Dominic Dromgoole’s ‘compassionate and emotionally engaging’ production of A WOMAN OF NO IMPORTANCE launched a year-long season of Oscar Wilde at London’s Vaudeville Theatre late last year.
The outstanding cast was lead by Eve Best, Anne Reid and Eleanor Bron, who played Mrs Arbuthnot and Ladies Hunstanton and Pontefract respectively. The Irish playwright’s 1983 society play examines the hypocrisy of Victorian society in which woman are shamed and stigmatised for their sexual conduct and men do as they please.
I met Eve, Anne and Eleanor at the stage door, where they signed this montage, arriving for the Saturday matinee a week before the production completed its run on 30 December.
Multi-award winning English actress, Emma Fielding was part of an impressive ensemble in Oscar Wilde’s A WOMAN OF NO IMPORTANCE, which completed its run on Saturday after kicking-off the Oscar Wilde Season at London’s Vaudeville Theatre over the festive period. She played Mrs Allonby, who delivers a brilliant monologue about what makes an ideal man in a venue that is tailor-made for the production. “It’s the type of theatre the play’s written for with the traditional proscenium arch,” she said in a recent interview. I caught up with Emma and the cast arriving for a Saturday matinee a couple of weeks ago where she signed my sketch.
Lindsay Posner’s production of Oscar Wilde’s An Ideal Husband, a classic comedy of political blackmail and corruption played London’s Vaudeville Theatre during the festive season of 2010.
Wilde gave the funniest lines to Lord Arthur Goring. SOme have suggested that the character with his similar wit and fashion to be based on the playwright himself. The ‘dandy’ was portrayed by Elliot Cowan, with his fancy threads and wayward habits, which critics agreed made “a splendidly lived in hero”.
He is engaged to Miss Mabel Chiltern, who, at half his age, is play by Fiona Button, “…whose silken repartee flowed as elegantly as her skirts”.
Her line “An ideal husband! Oh, I don’t think I should like that,” sums up her innocence. Both Fiona and Elliot signed this black biro sketch amongst the snow flurries at the uncovered Vaudeville stage door.
Rupert Everett and Freddie Fox proved an inspired piece of casting in Neil Armfield’s critically received revival of David Hare’s 1998 play The Judas Kiss. The production, about Oscar Wilde’s scandal and disgrace at the hands of his young lover Bosie (Lord Alfred Douglas).
It opened at the Hampstead Theatre in September 2012 before a West End transfer to the Duke of York. Rupert’s portrayal of Oscar Fingal O’Flahertie Wills Wilde was recognised in the theatre awards, nominated for an Olivier, longlisted in the Evening Standard and winning the WhatsOnStage Best Actor gong – voted by over 60,000 theatre goers. Both Rupert and Freddie signed my sketch at the Duke’s in January 2013.