Drawing: Rhys Ifans in Protest Song at The National Theatre

Protest Song

Protest Song is a 70 minute monologue in The Shed – The National Theatre’s new intimate venue on the South Bank.

A rough sleeper, Danny finds himself caught up in the Occupy movement’s protest camp that descended on St Paul’s environs through the winter of 2011. It’s visceral political theatre, lampooning inequality at every level and the gulf between the people who have temporarily taken to the streets, and the man who lives there because he has nowhere else to go.

Initially furious at the invasion, Danny gradually gets involved with his ‘surrogate’ family, giving shape to his day.

Rhys Ifans plays the wounded and resilient Danny, delivering Tim Price’s funny and savage narrative in what critics have called, “a blazing performance”, “superb” and “utterly convincing”. After many years of being asked to move along, it’s ironic now to be told to remain motionless in one place. He takes refuge in banter and anecdotes, full of pathos and humour, but imminently combustible.

It’s not your usual festive theatre, with no fairytale ending, summed up by the metaphor of a piano with damaged keys, that when something is broken you have to find a way to work around it. It’s the only way the music will be heard.

Drawing: Jo Brand as the Genie in Aladdin at the New Wimbledon Theatre

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Josephine Grace ‘Jo’ Brand is one of the UK’s best comics. The Observer listed her as one of the 50 funniest acts in British comedy. She made her panto debut last month in the New Wimbledon’s production of Aladdin as the Genie of the Ring.

Jo won a BAFTA award for her role as Kim Wilde in the BBC sitcom Getting On, set in a  hospital’s geriatric ward, inspired by her earlier career as a psychiatric nurse. Jo also wrote with other core cast members Joanna Scanlan and Vicki Pepperdire winning the Writer’s Guild Award for Best Comedy in 2010.

She describes her genie appearance as “Julian Clary on steroids.”

Drawing: Ciarán Hinds in Cat on a Hot Tin Roof on Broadway

Ciaran Hinds

 

Irishman Ciaran Hinds has developed an impressive film, television and stage career as a versatile character actor. In January 2013 he played the role of ‘Big Daddy’ in Tennessee William’s 1955 family drama CAT ON A HOT TIN ROOF alongside Scarlett Johansson at the Richard Rodgers Theatre on Broadway. He signed my sketch while featuring in Conor McPherson’s THE NIGHT ALIVE at London’s Donmar Warehouse in July 2013.

Drawing: Helen McCrory and Robert Glenister in The Late Middle Classes

The late middle classes

The Donmar produced David Leveaux’s sensitive revival of Simon Gray’s The Late Middle Classes in 2010.

This funny, melancholic and captivating play about a young boy and promising pianist who is trapped between conflicting emotional needs of the adults in his life, revealing the frustration, secrets and guilt of middle class respectability in 1950s England.

Helen McCrory played Celia, his emotionally demanding mother, frustrated at finding a role for herself “blending waspishness with vulnerability”. Robert Glenister is his piano teacher, living alone with his Austrian refugee mother. The boy is a mixture of muse, playmate and object of his desire.

Both Helen and Robert signed my sketch on 13 July 2010 at the Warehouse stage door.

Drawing: Stephen Mangan and Matthew Macfadyen in Jeeves and Wooster – Perfect Nonsense

Jeeves and Wooster001

Jeeves and Wooster – Perfect Nonsense is the first ever stage play adapted from the works of PG Wodehouse. Directed by Sean Foley and written by brothers David and Robert Goodale, based on “Plum’s” 1938 novel The Code of the Woosters.

The show had pre West End dates at the Richmond Theatre and Theatre Royal, Brighton before beginning previews at the Duke of York’s Theatre in London in October 2013, officially opening on the 12 November. Originally scheduled to run until March 2014, it has now been extended until September due to popular demand.

Stephen Mangan is the effervescent, aristocratic Bertie Wooster and Matthew Macfadyen is his dutiful and imperturbable Jeeves… when he’s not impersonating a number of other characters such as old buffer Sir Watkyn Bassett, the myopic Gussie Fink-Nottle and the feminine Stiffy Bying. They are joined by Mark Hadfield as Seppings… when he’s not playing the imposing Aunt Dahlia or the incipient dictator Roderick Spode.

The trio signed my sketch this week at the theatre.

Drawing: Alexander Hanson, Charlotte Spencer and Charlotte Blackledge in Stephen Ward – The Musical

Stephen Ward

Written by Andrew Lloyd Webber, Christopher Hampton and Don Black, and directed by Richard Eyre, Stephen Ward centres on the title character’s involvement with the young showgirl Christine Keeler that lead to one of the biggest scandals and most famous trials of the 20th century.

On the 50th anniversary, it deals with Ward as the ‘victim’ who was set up as a scapegoat when the scandal put the skids under Macmillan’s government in 1963. The Telegraph’s critic Charles Spencer suggests, “A show that may well play a part in the current campaign to quash the society osteopath’s trumped up conviction for living on immoral earnings.”

Alexander Hanson plays the charming and suave well connected bachelor Stephen Ward. Charlotte Spencer is the glamorous Keeler, and Charlotte Blackledge is her bubbly friend Mandy Rice-Davies.

The London wind and rain kindly subsided to allow the three leads to sign my sketch at the uncovered Aldwych stage door after last night’s performance.

Drawing: Mark Rylance, Joanna Lumley and David Hyde Pierce in La Bête

La bete001

American playwright David Hirson’s rollicking 1991 play La Bête is a comic tour de force involving Elomire (David Hyde Pierce), a hight-minded classical dramatist who loves only theatre, and Valere (Mark Rylance) a low-born street clown who loves only himself. When the fickle princess (Joanna Lumley) decides she’s grown weary of Elomire’s Royal Theatre troupe, he and Valere are left fighting for survival as art squares off with ego in a literary showdown.

La Bête completed its West End Season from June to August 2010 at the Comedy Theatre (now Harold Pinter) before transferring to the Music Box Theatre for a limited two month run on Broadway in September/October that year.

All three stars signed my sketches at the Comedy Theatre in London.

La bete002

Drawing: Strangers On A Train starring Laurence Fox, Jack Huston, MyAnna Buring, Christian McKay and Miranda Raison

strangers on a train001

A ‘film noir’, live on stage. Robert Allan Ackerman’s stylish psychological crime thriller Strangers On A Train pays homage to Hollywood and heralds the successful return of the thriller to the West End.

Adapted by Craig Warner from Patricia Highsmith’s iconic 1950 novel and Alfred Hitchcock’s film version. The plot concerns two men that both have good reason to wish someone else dead. A seemingly innocent conversation soon turns into a nightmare for architect Guy Haines (Laurence Fox) when he meets Charles Bruno (Jack Huston) on a train journey. Over a bottle of whisky, Bruno suggests they should ‘exchange’ murders. Haines is trying to divorce his unfaithful wife (MyAnna Buring). Bruno hates his cruel father and wants an early inheritance.

Watertight alibis. No connection – the perfect criss cross crime. Except, when Bruno performs his side of what was never a real deal, it exposes the appalled Haines to the dangerous reality of blackmail and stalking.

Christian McKay plays the detective who sees through the flawed collusion; Miranda Raison plays the perfect Hitchcock blonde and Imogen Stubbs is the psychopath’s besotted mother. A swirling set constantly in motion, effortlessly changing locations and watch out for an impressive closing effect.

All the cast signed and inscribed the 4b pencil montage after Saturday’s matinee performance at the Gielgud Theatre London.

Drawing: Lesley Manville in Ghosts at Trafalgar Studios

Lesley Manville001

Director Richard Eyre’s acclaimed five star revival of Henrik Ibsen’s Ghosts, starring Lesley Manville, transferred from London’s Almeida Theatre to Trafalgar Studio One this month and is scheduled to run early March 2014.

Richard, who was named Best Director at the recent Evening Standard Theatre Awards, adapted Ibsen’s text for the sold out production. Lesley was also nominated for Best Actress. Ghosts centres on Helene Alving (Lesley) who has spent her life suspended in an emotional void after the death of her cruel, but outwardly charming, husband. She is determined to escape the ghosts of her past by telling her son the truth about his father.

Lesley kindly signed my sketch at the Trafalgar Studios prior to Christmas.

Drawing: Ruby Turner

Ruby Turner001

The Jamaican born R&B and soul singer, songwriter and actress Ruby Turner left her Montego Bay home at the age of 9 and moved to England.

In February 1990 she achieved a rare feat for a British singer, reaching the number one spot on the US R&B charts with “It’s Gonna Be Alright”

Her most recent theatre appearance was the hugely successful run in London’s West End production of Simply Heavenly. The musical won several awards and was nominated for the Outstanding Musical at the 2005 Olivier Awards. She has also made numerous TV appearances, including the BBC drama Hotel Babylon in 2009.

I sent my sketch to Ruby at the Auckland Town Hall in New Zealand in March 1995, it was returned signed.