Massachusetts-born, LA-based comedian, podcaster and actor Jen Kirkman brought her THE ALL NEW MATERIAL, GIRL tour to London’s Soho Theatre earlier this year for a sell-out run and returned for a one-night only gig at the Leicester Square Theatre in June.
She does regular stand-up at the Hollywood Improv and The Laugh Factory. On TV she’s a panellist on CHELSEA LATELY and narrates DRUNK HISTORY, while her podcast I SEEM FUN gets 50,000 downloads a month. Jen is a stand-up consultant and writer for Amy Sherman-Palladino’s latest hit series THE MARVELOUS MRS MAISEL, which won two Golden Globes recently and has six Emmy nominations.
In a Guardian interview earlier this year she said, “My fan base tends to be, for want of a better phrase, on the punk-rock side of life, feminists, lesbians, guys who wear nail polish, mums who are really fun and like to drink a lot.” She also said the audiences are different, depending on the day. “Monday’s are more responsive, anyone going out on a Monday must be a die-hard fan. Whereas on Fridays, people have worked all week, they’re tired and angry… and drinking. Friday’s are the toughest, weird energy. Saturday’s are just rowdy, so if you can combine the loyalty of Monday with the rowdiness of Saturday that would be ideal.”
Jen signed my drawing for me at her Leicester Square one show only on 22 June. It was a Friday.
In the Autumn of 2013 the delightful stand-up comedian Sooz Kempner developed a series of characters for her blog-style YouTube sketches. She took four of those characters to the 2015 Edinburgh Fringe, entitled CHARACTER ACTIVIST. Before that she did a series of ‘works in progress’, including London’s Leicester Square Theatre. The four characters included Phalydia, a trust-fund, posh Soho It-girl, Nancy Spratt the oldest and revered West End diva, Michelle an Essex WAG and Danielle, Britain’s 4th ranked heptathlete. Late late year Sooz appeared at the Phoenix Club in the den of the Phoenix Theatre, where she signed my montage character sketch.
One of the best-loved comedians in the UK today and ‘a working class boy done good’. Micky Flanagan did a series of work in progress shows across London during the Autumn. This provided me with an ideal opportunity to get this drawing signed… well, should have provided me with the opportunity, especially at the Hippodrome and the Leicester Square Theatre, on the fringe of Chinatown, frequent stalking haunts of mine and only a block apart. I spent an inordinate amount of time back and forth on numerous occasions. Plenty of massage offers, but no Mick, so I mailed it to him and and early Christmas present arrived back signed and dedicated.
His latest Sky1 new series THE MICKY FLANAGAN DETOURS where he declutter his mind of the big questions that keep us up at night starts soon and a nationwide 16 venue tour entitled AN’ ANOTHER FING… is scheduled for later this year.
I caught up with one of the rising stars of British Comedy, Rob Beckett on Saturday night when he arrived at the Leicester Square Theatre for his final performance of MOUTH OF THE SOUTH after a week long residency. He started stand-up in 2009, appearing in MOCK THE WEEK, LIVE AT THE APOLLO and CELEBRITY SQUARES, making his Edinburgh Festival three years later with his solo show ROB BECKETT’S SUMMER HOLIDAY.
The Guardian described Rob as “A likeable high tempo comic”. Not only is he a likeable comic, but a likeable guy, who happily signed my sketch. Catch Rob over the next few months as he tours the UK with MOUTH OF THE SOUTH.
In January the girls component of AUSTENTATIOUS signed a drawing for me and last month I left this sketch of the boys – Joseph Morpurgo, Andy Hunter Murray and Graham Dickson at the Leicester Square Theatre where this highly impressive troupe perform an improvised show based on a Jane Austen novel each month.
TimeOut among other mainstream publications gave it five stars calling it “one of the smartest and funniest improv shows out there… performing a completely improvised Jane Austen novel complete with period dress and cello accompaniment with marvellous results”.
This sketch came back in the mail yesterday wth a little note from Rachel, one of the girls, indicating that they looked after the fan mail, “We have to organise the boys with things like this.” So thanks to the girls the set is complete.
Character comic and writer Anna Morris, star of ITV’s Bad Bridesmaid and the BBC’s Outnumbered, performed some work-in-progress gigs of her new show It’s Got To Be Perfect at the Leicester Square Theatre and Museum of Comedy before taking it to this year’s Edinburgh Fringe.
It’s an interactive wedding rehearsal featuring Georgina the Bridezilla, from Anna’s viral YouTube series Georgina’s Wedding Blogs, she’s getting married and it’s got to be perfect… or else.
Currently playing to packed houses at Edinburgh’s Voodoo Rooms, EdFringeReview wrote, “not only is it funny, it’s interesting, creative and sweet,”
Speaking of sweet, Anna included a promotional love heart candy, when she returned my signed sketch through the mail, which didn’t help the condition of the artwork through the letterbox but left a nice taste in the mouth.
“It’s just not for me,” said comedian,writer,blogger and podcaster Richard Herring when he decided not to join the annual mass exodus of comics from London the Edinburgh Fringe Festival. Described as “one of the leading hidden masters of modern British Comedy” and dubbed the ‘King of Edinburgh’,performing at 28 of the last Festivals, he has decided to ‘boycott’ it and perform a series of 12 shows at London’s Leicester Square Theatre this month. He told The Independent that the globe’s biggest fringe festival had “changed so much that it’s unmanageable, exhausting and expensive.” Last year 49,497 artists performed at the event. “It’s overcrowded and over-priced,” he said.
Edinburgh’s loss is our gain. Included in Richard’s dozen at Leicester Square are his classics-Christ On A Bike and Hitler Moustache, ending with the premiere of his new hour-long show Happy Now.Running a little late for Saturday evenings performance of Talking Cock, I managed to grab Richard before he quickly slipped inside, equally quickly scribbling a dedication and his economical sig, saying “Sorry I need to be quick…good,” which could relate to the speed of the task or possibly the sketch.
Comedian, musician, and writer Ria Lina previewed her new show Taboo Raider at the Museum of Comedy in the Leicester Square Theatre before taking it to this year’s Edinburgh Fringe Festival next month. A regular in stand up for the past 14 years both in the UK and internationally, The Guardian said, “I have no doubt she will hold her own so easily that she’ll have a hand free to hold someone else’s too.” Her shows combine stand up comedy and song.
At last years’s festival Ria’s show School of Riason received award nominations and plaudits alike and a commission for BBC Radio 4. A mother of three, Ria based the comedy routine on home schooling her children.
Taboo Raider looks at modern taboos – racism, sexism and discrimination – “not for the faint of humour” warned the show’s publicity material.
With a BSc in Experimental Pathology from St Andrews University, a Masters in Forensic Science and a PhD in Viral Bioinformatics from UCL… it owudld be fair to say Ria’s Creative juices are fuelled by potent cerebral content.
Did I think I’d be a stand up comic? No, I kinda fell into that but it’s been a surprisingly good fit” Ria said in a recent interview with The New Current.
When asked what she wants her audiences to take away from her shows she says “hopefully buy the CD”. Ria signed this sketch at the Leicester Square Theatre. You can vote for Ria’s Taboo Raider poster in the Edinburgh Comedy Poster Awards, or if you’re lucky enough to be in Edinburgh, catch the show.
Award-winning performer and writer Juliette Burton’s solo show LOOK AT ME is an uplifting docu-comedy celebrating body confidence and beauty diversity. It received 5 star reviews from the national press at last years Edinburgh Fringe Festival, following on from her acclaimed debut show WHEN I GROW UP in 2013.The publicity blurb stated that ‘Juliette’s appearance has changed over the years-she’s been a size 4 and a size 20 and just about everything in between”. As an ex-BBC broadcast journalist before switching to comedy,her material is based on exhaustive research. The show incorporates footage of Juliette walking around London in various disguises, including a man, an obese person, an elderly person, dressed-up in alluring attire and in a hijab to test how appearance changes perceptions. Can changing our outsides change who we are on the inside? Is what we appear to be who we really are?
‘Perception is a funny thing…and ‘funny’ is a strange thing to perceive”, wrote Juliette. “As a comedy writer and performer I like making fun of things that I feel angered or frightened by”.
Fellow comedian and comedy writer Mathilda Gregory reviewed the show for the Edinburgh Fringe Guru website and said, “This show succeeds ( and oh, it does succeed) on Burton’s infectious charm. Her performance is totally delightful. I didn’t want to say goodbye to her at the end of the show and it’s her charm, alongside her brutal honesty in revealing her own body battles that make this show truly remarkable”.
Juliette works closely with a number of organisations, including the facial disfigurement charity Changing Faces,the body image group B.O.D.Y,the eating disorder charity B-eat and she is a spokesperson for the Be Real-Body Confidence for Everyone campaign.
LOOK AT ME ran for two nights last week at the Leicester Square Theatre in London, where I left this drawing, which Juliette returned, signed and inscribed. She’s appearing at various places around the UK, so go ‘look at her’ at a venue near you.
Known as Cressy to her friends, British actress Cressida Bonas has been described by movie mogul Harvey Weinstein as a “fantastic” acting talent after her debut in Tulip Fever due out later this year. The Burberry model made her theatrical debut in 2014 at the Hay Festival in There’s a Monster in the Lake which was also staged at the Vault Festival in January 2015.
Earlier this month she appeared as Laura in the solo play An Evening With Lucian Freud by Laura-Jane Foley at London’s Leicester Square Theatre, receiving rave reviews. It tells the story of the days when Laura was a PhD student who became a friend of the late artist.
Prince Harry showed his support for his former girlfriend when he was spotted in the audience at one of the performances.
I had to fight the paps and autograph dealers on the first night performance, but managed to get near Cressida and she signed and dedicated this sketch, before quickly leaving the throng.