Actress and playwright Imogen Stubbs is a veteran of over 40 plays, starting with the role of Sally Bowles in Cabaret at the Wolsey Theatre in 1985. In 2011 she took her most harrowing part as Rita in Henrik Ibsen’s 1894 play Little Eyolf at the Jermyn Street Theatre in London.
“No one could describe Ibsen’s play as fun, but Imogen Stubb’s performance almost blows the roof off the theatre,” wrote Charles Spencer in The Telegraph.
Imogen’s most recent foray onto the West End boards was Strangers On A Train. She signed this sketch for me at the Jermyn Street Theatre in May 2011.
A ‘film noir’, live on stage. Robert Allan Ackerman’s stylish psychological crime thriller Strangers On A Train pays homage to Hollywood and heralds the successful return of the thriller to the West End.
Adapted by Craig Warner from Patricia Highsmith’s iconic 1950 novel and Alfred Hitchcock’s film version. The plot concerns two men that both have good reason to wish someone else dead. A seemingly innocent conversation soon turns into a nightmare for architect Guy Haines (Laurence Fox) when he meets Charles Bruno (Jack Huston) on a train journey. Over a bottle of whisky, Bruno suggests they should ‘exchange’ murders. Haines is trying to divorce his unfaithful wife (MyAnna Buring). Bruno hates his cruel father and wants an early inheritance.
Watertight alibis. No connection – the perfect criss cross crime. Except, when Bruno performs his side of what was never a real deal, it exposes the appalled Haines to the dangerous reality of blackmail and stalking.
Christian McKay plays the detective who sees through the flawed collusion; Miranda Raison plays the perfect Hitchcock blonde and Imogen Stubbs is the psychopath’s besotted mother. A swirling set constantly in motion, effortlessly changing locations and watch out for an impressive closing effect.
All the cast signed and inscribed the 4b pencil montage after Saturday’s matinee performance at the Gielgud Theatre London.