Drawing: Alastair ‘Captain’ Cook

Alistair Cook

The England Cricket Captain and opening batsman, Alastair Cook has made a habit of scoring runs and in particular centuries. His latest came last Friday, on the opening day of the second test against Pakistan which is still in progress at Old Trafford. His 105 was his 29th Test century, equalling the great Sir Don Bradman. In May 2015 the prolific left-hander became England’s leading run-scorer in Test matches, surpassing Graham Gooch in the second test against New Zealand at Headingly and exactly a year to the day later he became the youngest batsman to score 10,000 test runs against Sri Lanka in the second test at Chester-le-street.

This penchant for passing the magic 100 milestone began right from the start. At the age of 21, while touring the West Indies with the ECB Academy side in 2006, he was called-up to join England’s tour of India side as a late replacement, scoring 104 on debut. This was to become a familiar pattern, also scoring centuries in his first Test matches against Pakistan, the West Indies and Bangaldesh.

Alastair became England’s ‘Captain Cook’ when fellow opener Andrew Strauss retired in 2012. In 130 Tests he has amassed 10,265 runs at an average of 46.87 and 3,204 runs in his 92 ODI’s. His Test total includes three double centuries, with a top score of 294 against India.

When not scoring runs on the cricket field, Alastair runs a farm near Leighton Buzzard and plays the saxophone. I have meet him on a few occasions, mainly at Lords and he has always been great with the fans, taking time to sign graphs and pose for photos. I didn’t get a chance to catch-up at the first test against Pakistan at Lords last week, so sent my drawing to Old Trafford and it came back signed within two days.

Drawing: Anne Archer in The Trial of Jane Fonda

Anne Archer

THE TRIAL OF JANE FONDA is a one-act play inspired by a meeting between the Hollywood ‘wild-child’ of Henry Fonda and angry American war vets disgusted by her visit to Hanoi and photographed with North Vietnamese soldiers sixteen years earlier.

Written and directed  by seven-time Emmy Award-winner Terry Jastrow, the production debuted at the Edinburgh Fringe in August 2014, featuring his wife, the Oscar-nominated actress Anne Archer as ‘Hanoi Jane’. The meeting took place after irate Vietnam veterans, outraged by her anti-war protests, threatened to halt shooting of the her film STANLEY AND IRIS in Waterbury, Connecticut.

She agreed to meet 26 of them (in the play there’s a lot less) in the local St Michael’s Episcopal Church on 18 June 1988 to listen to them and explain her side of the argument and her outrage at a brutal foreign policy based on a flawed ‘domino effect’ theory about the spread of Communism.

Last seen in the London in her West End debut as Mrs Robinson in THE GRADUATE at the Gielgud in 2001, Anne Archer reprises her role as Jane Fonda, which is currently running at the Park Theatre directed by Joe Harmston until mid August. I left this portrait of Anne at the venue which she signed  and dedicated for me.

Drawing: Rebel Wilson in Guys And Dolls

Rebel Wilson

‘There’s a new Doll in town’ proclaims all the billboards around London, announcing Australian Hollywood star Rebel Wilson’s West End debut in the 1950’S Broadway musical GUYS AND DOLLS at the Phoenix Theatre. The 36 year old  bubbly blonde, ‘Sydney-born sensation’ (as the Telegraph’s critic Dominic Cavendish called her) plays the show’s interminably engaged New York night-club singer Miss Adelaide for an eight-week engagement.

She received a standing ovation on her opening night, tweeting to her 3.3 million followers afterwards, thanking the audience and saying how honoured she was and saying “sooo… one down, 63 performances to go.”

On Saturday night I positioned myself at the stage door barriers among the hoards where she signed my sketch.

Drawing: Lewis Hamilton at Silverstone

Lewis Hamilton

Current World Formula One motor racing champion Lewis Hamilton won his home Grand Prix at Silverstone last weekend to move within one point of his teammate and nearest rival Nico Rosberg on the F1 Driver Standings. It was Lewis’ fourth victory this year and moves him a step closer to retaining the World title. He is now third on the all time list of Grand Prix wins with 47.

Always a good ‘grapher in person, Lewis had previously signed a rapid scribble I did of his car at last year’s British Fashion Awards. In motor racing terms I would call it a ‘practice session’ for this slightly more detailed sketch, including the man himself, which I decided to send to him via his Mercedes AMG Petronas team at Silverstone, not expecting much joy. To my surprise and delight, it came back signed and dedicated. Chequered flag for me!

Drawing: Marion Bartoli

Marion Bartoli

I have met French tennis star Marion Bartoli twice. The first time was many years ago at the Australian Open when her star was rising, walking to her match on an outer court without a lot of security and attention. I politely asked her for an autograph and she very politely said she would be happy to… but after the match. Fair enough. The second time was last week at Wimbledon where she is now part of the commentary team.

She was on her way to Centre Court to cover the women’s semi finals. It’s an arena she is familiar with. After being runner-up in 2007 Marion went on beat Sabine Lisicki in the 2011 final to win the Ladies Singles title and become only the sixth player to win the Championships without dropping a single set. A month later she retired citing the pain from all the injuries she had sustained throughout her career. Marion was known for her unorthodox and intense playing style, dominated by a two-handed forehand and backhand developed by her father and longtime coach Walter.

Marion was to have played in the Women’s Invitational Doubles at this year’s Championships, but had to withdraw on medical advice. It was revealed that she had contacted a serious virus that resulted in a dramatic weight loss. Immediately after the Tournament she underwent a blood transfusion and tweeted that she was ‘now on the up’. Great news for her large fan base. Anyway on our second meeting she was happy to sign this sketch I drew of her.

Drawing: Jennifer Byrne and Victoria Falconer-Pritchard in EastEnd Cabaret

East End Cabaret Perverts

“A high-powered Flight of the Concords dipped in acid and drenched in smut,” is how the Crikey (AU) magazine  described EASTEND CABARET performers and professional perverts, Jennifer Byrne and Victoria Falconer-Pritchard.

The globe-trotting, gin-loving, man east-riding, accordion-eluding, multi-award winning could musical comedy duo are known by their stage names, Bernadette Byrne, a European chanteuse of unknown origin and Victor Victoria, a faux-bilateral hermaphrodite, one man/woman band.

On a recent tour Downunder, Theatrereview NZ likened them to a “mutant child of a Victorian circus-locked away in the Pet Shop Boys basement and forced to watch nothing but Eurovision.”

Their utterly raucous, unashamedly risqué, dark,hilarious and dangerously inappropriate show had it’s origins in the iconic East End pub, The George Tavern in 2009, appearing at the Edinburgh Fringe two years later. TimeOut said “They can work an audience like nobody’s business.” Last year they won Best Variety Act at the London Cabaret Awards.
I left this sketch of Bernie and Victy from their 2015 Soho Theatre production PERVERTS at the London Hippodrome where they were performing last month  and it came back, signed with their character names and a little note.

Cabaret Perverts Note

Drawing: Ivan Lendl

Ivan Lendl

Included in the list of tennis greats, Ivan Lendl was one of the most dominate players in the 1980’s, winning 8 Grand Slams and reaching 19 finals. He also lead Czechoslovakia to a Davis Cup victory.

Ivan’s eight Slams include two Australian, three US and three French titles. The only Slam to elude him was Wimbledon.  He did however reach two finals, being beaten by Boris Becker and Pat Cash.  His playing style revolved around strength, using a heavy top spin from the baseline, ushering in the modern era of ‘power tennis’.

Between 2012-14 Ivan coached the current World Number 2 Andy Murray to Wimbledon and US Open victories and an Olympic Gold Medal. In June this year he returned with the Scot securing his fifth Queens and second Wimbledon titles.

A large crowd gathered around Court 19 at Wimbledon last week as Andy practiced prior to his Championship victory. As you can imagine when he came off the court he was mobbed. Ivan, by contrast, slipped down the side near the media centre and his relatively short walk to safety as only interrupted by me and my drawing which he signed on the stroll.

 

Drawing: Stephanie Cole in This May Hurt A Bit

steph cole

Stella Feehily’s NHS-in-crisis drama THIS MAY HURT A BIT ran at the St James Theatre in London, appropriately in May 2014 after a National tour. Directed by her husband Max Stafford-Clark, the play is based on his own experience after suffering a stroke. Beloved British actress Stephanie Cole played Iris, a feisty 90 year-old suffering from bouts of memory loss. In hospital she shares a ward with a recently expired corpse and John, a vicar, who has lost his ability to speak.

“Stephanie Cole breaks your hearts with Iris’s mixture of gallantry and pathos,” wrote Jane Shilling in her Telegraph review.

Stephanie’s long and distinguished stage and screen career has seen her appear in a number of high-profile productions. Her TV roles include Aunty Joan in DOC MARTIN, Delphine Featherstone in OPEN ALL HOURS and STILL OPEN ALL HOURS and Sylvia Goodwin in CORONATION STREET. Her stage appearances include Miss Casewell in THE MOUSETRAP at the Ambassador’s Theatre in 1968 and her most prominent role as Betty in the 1994 hit comedy A PASSIONATE WOMAN at the Comedy Theatre, which enjoyed an extended nine-month run. After the final night’s curtain call she was the subject of THIS IS YOUR LIFE.

I left this sketch of Stephanie with her London agents and it came back signed with a note attached, ‘what a good portrait!’… so I guess she liked it.

Drawing: Shit-faced Shakespeare

shit faced shakespeare

“Lord, what dicks these mortals be!”

Not exactly as originally written, but the meaning is the same.

SHIT-FACED SHAKESPEARE is the unholy offspring of Magnificent Bastard Productions and has become something of a cult at the annual Edinburgh and Brighton Fringe Festivals. It has spawned numerous versions and is currently being performed in such global locations as Texas, Massachusetts and London.

Bardolatry is big this year with a myriad of Shakespearian productions commemorating the 400th anniversary of the writer’s death. This, however is a irreverent take on the Shake – a bawdy, abbreviated adaption of one of his plays by five cast members, one of which is completely hammered, totally wasted or as the Bard himself would say, “Reeling ripe” …nay shit-faced.

The latest production, A MIDSUMMER NIGHT’S DREAM has taken up an extended residency at London’s Leicester Square Theatre. A company of nine  perform in rotation to ‘give the livers time to recover’. The director and MC, Lewis Ironside opens the show enthusiastically explaining what is about to happen…as far as he knows. On press night the 70 minute version centred around the four lovers, Lysander (Sam Marron), Hermia (Beth-Louise Priestly), Demetrius (John Mitton) and Helena (Stacey Norris) joined by Puck (Rob Smythson) who grabs a Bottom from the audience. The designated drunk was Sam, who consumed two Stellas, half a bottle of vodka and a can of Archer’s woo woo before tackling the role of a legless Lysander and a few other things. Over the past six years, 20,000 units of alcohol have been consumed.

I left this Shakespearian scribble with Beth-Louise at the theatre who kindly signed and got the rest of the crew to do the same …although I’m not sure which one of them was on the turps. I’ll let you decide. Bottoms up!

Drawing: Derek Fowlds

Derek Fowlds

British actor Derek Fowlds has graced our television screens for over half a century. During his National Service stint in Malta, he was a member the RAF theatre group and followed one of his sergeants to RADA, where he trained as a professional actor. After a number of West End plays including THE MIRACLE WORKER, Derek landed his first TV role, replacing Rodney Bewes as the presenter in THE BASIL BRUSH SHOW.

Upstaged  by a stuffed fox, ‘Mr Derek’ intended to stay for one series, but remained for eight, charmed by the Basil character. This was followed by the first of his famed small screen alter egos, Bernard Woolley, the pedantic private secretary in the massively popular series YES MINISTER and YES PRIME MINISTER alongside Paul Eddington and Nigel Hawthorne. In 1992 he created his longest running role, the pig-headed and cranky former copper-turned local public Oscar Blaketon in the  police nostalgia drama HEATBEAT. In an interview Derek said he always wanted to play Oscar as a transvestite, but the producers of the family show didn’t think that was appropriate. “He had a theatrical mother, hence the name Oscar. I always thought he would become Olivia in the weekends.”

Late last year the 79 year-old Derek published his autobiography ‘A Part Worth Playing’ and as part of it’s promotion he appeared at the Museum of Comedy last month in an evening entitled ‘Yes Prime Minister and Me’ in conversation with journalist Sam Westerby about his long career.  Derek’s six-year old grandson Marlon said to him,
“When I’m a man, you’ll be dead, won’t you?” Derek laughed, “Well, it’s possible, but you’ll have a book to read about me.”

Unfortunately I couldn’t make it to the event, but I drew this sketch of Derek and called past the Museum of Comedy earlier on the day to leave it there for him to hopefully sign.
The Museum of Comedy is situated in the basement vault, known as the ‘undercroft’ of St George’s Church in London’s Bloomsbury. It was not open at the time I arrived, so I slipped my envelope under the door and hoped for the best and some divine intervention. It worked. Derek not only signed and dedicated my rendering, he also sent me an appreciative note.

Derek Fowlds Card