Drawing: Shuler Hensley in Young Frankenstein

The ‘gentle giant’, 6′ 3′ American singer and actor Shuler Hensley revived his role as the Monster in Mel Brook’s musical version of his 1974 YOUNG FRANKENSTEIN when it opened at the Garrick Theatre in London’s West End this month. It’s a role he originated on Broadway in 2007, earning a Tony nomination before continuing the part for the US National tour.

Schuler is no stranger to London audiences, winning the Olivier Award for his portrayal of Jud Fry in OKLAHOMA at the National Theatre in 1998, before transferring a year later to the Lyceum in the West End. In 2002 it crossed the Atlantic to Broadway’s George Gershwin Theatre where he continued his winning ways, collecting the Tony in the process. Shuler signed my Monster sketch at the Garrick stage door on Saturday on his way in for the matinee.

Drawing: Kelsey Grammer in La Cage Aux Folles

Best known to TV audiences for his two-decade portrayal of psychiatrist Dr Frasier Crane in the sitcoms CHEERS and FRASIER, Kelsey Grammer is making his London stage debut next week in BIG FISH THE MUSICAL, based on the Tim Burton film, at The Other Palace. No stranger to the boards, Kelsey’s first Broadway role was Lennox in MACBETH, taking over the lead in 1981. It wasn’t until April 2010, however that he did his first Broadway musical, playing Georges in a revival of LA CAGE AUX FOLLES, collecting a Tony Award nomination for his performance.

In fact, for major awards, Kelsey has received 45 nominations, winning 18, including five Emmys and three Golden Globes. He was the first American actor to win nominations for the same character on three different television shows- CHEERS, FRASIER and a one-off crossover appearance in WINGS. He collected his only Tony win to date for producing THE COLOUR PURPLE last year.

It was great to catch up with Kelsey last week in London, while he was rehearsing for BIG FISH. He is one of the nicest people I have met in the business and was more than happy to sign my drawing of him.

Drawing: Lesley Joseph in Young Frankenstein

English actress Lesley Joseph sobbed… but in a good way, when she found out she had won the role of housekeeper and superannuated lover of the original Doctor F Frau Boucher in Mel Brook’s new West End stage production of his 1974 film YOUNG FRANKENSTEIN. “Oh my God I’m going to be working with Mel Brooks!”

Lesley became an international name as Dorian Green in the British TV sitcom BIRDS OF A FEATHER and recently as a contestant on STRICTLY COME DANCING with partner Anton Du Beke. In his four-star review for The Independent, Paul Taylor wrote, “Lesley Joseph brings a superb hatchet-faced obsessiveness to Frau Blucher and her idiotic goose-stepping devotion to the memory of the violent older Frankenstein.”

Lesley signed my Frau B sketch going into the Garrick Theatre for Saturday’s matinee.

Drawing: Charlotte Spencer in Love In Idleness

Charlotte Spencer

I drew BAFTA-nominated English actress Charlotte Spencer in her role as Christine Keeler in Andrew Lloyd Webber’s musical STEPHEN WARD, which she signed for me at the Aldwych Theatre back in 2013. She returned to the London stage earlier this year in the Menier Chocolate Factory’s revival of Terrance Rattigan’s LOVE IN IDLENESS, which transferred to the Apollo in May, playing Diane Fletcher, the estranged ‘yet not entirely uncooperative wife” of Tory minister Siri John Fletcher. Charlotte also signed this drawing for me at the stage door.

Drawing: Edward Bluemel in Love In Idleness

Edward Bluemel’s immediate family all have one thing in common, his mum is an Oxford physicist, his dad an Oxford chemist, his sister a Cambridge philosopher and his brother an Oxford classicist so when he decided not study at Oxbridge, opting instead for an acting career and studying at the Royal Welsh Academy. It was a bold move. But it has proved fruitful.

Since then the 24 year-old has appeared in numerous screen roles, most notably as the young aristocrat Toby Hamilton in the ITV ‘s drama THE HALCYON. This year he made his professional stage debut in Trevor Nunn’s revival of Terrance Rattigan’s LOVE IN IDLENESS at London’s Menier Chocolate Factory, which transferred to the Apollo Theatre in the West End. It’s the third in Rattigan’s ‘war plays’ set in the same period as THE HALCYON, so Edward had a good reference. He played Michael a young evacuee who develops socialist tendencies while spending the war years in Canada. He returns home to his widowed mother who is now the mistress of a right wing government minister.

It’s a part Edward described as ‘a complete millennial snowflake.’ In her review for the Guardian, Kate Kellaway said, “Edward Bluemel is spot on as Michael” and Mark Shenton was equally impressed writing, “As that son, Edward Bluemel catches the arrogant sense of youthful entitlement with an appropriately irritating vigour.” I could up with Edward at the stage door after a matinee performance in May and he signed this sketch for me.

Drawing: Natalie Dormer

English actress Natalie Dormer has returned to the West End this month as the brash, vulgar, unschooled actress Vanda Jordan in the Patrick Marber-directed two-hander VENUS IN FUR at the Theatre Royal Haymarket. Natalie’s last appearance on the London boards was Patrick Marber’s AFTER MISS JULIE at the Young Vic in 2012. Reviews said she was “nothing short of sensational”. She also appeared two years earlier on the same stage as Mitzi in SWEET NOTHINGS. Natalie gained international prominence on the big screen as Cressida in THE HUNGER GAMES: MOCKINGJAY, Parts 1 and 2 and on the small screen as Margaret Tyrell in THE GAME OF THRONES.I meet her after Saturday’s evening performance at the stage door where she signed this drawing for me.

Drawing: Sheena Easton

Scottish songstress Sheena Easton made her West End debut this year as Dorothy Brock in the revival of the hit musical 42nd STREET at the Theatre Royal in Drury Lane. The two-time Grammy Award winner has sold over 20 million records worldwide with Gold and Platinum albums in the US, Europe and Asia. She is the first and only artist to have top 5 hits in five different Billboard charts consecutively. Sheena has appeared on Broadway in MAN OF LA MANCHA and as Rizzo in GREASE. I left this sketch at the stage door and it came back signed and dedicated.

Drawing: Lisa Palfrey in Cat On A Hot Tin Roof

Welsh actress Lisa Palfrey was appearing as Big Mama in the Young Vic’s West End production of Tennessee William’s CAT ON A HOT TIN ROOF at the Apollo Theatre… until an emergency appendectomy cut short her performance last month. Initially understudy Kate Britain covered until Kiwi actress Kerry Fox stepped into the role until Lisa recovered. She signed this sketch for me a week before the unscheduled appendix removal.

Drawing: Joseph Millson in Apologia

English actor and singer Joe Millson was attracted back to the London stage by the script of Alexi Kaye Campbell’s APOLOGIA, which is currently running at the Trafalgar Studios until November. Joe plays both sons; the calm but troubled Simon and the thick-skinned banker Peter, who attend their mother’s (Stockard Channing) birthday, a matriarchal figure and famous art historian who has just published her memoirs neglecting to mention her them.

It was originally drafted for two actors but it was director, Jamie Lloyd’s innovation to use one. “It’s very light, easy-to-watch stuff, but leaves you with a punch in the gut,” said Joe in a recent interview. Theatre critic, Neil Dowden, writing his review in Exeunt wrote, “Joseph Millson excels in contrasting Peter’s self-confident directness with Simon’s subdued, more obliquely accusing manner.” I did suggest to Joe, while he was signing my sketch at the stage door, that they should be paying him double for the dual roles, an idea that appealed.

Drawing: Hayley Squires in Cat On A Hot Tin Roof

Hayley Squires performance as single mum Katie in Ken Loach’s multi-award winning film I, DANIEL BLAKE catapulted her into the international spotlight, earning a BAFTA nomination and winning a number of accolades including the Evening Standard British Film Award for Best Supporting Actress. Her latest role is the complete opposite, making her West End debut in the Young Vic production of Tennessee William’s steamy southern family drama CAT ON A HOT TIN ROOF opposite Sienna Miller and Jack O’Connell at the Apollo Theatre. Hayley plays Mae, the scheming sister-in -law which The Times critic Ann Treneman called a “stand-out performance.” She signed my drawing a month ago at the stage door.