Drawing: Joesph Fiennes

Joseph Fiennes

Joseph Alberic Twiselton-Wykeham-Fiennes simply signs Joe Fiennes. Just as well. He signed two sketches for me earlier this year while playing T E Laurence in Terrance Rattigan’s bio-drama ROSS at the Chichester Festival Theatre. The first was him in the Laurance of Arabia role and the second was this montage from two productions in which he played the title. Joe’s first professional stage appearance was in the West End in THE WOMAN IN BLACK in 1993, followed by A MONTH IN THE COUNTRY opposite Helen Mirren and John Hurt, which I was lucky enough to see. Joe has also appeared in some high profile films, including ELIZABETH and the Bard himself in SHAKESPEARE IN LOVE, for which he earned BAFTA and SAG Best Actor nominations.

In September 2005 he played George Dillion in EPITAPH FOR GEORGE DILLON at the Comedy Theatre  and Cyrano in CYRANO DE BERGERAC at Chichester in 2009 which are both depicted in my drawing.

Drawing: Margot Robbie

Margot Robbie

One of Hollywood’s most sought-after actresses at the moment, Margot Robbie is the bookmaker’s clear favourite to become a Bond girl in the next installment of the 007 spy saga. The Australian-born London resident returned to the English capital yesterday for the European Premiere of the DC Comics superhero or in this case supervillain film SUICIDE SQUAD. “So bad-to-the-bone, it’s good”, EMPIRE magazine declared. She’s a clear favourite with both the fans and the critics, playing the deranged prison shrink Dr Harleen Quinzel, who becomes the baseball-bat wielding, toxic-Barbie, Harley Quinn in her strippergram clothes, under the influence of her former asylum patient The Joker (Jared Leto).

The Las Vegas Review Journal critic, who said that she was the best part of and in the movie wrote, “I adore Margot Robbie. I’d walk through fire and a Justin Bieber concert for her.” High praise indeed. It’s almost what I had to do to get my sketch signed. Not a sedate gathering in Leicester Square on a steamy Wednesday evening. Oh No. With the die-hard comic fanatics, school holidays refugees and the muggy weather, combined with a four-hour wait, crammed into claustrophobic pens (always a strange juxtaposition that word, given that it’s also the essential weapon in the graphers arsenal). Madness takes it’s toll. Margot did the line as usual, but it took a few attempts to get the rendering in front of her long enough time to pen her moniker-a nifty use of the ‘t’ as an ‘x’ siggy.

Drawing: Noma Dumezweni, Jamie Parker and Paul Thornley in Harry Potter and the Cursed Child, Parts One and Two

Harry Potter and the Cursed Child

Saturday saw the World Premiere gala performance of HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO, following six weeks of previews at London’s Palace Theatre.  The eighth story in the Harry Potter adventure, set nineteen years after the final novel ‘Harry Potter and the Deathly Hallows’ is a play by John Thorne, based on an original story by J.K. Rowling and directed by Jack Tiffany. It’s actually split into two plays, cunningly named Part One and Part Two and follows a middle-aged Harry, who is now a Ministry of Magic employee and his son Albus Severus Potter. Originally booking until 18 September, tickets went on sale in October 2015 and immediately sold out, extending the run into next year.

Norma Dumezweni as Hermione Granger, Minister for Magic, Jamie Parker as Harry, Head of Magical Law Enforcement and Paul Thornley as Ron Weasley who is married to Hermione play the leads. Other major casting includes Sam Clemmett as Albus, Poppy Miller as Ginny Potter, Harry’s wife and Cherrelle Skeete as Ron and Hermione’s daughter, Rose Granger-Weasley.

The most pre-ordered book of the year – a ‘Special Rehearsal Edition’ of the script, not a novelisation, went on sale the day after the Premiere (incidentally Harry’s and JK Rowling’s birthdays) with people queuing at bookstores for the midnight release on Saturday. Since revisions were still taking place after it was printed, a ‘Definitive Collector’s Edition’ is due in 2017.

Noma, Jamie and Paul signed this sketch for me in the first week of previews.

Drawing: Rebel Wilson in Guys And Dolls

Rebel Wilson

‘There’s a new Doll in town’ proclaims all the billboards around London, announcing Australian Hollywood star Rebel Wilson’s West End debut in the 1950’S Broadway musical GUYS AND DOLLS at the Phoenix Theatre. The 36 year old  bubbly blonde, ‘Sydney-born sensation’ (as the Telegraph’s critic Dominic Cavendish called her) plays the show’s interminably engaged New York night-club singer Miss Adelaide for an eight-week engagement.

She received a standing ovation on her opening night, tweeting to her 3.3 million followers afterwards, thanking the audience and saying how honoured she was and saying “sooo… one down, 63 performances to go.”

On Saturday night I positioned myself at the stage door barriers among the hoards where she signed my sketch.

Drawing: Kit Harington in War Horse and Doctor Faustus

Kit Harington

After making his stage debut as Albert in the original cast of WAR HORSE on the Olivier stage at the National Theatre in 2007, Kit Harington auditioned for his first small screen role, landing the part of Jon Snow in the TV phenomenon GAME OF THRONES and galloping to international fame.

Michael Giltz in the Huffington Post wrote, “Kit Harington makes his debut as Albert and I’m not certain if he’s a major new talent or just ideally suited for this particular role, but he’s wonderfully understated as the rough, simple but sweet kid who is devastated to find his dad has sold the horse to the military so he joins up so he can find Joey and bring him home safely.” The production transferred to the New London Theatre in London’s West End in April 2009 with Kit reprising his role until September that year.

He returned to the stage in April to play the over-reaching protagonist in the revival of Christopher Marlowe’s 1594 tragedy DOCTOR FAUSTUS at the Duke of York’s, which is now into its final week.

Kit had previously signed a Faustus sketch for me during early previews, but I was keen to get this one graphed of him as the Doctor and Albert. I managed to find a close enough spot among the quickly growing throng behind the stage door barriers after Saturday’s matinee when Kit does his customary session with the fans and managed to slip it to him through the sea of selfies. He appreciated the sketch particularly the WAR HORSE reference, even taking the time to dedicate it for me.

Drawing: Ken Loach

Ken Loach

British director Ken Loach joined an elite club this month winning the Palm d’Or at this year’s Cannes Film Festival with his powerful welfare state polemic film I, DANIEL BLAKE. Only eight other directors have twice won the prestigious top honour in its 69 year old history, including Francis Ford Coppola, Michael Haneke, Luc and Pierre Durdenne.
His previous win was with the war drama THE WIND THAT SHAKES THE BARLEY in 2006.

I, DANIEL BLAKE follows the growing humiliation of a 59 year old Geordie joiner who struggles with the British benefits system after an attack leaves him unable to work.

The 79 year-old filmmaker said he had finished with directing, but became so infuriated by the plight of the poor under the current Conservative government that he came out of retirement to make this film addressing the human cost of their policies.

“Punishing the poor is no accident, it’s part of David Cameron’s project”, he said.
Ken turned down an OBE in 1997, stating, “It’s not a club you want to join when you look at the villains who’ve got it.”

I have met Ken a few times at the British Film Institute and the week after his Cannes win he was speaking at the premiere of VERSUS, a documentary about history and life. I drew this sketch on the day and hoped to get him to sign it in person at the Curzon Cinema in Soho, but couldn’t make it in the end, so sent it to his production company instead.

Drawing: Francis Ford Coppola

Francis Ford Coppola

Few would argue that Francis Ford Coppola is one of the greatest film directors to ever walk the earth.

His body of work includes the cinematic classics THE GODFATHER and THE GODFATHER II, APOCALYPSE NOW, PATTON and THE CONVERSATION.

He is one of only six people to win the Oscar for Producer, Director and Writer and is included in the elite group to win the Cannes Film Festival’s Palme d’Or twice. Sight and Sound Magazine ranked him #4 in the list of the greatest movie directors of all time.

I sent this sketch to Francis at his winery in California’s Sonoma County and was over the moon when it returned yesterday, signed and dedicated.

Drawing: Jane Wymark in Midsomer Murders

Jane Wymark

“Ooh la la, c’est Madame Barnaby!” said two ladies when they recognised English actress Jane Wymark, sitting next to them in a Paris cafe. For thirteen years Jane played Joyce Barnaby, the screen wife of John Nettle’s DCI Tom Barnaby in the detective series  MIDSOMER MURDERS. It’s popularity spread worldwide. “People tell me everywhere just how much they like the programme, seems I’m big in France!”

Prior to that Jane became a household name in the period drama POLDARK during the 1970’s.

There was no escaping the acting profession. Her English father was the Royal Shakespeare Company actor Patrick Wymark and  Olwen, her American mother was a playwright. “I know acting was a stupid profession to go into, but when you hang around theatres all your life, it imprints,” she told the Birmingham Mail.

She stared playing Joyce in 1997. “There’s a heavy burden being the nicest person on the telly. I am fond of Joyce, but she’s very limiting.” When she finished the role after John retired in 2010, she was quoted as saying ,”it would be nice to have some completely evil roles and play a really bad person with no redeeming features.”

Jane is currently appearing in the West End at the Arts Theatre in a series of ‘playets’ by five of Britain’s leading writers, collectively titled A VIEW FROM ISLINGTON NORTH. It’s not exactly evil unless you feel political satire is villainous. Jane may have finished playing the nicest person on TV, but that hasn’t ended in real life. I meet her at the front door (which is also the stage door) before the first matinee and was just like Joyce. I told her how much I liked MIDSOMERS, as did everyone else in the ‘bunch of Barnabyites’ gathered. She actually took my sketch into one of the tables in the cafe area of the theatre so she could sign without ruining it, telling me that she had contacted Laura (Howard, who played he screen daughter Cully) and reminded herself to get in touch with John to come and see the play. A MIDSOMERS reunion, how ideal.

Drawing: Sarah Alexander

Sarah Alexander

English actress Sarah Alexander finished her A-levels then left home at 19 for the Edinburgh Festival Fringe, turning down a place at the University of Manchester for her first professional acting job.

Sarah has specialised in comedy, appearing in a number of high profile TV shows  including ARMSTRONG AND MILLER, SMITH AND JONES, COUPLING, SMACK THE PONY and WORST WEEK OF MY LIFE. She also played Dr Amanda Hunter in the hospital comedy GREEN WING.

Since 2013 Sarah has played the role of Polly Creek, the wife of Alan Davies’ title character in the BBC’s mystery crime drama JONATHAN CREEK.

Sarah’s stage credits include THE VAGINA MONOLOGUES and Lady Macbeth in ‘the Scottish play’. She returned to boards this month at the Arts Theatre in the West End in the new political satire A VIEW FROM ISLINGTON NORTH, where I met her after the opening matinee on Saturday and she signed this portrait sketch for me.

Drawing: Pearl Mackie

Pearl Mackie

A month ago to the day Pearl Mackie was revealed as the Doctor’s next companion in the BBC cult sci-fi television programme DR WHO. It was announced during the half time interval of the FA Cup semi-final.

The current and twelfth incarnation of the Doctor, Peter Capaldi described Pearl as “a fine actress with a wonderful zest and charm, who will be a refreshing addition to the TARDIS.”

The Brixton-born, Bristol-educated actress, singer and dancer, graduated from the Old Vic Theatre School in 2010 and has packed in a lot since then, including films, TV and a dozen stage productions. She played Anne-Marie Fraser in the medical soap DOCTORS (must be something magnetic in that word) and is currently appearing at the Gielgud in the Olivier and Tony Award winning play THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME in London’s West End until next month.

As you can imagine since the DR WHO announcement, interest in Pearl has magnified, attracting a few more punters at the Gielgud stage door, including moi with this sketch, which she signed and dedicated for me with plenty of ‘zest and charm.’