Drawing: Michael Ondaatje

Autographed drawing of author Michael Ondaatje

Sri-Lanka-born Canadian author Michael Ondaatje’s 1992 Booker Prize winning novel THE ENGLISH PATIENT was awarded the special, one-off Golden Man Booker award last night, to mark the 50th Anniversary of the prestigious literary accolade. All 52 previous winners were eligible, with the judges shortlisting five – one for each decade – IN A FREE STATE (1971) by V.S.Naipaul, MOON TIGER (1987) by Penelope Lively, THE ENGLISH PATIENT, WOLF HALL (2009) by Hilary Mantel and LINCOLN IN THE BARDO (2017) by George Sanders. The prize has been shared on two occasions, one being in 1992 when THE ENGLISH PATIENT and Barry Unsworth’s SACRED HUNGER were chosen as joint winners. The final Golden Prize was selected by public poll.

THE ENGLISH PATIENT centres around the eponymous ‘English patient’, Count Laszlo de Almasy, burned and disfigured in a plane crash during the North Africa Campaign of WWII, who tells his story in flashbacks, involving a romantic affair, while being attended by Hana, a young Canadian nurse. He is believed to be English, but main his identity is revealed, little by little culminating in the great irony of the novel, he’s not English, but Hungarian… an “international bastard” who has spent most of his adult life wandering the desert. The 1996 film adaption featuring Ralph Fiennes as Almasy won nine Academy Awards, including Best Picture and Best Director for the late Anthony Minghella.

Michael signed my sketch at the Royal Festival Hall when he arrived yesterday afternoon as part of the ‘Man Booker 50’ series of lectures, workshops and discussions over the weekend, prior to the announcement of the Golden Man Booker Prize last night.

Drawing: Stephanie Corley, Quirijn de Lang and Zoe Rainey in Kiss Me Kate

Autographed drawing of Stephanie Corley, Quirijn deLang and Zoe Rainey in Kiss Me Kate at the London Coliseum

Opera North’s award-winning production of Cole Porter’s Broadway comedy classic KISS ME KATE has just completed it’s very brief one-week run at the London Coliseum. The West End debut was also at the same venue, opening on March 8 1951, after premiering at the New Century Theatre on Broadway two years earlier, winning 5 Tony Awards.

This farcical battle of the sexes is set both on and off-stage during the production of a musical version of Shakespeare’s THE TAMING OF THE SHREW, revolving around the tempestuous love lives of actor-manager Fred Graham and his leading lady and ex-wife Lilli Vanessi. Add to the mix, Fred’s current paramour Lois Lane, her gambler boyfriend Bill and a couple of pursuing gangsters and you have the perfect set-up for ‘showbiz shannagians’.

After an initial run at the Theatre Grand Leeds in May, this production transferred to London and is now at the Edinburgh’s Festival Theatre. This ‘jubilant marriage of Porter and the Bard’ had the critics buzzing. The best comment was in the Guardian’s five-star review – “So hot, it’s practically a fire risk”.

Acclaimed opera singers Stephanie Corley and Quirijn de Lang play the lead roles-Lilli/Kate and Fred/Petruchio respectively. West End star Zoe Rainey is Lois/Bianca. I left this montage sketch at the stage door and it came back yesterday, signed and dedicated.

Drawing: Jemma Redgrave in The Great Game: Afghanistan

Autographed drawing of Jemma Redgrave in The Great Game: Afghanistan at the Tricycle Theatre in London and Public Theater in New York

THE GREAT GAME: AFGHANISTAN premiered at London’s Tricycle Theatre in April 2009, directed by Nicolas Kent and Indhu Rubasingham and featured English actress Jemma Redgrave, before transplanting to New York’s Public Theater the following year.

It’s a chronological history of foreign involvement in Afghanistan since 1842. Described as a ‘play of epic proportions’… it’s actually 12 playlets, divided into three sets of four, that required seven hours of on-stage acting. With intermissions it turned into a 12 hour theatrical marathon for cast and audience.

Jemma, a fourth generation actress from of the Redgrave dynasty, appeared in four of the 12. Her early stage career included the role of Irina in the 1990 revival of Anton Chekhov’s THE THREE SISTERS alongside aunts, Vanessa and Lynn Redgrave – the first and only time they have appeared in a theatre production together.

Jemma is also a familiar face on the small screen, playing Eve Granger in COLD BLOOD and Major Bernice Wolfe on the BBC medical drama HOLBY CITY, among many more. She signed my sketch at the Old Vic last month while she was appearing in MOOD MUSIC.

Drawing: Serena Williams

Autographed drawing of tennis player Serena Williams

Wimbledon continues-Day 2. Seven-time singles Champion Serena Williams returned yesterday to SW19 after missing last year, waiting the arrival of her daughter Alexis Olympia in September, although she did win the Australian Open while two months pregnant. Fun fact: hence her daughter’s initials AO. It was a successful first day back in ‘the office’, beating Holland’s Arantxa Rus in straight sets. Serena’s first Grand Slam back after her hiatus was the French Open last month, where she had to retire before her fourth round match with Maria Sharapova due to an injury sustained while playing doubles with sister Venus.

Many consider her to be the best player in the history of the sport, but agree it is difficult to compare from different eras. Four names are constantly in the mix for the women’s debate – Margaret Court, Martina Navratilova, Steffi Graf and Serena. Her record speaks for itself. The WTA have ranked her Number 1 on eight occasions between 2002-2017. Serena’s 23 singles Grand Slam titles is the most by a player in the Open Era, second behind Margaret Court (24). She is the most recent player to have twice held all four Grand Slam titles simultaneously in 2002-3 and 2014-15, the third person to do this after Rod Laver and Steffi Graf. In addition, she has won 14 Grand Slam doubles titles with sister Venus and two mixed doubles, along with four Olympic gold medals and winning the Laureus Sportswomen of the Year Award four times.

Serena walked the purple carpet at the WTA TENNIS ON THE THAMES pre-Wimbledon event, honouring women who have shaped the world with their achievements both on and off the court at London’s iconic OXO tower last Thursday where she signed my sketch.

Drawing: Martina Navratilova

Autographed drawing of tennis player Martina Navratilova

Wimbledon starts today. What better way to herald in the greatest tennis event on the planet than acknowledging, what many consider to be the world’s best ever female player, the Czechoslovakian-born, Martina Navratilova. In 2005 TENNIS magazine selected her as the greatest player between 1965-2005, but it’s hard to find anyone better from any era.

Her amazing record stands alone and too numerous to list here, other than a not-so-brief highlights summary. She held the Number 1 spot for 332 weeks in singles and a record 237 weeks in doubles, making her the only player in history to hold the top spots in singles and doubles for over 200 weeks. Martina has won 18 Grand Slam singles, 31 doubles (another record) and 10 mixed doubles Grand Slam titles. This includes a record 9 Wimbledon titles, with a run of six consecutive victories from 1982-87. She is one of only three players to have achieved a ‘Career Grand Slam’ in singles, doubles and mixed doubles-known as the Grand Slam boxed set’, a distinction she holds with Margaret Court and Doris Hart. Martina’s record is widely regarded as the best performance ever of any professional player-male or female at a major event.

I have been keen to get a signed Martina sketch for a number of years. She is a permanent fixture during The Championships at SW19 these days, as a commentator and competitor in the Invitational Doubles, but has remained elusive, until yesterday, when I happened to be hanging around Gate 13, as one does on the day before ‘hit-off’ and she happened to walk out and down the road with a purposeful stride, followed by a handful of devotees in hot (30 degree heat) pursuit. Mission accomplished.

Drawing: Sarah Soetaert in Chicago

Autographed drawing of Sarah Soetaert in Chicago at the Phoenix Theatre on London's West End

At the age of 9, Sarah Soetaert left her West Flanders hometown of Kortrijk and moved to Antwerp, chasing a dream of becoming a ballet dancer. Six years later, she gained a place at the English National Ballet in London. A chance audition for the musical CATS and a West End debut lead her down a ‘naturally unfolding path’ into musical theatre that has blossomed into a career of acting, singing, and dancing on both stage and screen.

Sarah is currently reprising the lead role, Roxie Hart in the 21st Anniversary production of the Kander and Ebb musical CHICAGO at the Phoenix Theatre, alongside Cuba Gooding Jr, Ruthie Henshall and Josefina Gabrielle. Roxie is a chorus girl who has murdered her lover, but manages to get (spoiler alert) acquitted with the help of a smooth sleazy layer.

It’s a part she knows well. She is the longest running ‘Roxie’ in the West End, beginning in 2007 at the Cambridge Theatre, returning to the role numerous times over the course of six years. The original Time Out review said, “It’s Sarah Soetaert as the crafty fake-ingenue Roxie, who steals the show.”

Sarah signed my Roxie sketch for me after last Saturday’s matinee. Cast changes have been announced, but Sarah told me her contract has been extended.

Drawing: Susan Hampshire in An Ideal Husband

Autographed drawing of Susan Hampshire in An Ideal Husband at the Vaudeville Theatre on London's West End

If you’re ever feeling a bit downcast, a couple of minutes with the absolutely delightful Susan Hampshire, who celebrated her 81st birthday recently, will take your blues away. I was feeling rather chipper in fact when I met Susan, one of my all time favourite actresses at the Vaudeville stage door last week, but felt even better after our brief encounter.

Susan is back on the London stage as Lady Markby in Jonathan Church’s star-studded revival of Oscar Wilde’s glittering comedy AN IDEAL HUSBAND. After an initial run at the Theatre Royal Bath last year, the production, settled into the Vaudeville Theatre in May for a two month residency as part of Classic Spring’s year-long Wilde season.

In his Guardian review, Michael Billington wrote, “Susan Hampshire brilliantly turns the gossiping Lady Markby into an unquenchable social gusher.” Paul Taylor, in the Independent continued the compliments, “Susan Hampshire is an absolute delight as Lady Markby, wittering away about modern manias in an hilarious tour de force of empty-headed high society prattling.”

My two-minute conversation with Susan included mutual admiration for each other’s artistic prowess, as she happily signed this character drawing I did of her.

Drawing: Orlando Bloom in Killer Joe

Autographed drawing of Orlando Bloom in Killer Joe at Trafalgar Studios in London's West End

Orlando Bloom has returned to the boards after an five year absence, playing the titular hitman in Tracey Lett’s Texas trailer-park Gothic play KILLER JOE at the Trafalgar Studios.

After making his West End debut eleven years ago in IN CELEBRATION at the Duke of York’s, Orlando’s first and only Broadway appearance was the lead in ROMEO AND JULIET at the Richard Rodgers Theatre in 2013, which the New York Times described as a “first rate Broadway debut.”

He plays Joe Cooper, a Dallas policeman with a sideline in contract killing, who is hired by the dysfunctional Smith family to kill a wealthy matriarch and claim the insurance money. When the clients can’t produce the cash for a down payment, Joe demands an alternative ‘retainer.’ Writing in the Telegraph, Paul Taylor says, “Bloom’s Joe is creepily calm and considered, hypnotic in the measured slowness with which he masks his menacing intent. The controlled swagger of his rhythms is in distinct contrast to all the chaotic kerfuffing of the trailer folk. Bloom’s fine performance gathers in intensity and by the end of the play he’s in full sinister command of the stage.”

The Guardian’s Michael Billington has similar praise for Orlando’s performance. “Bloom excellently suggests Joe’s cool confidence, exaggerated politese and head for business.”

Orlando signed and dedicated my drawing a couple of weeks ago after a Saturday matinee.

Drawing: Isabelle Huppert in The Maids

Autographed drawing of Isabelle Huppert in The Maids at the New York City Centre in August 2014

Despite a nearly five decade film and theatre career, Isabelle Huppert really only appeared on the Hollywood radar two years ago with her Golden Globe win and Oscar nomination for her role as Michelle Leblanc in Paul Verhoeven’s neo-noir rape-revenge psychological thriller ELLE.

Recognised as one of France’s most acclaimed and decorated actors… in fact, France’s MOST decorated according to ‘A Beginner’s Guide To Isabelle Huppert’, written by the HuffPost’s Matthew Jacobs after Isabelle’s Oscar nod. “Isabelle Huppert is a certified legend. Phrased differently, Huppert is France’s Meryl Streep,” he said.

In 2013 Isabelle returned to the stage with Cate Blanchett in Jean Genet’s THE MAIDS for the Sydney Theatre Company, playing sisters, Solange and Claire in the new English translation by director Benedict Andrews and Andrew Upton. The original 1947 play was based on the notorious murder case in which two homicidal sisters killed their mistress and her daughter. The production transferred to New York for the summer’s theatrical centrepiece at the Lincoln Centre Festival in August 2014.

Isabelle signed my sketch after her reading of the MARQUIS DE SADE at the Queen Elizabeth Hall in London’s Southbank Centre a couple of weeks ago.

Drawing: Keir Charles, Gavin Spokes and Stephanie Street in Quiz

Autographed drawing of Keir Charles, Gavin Spokes and Stephanie Street in Quiz at the Noel Coward Theatre on London's West End

Playwright James Graham’s latest triumph QUIZ just finished at London’s Noel Coward Theatre. After a sell-out season at the Chichester Festival Theatre the play about the ‘coughing Major millionaire scandal’ enjoyed an equally successful three month West End run. In April 2003, Army Major Charles Ingram, his wife Diana and their alleged accomplice Tecwen Whitlock, who is said to have prompted him with right answers with tactical coughs, were convicted for cheating on the hit TV quiz show WHO WANTS TO BE A MILLIONAIRE two years earlier. But were they really guilty? The decision is left up to the audience, who become the jury.

The critical response was best summed up by Paul Taylor in the Independent. “With a mix of populism, personal tragedy, politics and even a pub quiz, this is sure to be another hit for a playwright on a roll.”

Gavin Spokes and Stephanie Street played Charles and Diana Ingram, with Keir Charles in a variety of quizmaster roles, including an ‘uncanny’ Chris Tarrant, MILLIONAIRE’s popular host. All three signed my quick sketch on the penultimate Saturday of the run.