Drawing: Calendar Girls, starring Lesley Joseph, Kacey Ainsworth, Camilla Dallerup, Helen Fraser, Sue Holderess, Deena Payne, Kathryn Rooney and Ruth Madoc

Posted on January 14, 2014 by Mark Winter / Chicane

Tim Firth adapted his screenplay for the highly successful comedy Calendar Girls for a stage version in 2008. Based on a true story about a group of Yorkshire women who produce a nude calendar to raise funds for Leukaemia Research, the film starred Helen Mirren and Julie Walters.

After playing to sell out audiences at the Chichester Festival Theatre, and a lengthy national tour, it previewed at the Noel Coward Theatre in the West End in April 2009. After a run of nearly a year and numerous cast changes it embarked on a second national tour. I drew the cast near the end of its run, which included Lesley Joseph, Kacey Ainsworth, Camilla Dallerup, Helen Fraser, Sue Holderess, Deena Payne, Kathryn Rooney and Ruth Madoc, who all signed my sketch at the Buxton Opera House, strangely enough in Buxton, in November 2012.

Drawings: Sam Mendes

Posted on January 13, 2014 by Mark Winter / Chicane

The 29 July 2011 was the press night for Sam Mendes’ Shakespearean production of Richard III at the Old Vic, in featuring Kevin Spacey in the title role. It was also the beginning of a frustrating quest. I drew a quick ink portrait of the accomplished director, hoping to have it signed. But, alas, to misquote the Bard “Now was the start of Winter’s discontent”.

I have carried that piece of artwork with me for the past 2 and a half years to opening nights, closing nights, award nights, premiere nights, nights lurking around stage doors during rehearsals, and days stalking filming of the latest Bond around various London locations. All part of my strategy to secure Sam’s siggy on my sketch. But, to no avail. I lacked the Mendes touch.

Prior to this, I had met Sam on a few occasions. He was always very friendly and happy to sign an autograph. It wasn’t his fault I couldn’t get the sketch signed, I just kept missing him, as I’m sure he would have done so had our paths crossed. Ironically my saviour was another Shakespearean king. This time, Lear, which starts preview on Tuesday (14 January 2014) at the National with Simon Russell Beale. I had succumbed to leaving the sketch with a suitable note and a return envelope at the theatre. It was Saturday afternoon, a cursory glance as I pass the stage door to go into the National’s foyer (which was brimming with matinee audiences). I found a spot, sat down, wrote the note, put it with the sketches and the envelope together inside a bigger envelope and closed it up. Looked up, and there was the man himself walking straight past me. Dilemma! Do I just give him the envelope, or do I rip it open and get it signed in person? Silly question.

Sam is a big cricket fan. In fact, he was an accomplished player in his day, representing Cambridge University. So in cricketing terms, I trapped him in front of the wickets… I mean, the lift. My delivery wasn’t flash. “Saaaaaaaaaam!” He turned, saw me furiously ripping open envelopes and tearing paper out. The connection was made when he recognised himself in my drawing, which he was more than happy to sign as I burbled on about my two and half year quest, that had come to a successful conclusion.

As I had his attention and the lift hadn’t arrived I politely asked him if he wouldn’t mind signing another one – a pencil sketch – while I fumbled through my bag to find it and he was more than obliging. Now, on a cold January day, was the Winter of my content. Plus, I saved a stamp.

Drawing: The Night Alive starring Ciaran Hinds, Brian Gleeson, Caoilfhionn Dunne, Michael McElhatton and Jim Norton

Posted on January 8, 2014 by Mark Winter / Chicane

THE NIGHT ALIVE is Dublin playwright Conor McPherson’s latest play. After a short run at the Donmar Warehouse in London, (June/July 2013) it transferred to the Linda Gross Theatre in New York, where it is currently playing with the season extended till February.

It revolves around a motley collection of losers, living hand-to-mouth in a trapped existence. Despite its particular Irish setting and vernacular, the play has a universality, common in most of Conor’s work, concerning the loss and redemption among inarticulate people who don’t have the emotional grammar to express themselves.

An excellent cast of 5: Ciaran Hinds, Brian Gleeson, Caoilfhionn Dunne, Michael McElhatton and Jim Norton all came out at the same time of the Donmar on a balmy (and blarney) July evening. Inevitably, I was going to miss one or two as they all quickly headed to the local to quench their thirsts on such a warm night. Hopefully some of the others gathered to garner a graph would delay them long enough for me to sift around all five. I missed one – Brian, mainly because I didn’t recognise him. But I did get him the following evening.

Michael signed for me the previous night, but he didn’t dedicate,so after I recognised and got Brian I asked Michael to sign ‘To Mark’ – he started to sign his name again,then realised it was already there,hence the ‘Michael M’ added to his script on the lower right – five and a half sigs over two nights – not bad!

Drawing: Rosalie Craig in The Light Princess at The National Theatre

Posted on January 6, 2014 by Mark Winter / Chicane

The Light Princess is a dark Scottish fairy tale by George MacDonald, published in 1864. It revolves around a princess who loses her mother and her gravity, so floats in the air. She also lacks moral gravity, incapable of real feeling and laughs at everything – her way of blocking out pain and responsibility.

It was the inspiration for the National Theatre musical production and six years in the making. It was adapted by Samuel Adamson with music and lyrics by Tori Amos, directed by Olivier and Tony Award winner Marianne Elliot.

Rosalie Craig is the Light Princess, Althea. The Evening Standard said “Rosalie Craig is stunningly good.” She won the newspapers Theatre Award for Best Musical Performance and is nominated for a What’s On Stage Award.

Drawing: Rhys Ifans in Protest Song at The National Theatre

Posted on January 5, 2014 by Mark Winter / Chicane

Protest Song is a 70 minute monologue in The Shed – The National Theatre’s new intimate venue on the South Bank.

A rough sleeper, Danny finds himself caught up in the Occupy movement’s protest camp that descended on St Paul’s environs through the winter of 2011. It’s visceral political theatre, lampooning inequality at every level and the gulf between the people who have temporarily taken to the streets, and the man who lives there because he has nowhere else to go.

Initially furious at the invasion, Danny gradually gets involved with his ‘surrogate’ family, giving shape to his day.

Rhys Ifans plays the wounded and resilient Danny, delivering Tim Price’s funny and savage narrative in what critics have called, “a blazing performance”, “superb” and “utterly convincing”. After many years of being asked to move along, it’s ironic now to be told to remain motionless in one place. He takes refuge in banter and anecdotes, full of pathos and humour, but imminently combustible.

It’s not your usual festive theatre, with no fairytale ending, summed up by the metaphor of a piano with damaged keys, that when something is broken you have to find a way to work around it. It’s the only way the music will be heard.

Drawing: Jo Brand as the Genie in Aladdin at the New Wimbledon Theatre

Posted on January 4, 2014 by Mark Winter / Chicane

Josephine Grace ‘Jo’ Brand is one of the UK’s best comics. The Observer listed her as one of the 50 funniest acts in British comedy. She made her panto debut last month in the New Wimbledon’s production of Aladdin as the Genie of the Ring.

Jo won a BAFTA award for her role as Kim Wilde in the BBC sitcom Getting On, set in a hospital’s geriatric ward, inspired by her earlier career as a psychiatric nurse. Jo also wrote with other core cast members Joanna Scanlan and Vicki Pepperdire winning the Writer’s Guild Award for Best Comedy in 2010.

She describes her genie appearance as “Julian Clary on steroids.”

Drawing: Ciarán Hinds in Cat on a Hot Tin Roof on Broadway

Posted on January 3, 2014 by Mark Winter / Chicane

Irishman Ciaran Hinds has developed an impressive film, television and stage career as a versatile character actor. In January 2013 he played the role of ‘Big Daddy’ in Tennessee William’s 1955 family drama CAT ON A HOT TIN ROOF alongside Scarlett Johansson at the Richard Rodgers Theatre on Broadway. He signed my sketch while featuring in Conor McPherson’s THE NIGHT ALIVE at London’s Donmar Warehouse in July 2013.

Drawing: Helen McCrory and Robert Glenister in The Late Middle Classes

Posted on January 2, 2014 by Mark Winter / Chicane

The Donmar produced David Leveaux’s sensitive revival of Simon Gray’s The Late Middle Classes in 2010.

This funny, melancholic and captivating play about a young boy and promising pianist who is trapped between conflicting emotional needs of the adults in his life, revealing the frustration, secrets and guilt of middle class respectability in 1950s England.

Helen McCrory played Celia, his emotionally demanding mother, frustrated at finding a role for herself “blending waspishness with vulnerability”. Robert Glenister is his piano teacher, living alone with his Austrian refugee mother. The boy is a mixture of muse, playmate and object of his desire.

Both Helen and Robert signed my sketch on 13 July 2010 at the Warehouse stage door.

Drawing: Stephen Mangan and Matthew Macfadyen in Jeeves and Wooster – Perfect Nonsense

Posted on January 1, 2014 by Mark Winter / Chicane

Jeeves and Wooster – Perfect Nonsense is the first ever stage play adapted from the works of PG Wodehouse. Directed by Sean Foley and written by brothers David and Robert Goodale, based on “Plum’s” 1938 novel The Code of the Woosters.

The show had pre West End dates at the Richmond Theatre and Theatre Royal, Brighton before beginning previews at the Duke of York’s Theatre in London in October 2013, officially opening on the 12 November. Originally scheduled to run until March 2014, it has now been extended until September due to popular demand.

Stephen Mangan is the effervescent, aristocratic Bertie Wooster and Matthew Macfadyen is his dutiful and imperturbable Jeeves… when he’s not impersonating a number of other characters such as old buffer Sir Watkyn Bassett, the myopic Gussie Fink-Nottle and the feminine Stiffy Bying. They are joined by Mark Hadfield as Seppings… when he’s not playing the imposing Aunt Dahlia or the incipient dictator Roderick Spode.

The trio signed my sketch this week at the theatre.

Drawing: Alexander Hanson, Charlotte Spencer and Charlotte Blackledge in Stephen Ward – The Musical

Posted on December 31, 2013 by Mark Winter / Chicane

Written by Andrew Lloyd Webber, Christopher Hampton and Don Black, and directed by Richard Eyre, Stephen Ward centres on the title character’s involvement with the young showgirl Christine Keeler that lead to one of the biggest scandals and most famous trials of the 20th century.

On the 50th anniversary, it deals with Ward as the ‘victim’ who was set up as a scapegoat when the scandal put the skids under Macmillan’s government in 1963. The Telegraph’s critic Charles Spencer suggests, “A show that may well play a part in the current campaign to quash the society osteopath’s trumped up conviction for living on immoral earnings.”

Alexander Hanson plays the charming and suave well connected bachelor Stephen Ward. Charlotte Spencer is the glamorous Keeler, and Charlotte Blackledge is her bubbly friend Mandy Rice-Davies.

The London wind and rain kindly subsided to allow the three leads to sign my sketch at the uncovered Aldwych stage door after last night’s performance.