Drawing: Freema Agyeman in Apologia

DOCTOR WHO’s Freema Agyeman made her West End debut last month in the revival of Alexei Kaye Campbell’s family drama APOLOGIA at the Trafalgar Studios. Known as Martha Jones,the Time Lord’s companion and Alesha Phillips in LAW & ORDER:UK, Freema plays Claire, the unrepentant girlfriend. Ironically she turned down a chance to debut on stage at the Donmar sixteen years ago for a role in the soap CROSSROADS, now appears for the first time on the London boards as a spirited soap star. She signed this sketch I drew at the stage door after a Saturday evening performance a few weeks ago.

Drawing: Miranda Hart in Annie

Multi-award winning actress, writer and comedian Miranda Hart made her West End and musical debut in Nikolai Foster’s stylish revival of the family musical ANNIE at the Piccadilly Theatre in June this year.

Playing the hilariously spiteful, gin-soaked NYC orphanage manageress Miss Agatha Hannigan, Miranda continues in the role until the end of this week.

She has garnered great reviews with the Telegraph’s Dominic Cavendish writing, “Half gorgon, half goofball, all-round pleasure, she daftly-deftly combines menace with physical comedy lurching into view through scary-tall dormitory doors, sending her grubby young charges screaming as if from a fire-breathing dragon.”

Miranda kindly signed and returned my Miss H sketch for me after I left it at the theatre.

Drawing: Andrew Scott in Hamlet

After a sell-out run at the Almeida Theatre, Richard Icke’s acclaimed adaption of Shakespeare’s HAMLET transferred to the Harold Pinter Theatre in London’s West End in June with BAFTA and double Olivier-winner Andrew Scott as the Danish Prince.

In her five-star Guardian review, Kate Kellaway called the production “an all-consuming marvel. Andrew Scott’s prince proves a brilliant communicator.”

Andrew signed my drawing for me after I left it at the stage door.

Drawing: F Murray Abraham in The Mentor

Oscar winner F Murray Abraham returned to the London stage after a 21 year absence in THE MENTOR at the Vaudeville Theatre in June. Written by the German novelist Daniel Kehlmann and translated by Christopher Hampton, F Murray plays a tetchy older author clashing with a younger dramatist in a compelling and humorous study of creative anxiety.

As usual F Murray was generous with his time at the stage door and signed this drawing for me, before the play finished its run last week.

Drawing: Laura Carmichael in Apologia

Since playing DOWNTON ABBEY’s Lady Edith for the last time in 2015, Southampton- born Laura Carmichael has been developing an impressive stage career. Last year she appeared in Jamie Lloyd’s THE MAIDS at the Trafalgar Studios and has returned to the intimate London venue this month in another one of his productions, the revival of Alexei Kaye Campbell’s 2009 spiky family drama APOLOGIA.

“However, it’s Carmichael who – released from the corsets of DOWNTON ABBEY – almost steals the show from Stockard Channing. She’s superb as American physiotherapist Trudy, turning uptick lilt of every nervous platitude into comedy gold”, wrote Tom Wicker in his The Stage review.

Laura signed my Trudi sketch at the stage door after last Saturday’s matinee performance.

Drawing: Willemijn Verkaik as Elphaba in Wicked

Dutch songstress Willemijn Verkaik has played the central role of Elphaba in the Musical WICKED over 2,000 times in London, Europe and Broadway, which is more than anyone else and is the only person to have played the role in three different languages – English, Dutch and German. She made her West End debut at the Apollo Victoria in 2013, but for health reasons left the show eight months later, only to return in January this year as part of the show’s 10th Anniversary celebrations. Her final performance was on the 22nd of July. In an online poll of 16,000 voters she was chosen as the ‘Wicked Personality of the Year’. It took me a while, missing Willemijn on a few occasions at various venues,  but I finally got my sketch signed prior to her departure at the Apollo.

Drawing: Brian Gleeson in Cat On A Hot Tin Roof

Irishman Brian Gleeson, together with father Brendan and older brother Domhnall form a formidable family trio of actors. Since starting his career in 2006 alongside his father in John Boorman’s THE TIGER’S TAIL, Brian has balanced his work between stage and screen. All three actually appeared on the Dublin boards together for four weeks in Enda Walsh’s THE WALWORTH FARCE in 2015.

He is currently playing Brick’s (Jack O’Connell) conspirational brother Gooper in the Young Vic’s West End revival of Tennessee William’s CAT ON A HOT TIN ROOF at the Apollo, where he signed my sketch for me last week.

Drawing: Desmond Barrit

Swansea native Des Barrit is known for his comedic stage performances such as Bottom, Falstaff, Toad and the Antipholus twins in A COMEDY OF ERRORS for which he won the Olivier in 1992. His latest West End outing is as Hugh, the gay best friend of Stockard Channing’s character Kristin in Jamie Lloyd’s revival of APOLOGIA at the Trafalgar Studios. Although a compelling and at times tense family drama, Des once again punctuates the pathos with humour and most of the funniest lines, “Kristin is to diplomacy what I am to heterosexuality,” to quote one example.

I drew this montage of Des, including his 2002 Olivier-nominated role as Falstaff in HENRY IV Parts 1 & 2 at the Theatre Royal Bath and W.H. Auden in the National’s A HABIT OF ART, which he signed after a Saturday evening performance I was lucky enough to see a couple of weeks ago.

Drawing: Sienna Miller and Jack O’Connell in Cat On A Hot Tin Roof

Hollywood stars Sienna Miller and Jack O’Connell are attracting the critics attention and West End audiences in the Young Vic production of Tennessee William’s simmering Southern drama CAT ON A HOT TIN ROOF at the Apollo theatre.

“Benedict Andrews radical update of the classic delivers emotional intensity shot through with humour- and a blistering performance from Jack O’Connell”, wrote Michael Billington in the intro to his Guardian review. The Telegraph’s Dominic Cavendish, who admitted he initially was going to write it off as a summer filler, saw the production and gave it four stars, adding, “Miller confirms she’s not just a pretty feline face… her Margaret is a hideously plausible portrait of a women putting on a grave face to hold back tears desolation.”

On a very wet Saturday lunchtime Sienna arrived at the stage door and signed for all who were waiting including my sketch, under the small covered doorway. Jack rides his bike, complete with helmet, so he flies in with no one recognising or stopping him. It took me a couple of return visits to figure this out, so last Saturday, when he did the same I managed to get his attention and his graph before he disappeared into the theatre and on stage for the matinee.

Drawing: Colm Meaney in Cat On A Hot Tin Roof

Dublin-born and Golden Globe nominated actor Colm Meaney has returned to the West End boards after a ten-year absence, playing plantation patriarch Big Daddy in Tennessee Williams’s Pulitzer Prize winning drama CAT ON A HOT TIN ROOF. The Young Vic production directed by Benedict Andrews is currently playing the Apollo until October. Colm, known to Trekkies as Chief Petty Officer Miles O’Brien in STAT TREK: THE NEXT GENERATION and DEEP SPACE NINE.

Colm’s last London stage appearance was in Eugene O’Neill’s A MOON FOR THE MISBEGOTTEN opposite Kevin Spacey at The Old Vic in the Autumn of 2006. He signed this sketch of him as Big Daddy a few weeks ago at the stage door before a Saturday matinee.