Drawing: Tom Hollander in Travesties

Tom Hollander’s welcome return to the stage after a six-year absence has resulted in a Best Actor Olivier Award nomination for his ‘career-best’ performance in Tom Stoppard’s golden oldie TRAVESTIES. The Menier Chocolate Factory’s revival, directed by Patrick Marber, sold out before opening night late last year and transferred to the West End’s Apollo Theatre.  Tom plays the central Henry Carr, who  was a British consular official in Zurich during the first World War and encountered  Russian communist revolutionary Lenin, the founder of Dada, Tristan Tzara and Irish author James Joyce, all of whom were in the city at the time. As a member of a group of actors called The English Players, managed by Joyce, he was cast in the leading role of Algernon in Oscar Wide’s THE IMPORTANCE OF BEING EARNEST.

In his five-star review, The Telegraph’s Dominic Cavendish said “Tom Hollander is hilarious in this mind-bogglingly entertaining Stoppard revival”. He went on to write, “Tom Stoppard’s award-winning 1974 comedy finds the man, who memorably described himself as a ‘bounced Czech’ performing such hire-wire feats of linguistic daring that even undertakes an entire scene in the limerick form. And that’s not the half of it: there are exchanges in Russian, outbreaks of nonsense, a super-abundance of allusion, word-play, parodies and to crown it all, a running pastiche of THE IMPORTANCE OF BEING EARNEST.” Tom signed my sketch of him as Henry at the Apollo’s stage door last weekend.

Drawing: Ian Bartholomew as Chitterlow in Half A Sixpence

The Noel Coward Theatre is Ian Bartholomew’s second home. Three shows in three years at the West End venue and two Olivier nominations. The front of house staff even gave him a plaque to mark the occasion. In 2014/15 he appeared in the stage version of SHAKESPEARE IN LOVE as Sir Edmund Tylney, the man responsible for drama censorship in Elizabethan England.

Then he played the feisty impresario Vivian Van Damm in MRS HENDERSON PRESENTS last year and he is currently playing the eccentric playwright Critterlow in HALF A SIXPENCE, both roles he ‘got the nod’ for an Olivier nom. He signed my Critterlow sketch between shows on Saturday.

Drawing: Emma Williams in Half A Sixpence

Emma Williams is hoping it will be fourth time lucky at this year’s Olivier Awards. The popular British musical theatre actress earned nomination number four for her current role as Helen Walsingham in the Chichester Festival Theatre’s production of HALF A SIXPENCE, which transferred to London’s Noel Coward Theatre last month. She recently won the WhatsOnStage Award, so here’s hoping!

Emma is also an accomplished songwriter, musician and writer, and is working on her first novel. After her professional stage debut in 2002 at the age of 18 as Truly Scrumptious in the original cast of CHITTY CHITTY BANG BANG at the London Palladium, Emma has originated a further five roles in the West End.

Her first Olivier nom was for Luisa in ZORRO at the Garrick in 2008, followed by Jenny in LOVE STORY at the Duchess and as Maureen last year in MRS HENDERSON PRESENTS at the Noel Coward,  where I managed to catch her last Saturday after the SIXPENCE matinee and she signed this portrait sketch for me. She remembered my MRS HENDERSON drawing which she also graphed. I wished her luck for the big night, which is on 9 April.

Drawing: Jenny Agutter in Equus

Jenny Agutter won a BAFTA Award for her performance as Jill Mason in Sidney Lumet’s 1977 production of Peter Shaffer’s psychological drama EQUUS, one of my favourite, if not my favourite play. In the 2007 London stage revival of the play featuring Richard Griffiths and Daniel Radcliffe at the Gielgud Theatre she portrayed magistrate Hesther Solomon. A couple of weeks ago I did this sketch of Jenny in both roles and sent it to her. She signed and sent it back with this dedication.

Drawing: Sooz Kempner in Character Activist

In the Autumn of 2013 the delightful stand-up comedian Sooz Kempner developed a series of characters for her blog-style YouTube sketches. She took four of those characters to the 2015 Edinburgh Fringe, entitled CHARACTER ACTIVIST. Before that she did a series of ‘works in progress’, including London’s Leicester Square Theatre. The four characters included Phalydia, a trust-fund, posh Soho It-girl, Nancy Spratt the oldest and revered West End diva, Michelle an Essex WAG and Danielle, Britain’s 4th ranked heptathlete. Late late year Sooz appeared at the Phoenix Club in the den of the Phoenix Theatre, where she signed my montage character sketch.

Drawing: Who’s Afraid of Virginia Woolf?

“This is one of those rare occasions when play, performance and production perfectly coalesce,” wrote Michael Billington in his five-star Guardian review of Edward Albee’s landmark 1962 marital-crisis drama, WHO’S AFRAID OF VIRGINIA WOOLF? at London’s Harold Pinter Theatre. The latest West End revival, directed by James Macdonald, stars Imelda Staunton, Conleth Hill, Luke Treadaway and Imogen Poots. All four along with the production received rave reviews from every major critic after it’s opening this week. Billington summed them up. “Imelda Staunton brilliantly embodies Edward Albee’s campus Medusa in the shape of Martha. Conleth Hill matches her every inch of the way as her seemingly ineffectual husband George.

This is, however a team show and the young couple are excellently portrayed.  Luke Treadaway as Nick combines the golden arrogance of youth with the smug disdain of the scientist for a battered old humanist like George. Imogen Poots in her West End debut, strikingly shows the child-like Honey, switching between awed delight in the older couple’s outrageousness and a growing awareness that she herself is a victim of Nick’s contempt.”  The four cast members signed my drawing as they arrived for the Saturday matinee last weekend.

Drawing: Tom Stoppard

Britain’s greatest living playwright, Sir Tom Stoppard has two major revivals of his on London stages at the moment. The Menier Chocolate Factory’s production of TRAVESTIES has transferred to the Apollo and the 50th anniversary of ROSENCRANTZ AND GUILDENSTERN ARE DEAD has returned to its origins at the Old Vic, where I meet the Oscar, Tony and Olivier and many more Award winner last Saturday evening before the opening performance. In a recent interview with the Guardian’s Andrew Dickson, the nearly eighty-year old was asked if he recognised himself as the person who wrote the absurdist riff on Shakespeare’s HAMLET? “I remember him well,” he said. “Some of the writing is a little dandy-esque, as he was. At the time I attached more importance to the joys of receiving the right words in the right order, probably too little importance to the motor that kept the wheels turning.” He admits not being able to give both plays a ‘little more oomph’…a few small changes to freshen them up. in 1979, when Maggie Thatcher was elected PM, Sir Tom labelled himself a conservative with a small ‘c’. I am a conservative in politics, literature. education and theatre.” In 2007 he called himself a ‘timid libertarian.’ He answered “yes” when asked if he still smoked, adding with a grin,”…but I’ve got nothing intelligent to say that justifies my position. I don’t have one. I just smoke.”  This is what I could call my ‘Sir Tom ciggy with a siggy sketch.’

 

Drawing: Donna McKechnie

American musical theatre dancer, singer, actress and choreographer Donna McKechnie
Has been very much part of the fabric of Broadway for more than half a century since making her debut in the 1961 production of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. Fifteen years later she won the Tony for Best Actress in a Musical for originating the role of Cassie, the former chorus girl making a comeback in A CHORUS LINE. In 1980 she was diagnosed with crippling arthritis and told she would never dance again, but defied those odds to return to THE CHORUS LINE six years later and appeared in the West End revival of CAN CAN. She has returned to the London stage to feature in the musical THE WILD PARTY at The Other Palace (formerly the St James) where she signed my sketch.

Drawing: John Owen-Jones as The Phantom

The longest  running London Phantom is Welsh musical theatre actor and singer John Owen-Jones since Andrew Lloyd Webber’s musical sensation THE PHANTOM OF THE OPERA first opened at Her Majesty’s Theatre in September 1986. He played 1400 performances in his three-and-a-half years in the role, from 2001-2005 and agreed to continue for a limited period from September 2015 until the end of January 2016.
John is currently appearing in the UK Premiere of the musical THE WILD PARTY. At Lord Webber’s The Other Palace where he signed this Phantom drawing for me.

Drawing: Daniel Radcliffe as Cripple Billy

When Daniel Radcliffe played Billy Craven, the lead in Martin McDonagh’s dark comedy THE CRIPPLE OF INNISHMAAN at the Noel Coward Theatre in 2013, I drew a number of sketches of him and the rest of the cast, which they all kindly signed for me. Daniel’s character, the orphan and outcast ‘Cripple Billy’, eager to escape the gossip, poverty and boredom if Innishmann, tries for a part in a Hollywood film in the neighbouring Inishmore and to everyone’s surprise, gets his chance.

Daniel signed the original of this drawing, but I wanted to add one of his best lies of dialogue, so on a copy of the sketch I added the text.  He has returned to the London stage to star in the 50th anniversary of Tom Stoppard’s ROSENCRANTZ & GUILDENSTERN ARE DEAD at the Old Vic and was signing in the foyer after Saturday’s evening performance, which was a perfect opportunity to get it graphed and dedicated.