is required. The weird thing is that, as soon as you are asked to play someone like this-and of course I watched bits of footage and read her biography and memoirs-you stop judging.”

I was going to do a sketch of Haydn anyway, along with other cast members,so it seemed appropriate to whip one up and have it signed by the Thatcher ‘stage surrogate’ on the day of Maggie’s passing. It was a surreal atmosphere around the stage door as cast and crew filtered in,with the occasional comment about ‘the event’ of the day. I missed Haydn going in, but did get to meet Peter Morgan,who signed my programme which was a bonus.

Everyone left relatively quickly after the performance and the group gathered at the exit soon dispersed once Dame Helen drove off, leaving only me, Phil, the stage door manager and one or two patrons from the gay bar opposite who had popped out for a ciggy….oh and the guy who feeds the pigeons. Haydn finally appeared around 10.45 and looked surprised..that someone was still waiting,let alone with a sketch. “I guess it must have been an interesting night?” I said. “Very interesting”, she replied. She liked the drawing-thought it was a nice touch and the poignancy of the moment felt as she signed it with a spirit-based sharpie.

Drawing: Helen Mirren as The Queen in The Audience

Helen Mirren Blog

In 2006 Dame Helen Mirren won 29 major awards for her portrayal of Queen Elizabeth II in the film The Queen, including the Oscar, Golden Globe, SAG and BAFTA Awards for Best Actress.

In April this year she once again reprised the role for the stage production of Peter Morgan’s (who also wrote The Queen) world premiere of The Audience at the Gielgud in Shaftesbury Ave.

For the last sixty one years, the Queen has met with 12 Prime Ministers in a weekly audience at Buckingham Palace. Both parties have an unspoken agreement never to repeat what is said… not even to their spouces. The Audience breaks that code of silence and imagines a series of pivotal meetings, charting an arc through the second Elizabethan Age. Prime Ministers come and go through the revolving door of politics, while she remains constant.

The Audience opened to critical acclaim, and is nominated for five Laurence Olivier Awards, including a Best Actress nod for Dame Helen.

She is always very accommodating with autograph requests. If she doesn’t sign in person, the stage-door manager takes material to her. My programme was signed when she was leaving after an evening performance, but I left the sketch at the theatre. When time is limited and there are gazillions of graphs to do, she has abbreviate to ‘H. Mirren” so I was please to get a full signature and the customary wavy underline. I wonder if Elizabeth R will take in the play, after all she and Philip did go to War Horse and did invite Dame Helen to dinner at the Palace in May 2007.

Drawing: Tom Cruise

Tom Cruise001

It’s April – not that the weather’s come to the party, as it continued to chuck down the white stuff…. but, as they say ‘there’s no business like snow business.’

Appropriately, a white carpet (or maybe originally it was red!) awaited Tom Cruise, Olga Kurylenko and director Joseph Kosinski for the UK premiere of the Sci Fi saga Oblivion at the BFI IMAX near London’s Waterloo station.

One of the highest paid and most sought-after actors in screen history, Tom Cruise, has played a bartender, soldier, pilot, special agent, samurai, contract killer, senator, magazine owner, lawyer, sports agent, student, vampire, race-car driver and pool player can now add one of the few remaining drone repairmen assigned to an Earth devastated by decades of war with the alien Scavs.

One forecast was guaranteed, whatever the weather, Thomas Cruise Mapother IV would not disappoint his frozen fans. Thankfully, he shortened his moniker, or it would be Summer before he finished signing. Unlike many of his contemporaries, Tom doesn’t rush. He always arrives early, completes media commitments, and then spends as much time as it takes ‘signing the line’ (that’s graphers lingo for everyone).

The planet’s biggest star is also its biggest signer. An interesting fact: he’s actually left handed but signs with his right hand. He has been known to spend up to 3 hours signing siggies and posing for pics prior to screenings. That’s quality and quantity, but then he’s good with numbers. Each one of his three wives have been 11 years younger than the previous one. And they were all 33 when the marriages ended. So maybe he’s more of a numerologist than a Scientologist.

By the time he got to me which was around half an hour after he started down Sharpie street, he must have signed nigh on 100 ‘graphs. When he saw my sketch he was really pleased with it and we had a brief chat and he signed and dedicated it. Mission: Acccomplished

Drawing: Ben Whishaw and Judi Dench in Peter and Alice

Peter and Alice Blog

The Michael Grandage Company’s second of five theatrical treats at the Noel Coward Theatre is Peter and Alice written by John Logan, it’s a moving study of enchanchment and reality after a brief encounter between the real-life models for Peter Pan and Alice in Wonderland, laying bare the lives of two extraordinary characters shaped by JM Barrie and Lewis Carroll. The actual fleeting meeting took place at a literary event in 1932, when Alice Liddell Hargreaves was 80 and Peter Lleweullyn Davies was 35. Logan speculates on their imagined conversations, looking at how we are all shaped by our childhoods. The children who inspired two classics meet as emotionally bruised adults in a dusty old bookstore and explore their views of past relationships with the authors and the price that they have paid when fame is foisted on the child heroine and the boy who never grew up. It is a tale of two tortured souls with Peter struggling the most with the unwanted fame. “I think I know what childhood is for. It’s to give us a bank of happy memories against future suffering.”

Alice passed away peacefully and contented, Peter committed suicide, throwing himself under a train in Sloane Square. The principle characters are played by Dame Judi Dench and Ben Whishaw – transferring ‘M’ and ‘Q’ from the screen to Wonderland and Neverland from the recent Bond film Skyfall (also written by John Logan).

Both actors are terrific on stage and off stage. They are great signers, but the problem is that they leave at opposite ends of the theatre. Alice through the front looking glass (barriered) and Peter flies out the back. In order to avoid having to go back twice, signature strategy requires some prior intelligence. My spies told me that Ben usually exits first, then the mob hot foot it to the front of the theatre for Dame Judi. And that’s exactly what happened. As all good bedtime stories should finish.

Drawing: John Malkovich

John Malkovich001

I’m sure being inside the head of American actor, writer, director, producer and fashion designer John Malkovich would be a fascinating, if not a disturbing space to be. I would settle to be in a space beside him for as long as it took him to sign and dedicate my sketch. That space happened to be The Barbican in central London on a Saturday in mid-June 2011. Like his imagined persona, JM can offer a variety of responses to graph – both auto and photo – requests. One thing I did find out from the zombies, who were circling the foyer in numbers, Mr Malkovich walks in the front door – no sneaking in side entrances for him. His signature used to be recognisable in the early ’90’s – all letters formed in the conventional manner as per the English alphabet, spelling out his name. Now it looks more like the print out from a cardiograph machine.

John Gavin Malkovich has appeared in over 70 motion pictures, spanning a 30 year career. He’s also directed and produced a few and written a screenplay. To complete his Renaissance-man image he set up his own fashion company, ‘Mrs Mudd’ in 2002. Among other things it includes the John Malkovich Menswear Collection called ‘Uncle Kimono’ and he designs the clothing himself.

He was hopefully entering the front door of The Barbican that Saturday afternoon in mid-June to take part in a Q&A following a screening of DANGEROUS LIAISONS . He was also performing a two-day season of the unusual one-man play, THE INFERNAL COMEDY, playing the role of the notorious Austrian serial killer-Jack Unterweger. It was a solo acting part… along with a baroque orchestra and two sopranos, singing arias about murder and abandonment. Not one of your cheeriest days in theatre. So, would he be in character-method acting? Pretty hard to get a graph from a serial killer…without some fatal injury.

As it turned out, Mr M was already in the building, possibly using a side door and was wandering around the foyer, talking on his cell phone… followed by a line of autograph hunters. It resembled the Pied Piper. I decided to remain in one spot and watch the carnival, which eventually came past me.. and stopped… because the prey stopped. He saw my sketch, completed his call and asked me if I wanted it signed by him – a novel reversal to the norm. He did so with his cardiogram sig and dedicated it, as well as signing a BEING JOHN MALKOVICH film poster. Then his phone rang and he popped back on it and the procession started all over again around the Barbican foyer on that bright Saturday afternoon in mid-June.

Drawing: Robert Mitchum?

Robert Mitchum001Hollywood film noir legend Robert Mitchum spent some time in my home town of Invercargill, New Zealand in 1988. He was filming the TV spy-thriller, THE BROTHERHOOD OF THE ROSE, directed by triple Emmy winner, Marvin J Chomsky. I was fortunate to be able to spend a few days on set to write some feature articles for The Southland Times NIE pages.

Critics called Mitchum one of the finest actors of the Golden Age of Hollywood. One stated that he was an “underrated American leading man of enormous ability who sublimates his talents beneath an air of disinterest.” He was more modest. In a BBC interview he said,”Look, I have two kinds of acting. One on a horse and one off a horse.”He used to annoy fellow actors saying the profession wasn’t challenging or hard work. “You turn up on time, you learn your lines, you hit your marks, you go home.” The American Film Institute listed him as the 23rd greatest actor in American Cinema – an accolade he ignored, saying, “Movies bore me, especially my own.”

His distinctive features included his sleepy, indifferent eyes. One of his nicknames was in fact, ‘old, rumple eyes’. They were a result of boxing injuries, chronic insomnia and lots of drinking alcohol. I did a quick sketch on set, emphasising them. I think the actual day was 8.8.88. He laughed when he saw it and signed it with a question mark.

“I started out to be a sex fiend, but couldn’t pass the physical”, he once said.

Robert died on 1 July,1997 from lung cancer.

Drawing: Sir Alec Guinness – the theatrical Jedi Knight

Alec Guinness001

In a galaxy far, far away… actually, in 1994, I drew a quick caricature of Sir Alec Guinness. In the absence of a stage door to stand at or a reliable agent’s address, I found out that he was a member of The Garrick Club, Charing Cross Road in London. I was in the city at the time, so I made a couple of copies, wrote a note and left it with a stamped self addressed envelope before heading back to New Zealand.

This month I read that the British Library had recently bought 1000 letters and 100 volumes of his hand written diaries from his family for £320,000. The archive will go on display next year.

Catherine Ostler in the Daily Mail wrote: “To some fans, Sir Alec Guinness will always be remembered as Obi Wan Kenobi, the sagacious Jedi Knight of the Star Wars films. To others, he is The Bridge On The River Kwai’s resolute but misguided Colonel Nicholson.

These and other brilliant performances — in Ealing comedies, Lawrence Of Arabia, Dr Zhivago and TV’s Tinker, Tailor, Soldier, Spy — should surely have left him secure in the knowledge that he stood at the pinnacle of his profession. Yet his private writings, previously unseen by the public, reveal this titan of the screen and stage to have been a flawed, insecure man who found release in petty malice.”

Nobody escaped his barbed comments, from the Queen down. Even the great Sir Laurence Olivier. For more than half a century they shared the accolades as the greatest actors of their generation, but behind the scenes a poisonous rivalry existed. He called his fellow thespian “cruel, unpleasant, destructive and pretentious.” He did, however, balance that by praising Lord Larry as a “total actor – technically brilliant.”

It is common knowledge he disliked the Star Wars trilogy and would throw away fanmail associated with it. he called it “fairy-tale rubbish”. In spite of an Academy Award and Golden Globe nomination for his role, the theatrical knight wanted the Jedi Knight killed off and convinced George Lucas that it would make the character stronger (and he wouldn’t have to go on speaking that bloody awful, excruciating, banal dialogue, he confided).

The Star Wars films did, however, provide an income for the rest of his life. While he hated the films, he was shrewd enough to realise that the public wouldn’t, so struck a deal for 2% of the gross royalties, along with his initial salary. The franchise went on to become one of the most successful ever. He later said, “I have no complaints, I can live the rest of my life in the reasonably modest way I am now used to and I can afford to refuse work that doesn’t appeal to me.”

One person who he did like, and who sympathised with him was co-star Harrison Ford. Apparently, he said to the director, “George, you can type this shit, but you can’t say it!”

There was no doubt Sir Alec was a complex man – a shy introvert who shone on stage and screen. Melvyn Bragg said he was the weirdest, strangest person he’d ever interviewed. But, back in 1994 he signed my drawing and added some self-mockery. Six years later he passed away,aged 86.  I wonder if I’m mentioned in his diary dispatches. A visit to the British Library next year could be worth it. The force (and the graph) is indeed with me, always.

Drawing: Robert Powell as Jesus of Nazareth

Robert Powell

Robert Powell was a guest speaker at the Art in Marylebone exhibition in London in 2010. An excellent opportunity to listen to ‘Jesus’ (his most famous role) mingle with the followers and philistines, collect a ‘graph and have a vino or three.

Robert had a distinguished TV career with forays into film including the title role in Ken Russell’s Mahler (1974) and Captain Walker in Tommy (1975). As Tommy’s father, he had no lines and appeared mostly in dream sequences. In one such sequence he is seen in a crucifixion pose, a rehearsal for his role as Christ in Jesus of Nazareth (1977) which immediately followed. It was directed by the legendary Franco Zeffirelli as a two part TV film and co-starred Laurence Olivier, Christopher Plummer, Rod Steiger and James Mason. Robert received a BAFTA nomination for his performance. He also spent some time in New Zealand filming Chunuk Bair, based on Maurice Shadbolt’s play about the Wellington Regiment taking and holding Chunuk Bair hill on the Gallipoli peninsula during WWI. He played the lead role, Sgt Maj Frank Smith.

I spoke with Robert after his speech about the film. In 1990 I played ‘Scruffy’ in Jonathan Tucker’s moving production of Once on Chunuk Bair, for Invercargill Repertory, my first role for the society and it still remains my favourite. I had drawn a quick sketch of him as Jesus and he was happy to sign it. As there was still plenty of wine, he wasn’t required to perform any miracle.

Drawing: Chess with Magnus Carlsen

Magnus001

Yesterday I met Magnus Carlsen – the 22 year old Norwegian World Chess No1… well ‘met’ I use candidly. The Telegraph calls him the Justin Bieber of chess. He prefers to be likened to Matt Damon. Actually, he looks more like a condensed, cherub-faced Roger Federer.

He has the highest chess rating of all time and has been called the ‘greatest ever player’ at the tender age of 22. The former chess prodigy became the youngest player to reach number 1 in the world in January 2010. His game style is described as “poetic and brutal” – as you would expect from a Viking!

The World Chess Candidate’s Tournament has the top eight players gathering to do battle over two weeks at the Institute of Engineering and Technology, under the shadow of the Waterloo Bridge in London. The victor will then challenge current World Champion Viswanathan Anand “the Tiger of Madras” for the title. The competition concludes this Easter weekend. With chess having 600 million players worldwide, revamped rules and a new poster boy, many believe the game is returning to the glory days of the Fischer-Spasky confrontation in Reykjavik, Iceland in 1972.

He is the tournament favourite and up until Good Friday he was leading. However, he suffered his first loss to Ukranian Vassily Ivanchuk, leaving a Russian, Vladimir Kramnik in the lead. Challenger hopes could be resurrected on Sunday.

Anyway, back to the meeting and signing. I arrived at the venue with half an hour to go to kick off.. or should I say ‘piece movement’. A sprinkling of photographers and journos wandered into the institute, and a smattering of your usual chess groupies. Not an autograph zombie in sight… I’m alone at last!

With 10 minutes to go I thought he’s probably already in the building working on his moves. But no, he was walking on his moves. I see this mini version of the Fed/Matt Damon hybrid walking towards a side entrance. I race after him, thinking “this is a little weird, chasing after a chess celebrity”.

He and his minder go into one of those doors… oh I would say, 6cm thick, that operate like a bear trap with hinges that are spring loaded. But my fingers on my drawing hand managed to stop the offending barrier from closing completely. As I prised it open to reveal a startled chess champion. Wringing my fingers, but with my Sharpie in my left hand, I asked him to sign my sketch. Clearly not used to such intrusions, his facial expression changed to a smile, and he calmly said “sure,” and signed. Little did I know he was about to suffer his first defeat…

I thanked him a left, still flexing my fingers, bumping into 2 guys directly behind me. I wasn’t sure if they were fans or security. Needless to day, mission accomplished. Checkmate.

Drawing: Alex Jennings and Richard Griffiths in The Habit of Art at The National Theatre

Griffiths Jennings001

RIP Richard Griffiths.

Although known as a ‘grumpy signer’ by the autograph collecting ‘fraternity’ – I guess it was one of the unique features of getting a Griffiths ‘graph with the gruffness, I personally always enjoyed meeting him and never had a refusal. He had one of the nicest signatures – full name, well scripted and always consistent.

He signed this sketch at the National during his season of The Habit of Art in January 2010. I was waiting at the stage door after an evening performance with a number of other hopefuls – a mixture of zombies and audience members. Richard eventually came out. I was standing on my own to the left of the exit. He stopped and started to roll a siggy a ciggy. After a few moments he turned to me and said. “I’m just having a cigarette.”
“Feel free,” I replied.

A little while later he said, “Have you got something for me?”
“I have.”
“What is it?”
“A sketch,” I said
“Oh.”

More minutes passed. I think I was the ‘graph guinea pig that evening, testing Richard to see if he was ‘in the mood’.

“Can I see it?” he asked.
“Sure,” and I showed it to him.
“Very good. Do you want me to sign it?”
“To Mark,” I told him and handed him the Sharpie. He did the siggy, finished the ciggy, hopped in the waiting car and left. I wonder if he’ll sign for God?