For the first time, real-life father and son Edward and Freddie Fox appear on stage, creating a ‘delicious double act’ as fictional father and son Lord Caversham and Lord Goring in Oscar Wilde’s AN IDEAL HUSBAND at the Vaudeville Theatre in London. Dubbed the ‘Fantastic Foxes’ by critics, Edward, the head of Britain’s acting dynasty is joined on the boards by his youngest son Fredrick in what was as much a life decision as a professional one.
“I’ve been offered to do Caversham again,” Edward said to Freddie. “I’ll do it if you do it” …and they both took a walk on the Wilde side. “It was such a wonderful opportunity and emotional to finally act with the old man,” said Freddie. Friends call them ‘Fredward’ and note that a large part of their relationship is verbal jousting, so the play is just an extension of that.
Fellow cast member France Barber told the Evening Standard, “You can see the respect they have for each other and they obviously love working together and enjoying each other… it’s just absolutely joyous.”
Both Eddie and Freddie signed my sketch at the stage door last week.
Distinguished British actor Edward Fox has returned to the London stage this month alongside his son Freddie in Oscar Wilde’s AN IDEAL HUSBAND at the Vaudeville Theatre, in what the Independent’s Paul Taylor called a “delicious double act.”
The 81 year-old’s screen career includes many of the classic films, GHANDI (1982), NEVER SAY NEVER AGAIN (1983), THE DRESSER (1983), THE GO-BETWEEN (1971) and A BRIDGE TOO FAR (1977), the latter two earning him Supporting Actor BAFTA Awards. However it is his role as the professional assassin known as ‘Jackal’, hired to kill French President Charles de Gaulle in the Summer of 1963 in Fred Zinnemann’s THE DAY OF THE JACKAL (1973) that is one of my favourites.
I drew this sketch, which Edward signed for me on Saturday at the Vaudeville stage door prior to the matinee. Light spring rain was falling and a large group of fans were also waiting for his graph, so he politely asked if it was ok to just sign his name and not dedicate, which was perfectly fine with me.
Peter Morgan’s The Audience premiered in the West End at the Gilegud Theatre on 15 February 2013, directed by Stephen Daldry. The play centres around weekly meetings called ‘audiences’ between the Queen anad her prime ministers, from her accession in 1952 to the present. Helen Mirren won the Olivier, Evening Standard and WhatsOnStage awards for her portrayal of Queen Elizabeth II.
Originally playing the role of Winston Churchill was Robert Hardy, but he withdrew before Press night, due to a fall cracking his ribs, and was replaced by Edward Fox.
Winner of two BAFTA Awards in The Go-Between (1970) and A Bridge Too Far (1977), Edward’s distinguished acting career dates back to his stage debut in 1958 and his first film appearance was as an extra in The Loneliness of the Long Distance Runner (1962).
Arguably his defining role was the silent assassin in Fred Zinnemann’s 1973 thriller The Day Of The Jackal.
This a a 4B pencil portrait of Edward in his Churchillian pose, which he signed for me at a crowded stage door early in the run.