Drawing: Samuel James as Screaming Lord Sutch in Monster Raving Loony

Samuel James

“Vote for insanity – you know it makes sense”.

This was the slogan for the Official Monster Raving Loony Party, lead by its flamboyant founder David ‘Screaming Lord’ Sutch. The former rocker-turned serial parliamentary candidate became a British political institution. For over three decades he stood in every parliamentary election, becoming the staple of election night entertainment and a reliable eccentric political presence. Sutch’s unique contribution includes holding the record for losing all 39 elections he entered. He came within 200 votes of getting his deposit back once, which was considered a minor victory.

James Graham’s new play MONSTER RAVING LOONY premiered at The Drum Theatre Royal Plymouth in February, transferring to London’s Soho Theatre this month. It is described as the moving journey through the life and political exploits of ‘Screaming Lord Sutch’, while examining the state of the nation and Britain’s post-war identity crisis.

While the public saw the good Lord’s  exuberant fun-loving ‘loony’ face with his famous manic grin, his private face was completely the opposite. Sutch suffered from depression and hung himself in 1999 at the age of 58. Many political figures paid their respects, including the Prime Minister, Tony Blair, who acknowledged that elections would never be quite the same without him.

Samuel James, known for CASULTY, EASTENDERS and currently BIRDS OF A FEATHER reprises his critically acclaimed role as the loony Lord. In his Guardian review, Andrew Dickson wrote, “Samuel James offers a barnstorming performance, all strutting gait and eye-popping leer,” clad in His Lordship’s signature undertakers top hat and leopard-print jacket.

I left this sketch at the Soho for the ‘Signing Lord Samuel’ to graph, which he duly did. He gets my vote! MONSTER RAVING LOONY runs until 18 June.

Drawing: Jane Wymark in Midsomer Murders

Jane Wymark

“Ooh la la, c’est Madame Barnaby!” said two ladies when they recognised English actress Jane Wymark, sitting next to them in a Paris cafe. For thirteen years Jane played Joyce Barnaby, the screen wife of John Nettle’s DCI Tom Barnaby in the detective series  MIDSOMER MURDERS. It’s popularity spread worldwide. “People tell me everywhere just how much they like the programme, seems I’m big in France!”

Prior to that Jane became a household name in the period drama POLDARK during the 1970’s.

There was no escaping the acting profession. Her English father was the Royal Shakespeare Company actor Patrick Wymark and  Olwen, her American mother was a playwright. “I know acting was a stupid profession to go into, but when you hang around theatres all your life, it imprints,” she told the Birmingham Mail.

She stared playing Joyce in 1997. “There’s a heavy burden being the nicest person on the telly. I am fond of Joyce, but she’s very limiting.” When she finished the role after John retired in 2010, she was quoted as saying ,”it would be nice to have some completely evil roles and play a really bad person with no redeeming features.”

Jane is currently appearing in the West End at the Arts Theatre in a series of ‘playets’ by five of Britain’s leading writers, collectively titled A VIEW FROM ISLINGTON NORTH. It’s not exactly evil unless you feel political satire is villainous. Jane may have finished playing the nicest person on TV, but that hasn’t ended in real life. I meet her at the front door (which is also the stage door) before the first matinee and was just like Joyce. I told her how much I liked MIDSOMERS, as did everyone else in the ‘bunch of Barnabyites’ gathered. She actually took my sketch into one of the tables in the cafe area of the theatre so she could sign without ruining it, telling me that she had contacted Laura (Howard, who played he screen daughter Cully) and reminded herself to get in touch with John to come and see the play. A MIDSOMERS reunion, how ideal.

Drawing: Sarah Alexander

Sarah Alexander

English actress Sarah Alexander finished her A-levels then left home at 19 for the Edinburgh Festival Fringe, turning down a place at the University of Manchester for her first professional acting job.

Sarah has specialised in comedy, appearing in a number of high profile TV shows  including ARMSTRONG AND MILLER, SMITH AND JONES, COUPLING, SMACK THE PONY and WORST WEEK OF MY LIFE. She also played Dr Amanda Hunter in the hospital comedy GREEN WING.

Since 2013 Sarah has played the role of Polly Creek, the wife of Alan Davies’ title character in the BBC’s mystery crime drama JONATHAN CREEK.

Sarah’s stage credits include THE VAGINA MONOLOGUES and Lady Macbeth in ‘the Scottish play’. She returned to boards this month at the Arts Theatre in the West End in the new political satire A VIEW FROM ISLINGTON NORTH, where I met her after the opening matinee on Saturday and she signed this portrait sketch for me.

Drawing: Pearl Mackie

Pearl Mackie

A month ago to the day Pearl Mackie was revealed as the Doctor’s next companion in the BBC cult sci-fi television programme DR WHO. It was announced during the half time interval of the FA Cup semi-final.

The current and twelfth incarnation of the Doctor, Peter Capaldi described Pearl as “a fine actress with a wonderful zest and charm, who will be a refreshing addition to the TARDIS.”

The Brixton-born, Bristol-educated actress, singer and dancer, graduated from the Old Vic Theatre School in 2010 and has packed in a lot since then, including films, TV and a dozen stage productions. She played Anne-Marie Fraser in the medical soap DOCTORS (must be something magnetic in that word) and is currently appearing at the Gielgud in the Olivier and Tony Award winning play THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME in London’s West End until next month.

As you can imagine since the DR WHO announcement, interest in Pearl has magnified, attracting a few more punters at the Gielgud stage door, including moi with this sketch, which she signed and dedicated for me with plenty of ‘zest and charm.’

Drawing: Ryan Gosling in ‘Dead Man’s Bones’

Ryan Gosling

Canadian-born actor, producer, director and musician Ryan Gosling began his career as a child star on the Disney Channel’s MICKEY MOUSE CLUB in the early 1990s. In 2005 he and his friend and fellow musician Zach Shields discovered they had a mutual obsession with the Haunted Mansion ride at Disneyland. They wanted to write a monster-themed musical, but settled for forming a band instead, called ‘DEAD MAN’S BONES’ in 2008, releasing their self-titled album the following year. The duo are described as indie, folk and gothic rock, with some dark wave in the mix. Ryan performs under the alias ‘Baby Goose’.

Ryan was nominated for a Best Actor Oscar for his portrayal of Dan Dunne, a troubled history teacher in the 2006 film HALF NELSON and has received numerous Golden Globe nominations for his varied body of film work. He made his directorial debut with LOST RIVER in 2013. Ryan also co-owns ‘Tagine’, a Moroccan restaurant in Beverly Hills and supports various charitable causes including PETA and Invisible Children Inc. In 2005 he joined the volunteer group in Biloxi, Mississippi as part of the clean up effort after Hurricane Katrina.

Ryan was in London this week to promote his latest film the dark detective comedy THE NICE GUYS alongside Russell Crowe. He attended the premiere at the Odeon in Leicester Square where he signed and dedicated this quick sketch I did of him as ‘Baby Goose’ in DEAD MAN’S BONES with his even quicker, simple but stylised ‘Ryan’ signature.

Drawing: Jenny Seagrove in Volcano

Jenny Seagrove Volcano

In first saw popular British actress Jenny Seagrove way back in 1993 when she starred opposite Tom Conti as a “glamorous praying mantis” in Noel Coward’s PRESENT LAUGHTER at the then Globe Theatre (renamed the Gielgud a year later) in London’s Shaftesbury Avenue. Nineteen years later she appeared in the first staging of the English playwright’s ‘lost’ play VOLCANO. After a short tour it settled in for a limited season at the Vaudeville during the summer of 2012.

Over the past thirty something years Jenny’s extensive stage and small screen career has seen her appear in numerous acclaimed productions. One of her most notable roles was QC Jo Mills in the long-running BBC drama JUDGE JOHN DEED.

In VOLCANO she plays the elegant widow Adela, the subject to one man’s philandering urges alongside a smouldering volcano-the ideal metaphor as ‘bubbling emotions are about to erupt.’

Jenny is currently featuring in Alan Ayckbourne’s vintage comedy about adultery HOW THE OTHER HALF LOVES at the Theatre Royal Haymarket. I meet her on a pleasant Spring Saturday as she rode her bike to work and chained it outside the stage door. Our brief chat included some reminiscing about her Noel Coward roles as she signed this VOLCANO sketch for me.

Drawing: Dame Eileen Atkins

Eileen Atkins

One of my favourite plays is THE KILLING OF SISTER GEORGE by British writer Frank Marcus. It premiered at the Bristol Old Vic in 1965 with Eileen Atkins and Beryl Reid in the lead roles. The production transferred to the West End, before its run at the Belasco Theatre in New York.where Eileen made her Broadway debut. She  played the dimwitted ‘Childie’ alongside Beryl’s sadistic, gin-guzzling radio star June Buckridge and her alter ego ‘Sister George’.

Dame Eileen has been treading the boards and appearing on the big and small screen since 1953. She has won a BAFTA, Emmy and three Olivier Awards and has been nominated for four Tony’s, the  first of which was for her role in SISTER GEORGE. She also created the iconic British TV series UPSTAIRS, DOWNSTAIRS.

Her films include EQUUS, THE DRESSER and GOSFORD PARK-once again all favourites of mine and she can be seen recently on the small screen in DOC MARTIN as Martin Clune’s Aunty, Dr Ruth Ellingham, another favourite of mine.

It’ s no wonder I had to draw her. This montage, which I dropped off at her London agent’s office for signing a couple of weeks ago, includes her as Childie and images from ALL THAT FALL at the Jermyn Street Theatre in 2012 and her solo show ELLEN TERRY WITH EILEEN ATKINS at the Sam Wanamaker Playhouse at Shakespeare’s Globe earlier this year in which she portrays over ten parts including Juliet, Beatrice and Viola.

Drawing: Marisa Berenson

Marisa Berenson

New York-born actress Vittoria Marisa Schiaparelli Berenson (or as she is commonly known, Marisa Berenson) played the tragic beauty Lady Lyndon in Stanley Kubrick’s 18th Century period film BARRY LYNDON. It’s one of my favourite films, because of its visually stunning and exquisite Oscar-winning cinematography by John Alcott based on Kubrick’s vision and visual innovation. It was filmed entirely with natural and candlelight, without the use of a single electric bulb. Special lenses, designed by German optical manufacturer Carl Zeiss were used, which NASA also employed for lowlight shooting on the moon landings. They also ‘push developed’ the film processing by one stop. I once held ambitions to be a cinematographer, not that you would have noticed.

Anyway back to Marisa, beautifully captured by such innovative technology and dubbed the ‘It girl’ in the 1970’s by Yves Saint Laurent. In 1972 Marisa won the National Board of Review Best Supporting Award and received BAFTA and Golde Globe nominations for her role as Natalia Landauer in CABARET. She made her Broadway debut in 2001 with the revival of DESIGN FOR LIVING and is currently playing Lady Capulet in the Kenneth Branagh Theatre season on the London stage at the Garrick Theatre.

I met the delightful Marisa at the stage door on Saturday as she arrived for the evening’s performance. She loved the drawing and as she signed it, I declared my admiration for BARRY LYNDON  and included her Lady Lyndon in this sketch as a homage to the film.

Drawing: Lily James in Romeo and Juliet

Lily James

Young English actress Lily James’s star continues its meteoric rise with the title role in Shakespeare’s tragic tale of young star-crossed lovers, ROMEO AND JULIET as part of Kenneth Branagh Theatre Company’s Plays at the Garrick season in London.

Already well known for her roles are Lady Rose Aldridge in ITV’s period drama DOWNTON ABBEY, for which she and the ensemble cast have won two Screen Actors Guild Awards and this year’s BBC drama series WAR & PEACE, Lily is no stranger to the stage. After graduating from London’s The Guildhall School of Music and Drama in 2010 she quickly appeared in a variety of prominent plays, including the modern version of Chekhov’s THE SEAGULL at the Southwark Playhouse and as Desdemona in OTHELLO alongside Dominic West at the Crucible Theatre in Sheffield. The Daily Mail’s Quentin Lett’s wrote “…she practically sweeps all before her as Desdemona, poise, diction, allure – she has them all.”

I managed to position myself in a good place at the Garrick’s stage door barriers after the first night performance last Thursday, where initially two security officers were in attendance and soon joined by a third after he had finished his duties at Kit Harington‘s meet-and-greet one street over at the Duke of York’s. Obviously they were anticipating a large gathering and that proved to be the case. Eventually, both Lily and her ‘Romeo’, Richard Madden, who was also her Prince Kit in Disney’s 2015 live-action version of CINDERELLA appeared and Lily signed and dedicated this sketch for me.

Drawing: Jesse Eisenberg in The Spoils

Jesse Eisenberg

Eight hours. 8 long hours. Written in words or numerically, either way it still spells out a l-o-n-g  time to wait for an autograph. Actually it was 8 hours and a few minutes, waiting to get my sketch of the BAFTA, Golden Globe and Oscar nominated Hollywood star Jesse  Eisenberg signed. But I did. It’s not my usual practice and not one I hope to make a habit of. Jesse is in London to make his West End debut as the dope-smoking, entitled, living of his wealthy parents, narcissistic bully Ben in the tragicomedy THE SPOILS, which he wrote and had its world premiere at the Alice Griffin Jewel Box Theatre in New York’s Pershing Square Signature Center last summer.

“Engrossingly acted, impeccably staged,” wrote the New York Times.

The off Broadway transfer to London’s Trafalgar Studios starts on 27 May for a three month run. It’s Jesse’s third play, all of which have stated life on the off-Broadway boards.

We – a handful of fellow collectors – found out where he was rehearsing and duly waited nearby. But Jesse had to interrupt his rehearsals to fly to Cannes to do press for his latest film CAFE SOCIETY directed by Woody Allen. Then zap back to London. We thought he was already in the building and would finish at the customary time. That plan disappeared when he actually arrived at five and quickly slipped in without us having time to catch him.

One gets to a point in this business when one has invested time that one does not want to waste by ditching the mission. In other words it would be a waste of time if you didn’t stay to get the graph. But eight hours is a long investment. Thankfully it was a nice sunny day  even though the pollen count was eight times higher than normal. It’s a recurring theme. SPOILS Sketch, sneezing and sharpie at the ready.

All was forgotten, well nearly all when we finally met meet Jesse. He thanked us for turning up and waiting. Truly one of the nicest in the business and he really liked the drawing, which is always a bonus.