Drawing: John Higgins ‘The Wizard of Wishaw’

john higgins

Scottish snooker player John Higgins is one of the most successful players in the modern history of the sport. His four world titles rank him fifth behind Stephen Hendry, (7), Steve Davis (6), Ray Reardon (6) and Ronnie O’Sullivan (5).

Nicknamed ‘The Wizard of Wishaw’, John held the number one ranking on four separate occasions. With his superb tactical game and break-building class, many place him alongside Steve Davis as one of the best all round players of the modern era.

John signed my sketch at the famous Crucible Theatre in Sheffield during this year’s World Championships last month.

Drawing: Nina Sosanya in The Vote

nina sosanya

The Vote at London’s Donmar Warehouse dramatised the frantic last 90 minutes in a polling station in London (a hastily converted primary school gym).

It featured an all star cast of 50 – as The Guardian’s Michael Billington called it, “as many famous names as a charity gala” – and was broadcast live on Election night on More4. Nina Sosanya plays one of the two polling clerks (the other is Catherine Tate)

This is literally a ‘graph on the run and down a dark alley. After the Election Night performance, the cast left for the after party through the back door to an awaiting bus that was parked at the end of an alley way opposite. A dimly lit alley way at that.

Nina was one of the last to leave and the ‘assistants’ were hurrying everyone along.  She went to sign my sketch, but was kept kept moving. Plus she was carrying a lot of stuff. So no arms, no light, moving target… and a security person between me and Nina. This was not looking promising. I managed to giver her a pen and tried to keep the drawing at the ‘write’ distance and as still as possible moving at 100mph…. After a brief period of kinetic combining Nina handled me the pen back and said “sorry… it’s not a very good one.” But nevertheless . A true collector will try and get variations of a signature and this was certainly a variation. It allows me to collect another in less trying circumstances.

 

Drawing: Marina Rebeka in La traviata

marina rebeka

Statuesque Latvian soprano Marina Rebeka made her Royal Opera debut as Violetta Valéry in Verdi’s tragic opera La traviata in July 2010 and has returned to sing the role for this season. Richard Eyre’s production, now 21 years old returns for its twelfth revival of Verdi’s dramatically gripping and gloriously tune-laden tale of socially unacceptable love.

Since her breakthrough at the Salzburg Festival, singing Anai (Moise et Pharaon) in 2009 Marina has been a regular guest at the world’s most prestigious concert halls and opera houses.

She recently sang the role of the high society courtesan at the Metropolitan Opera in New York and was scheduled to perform later in the run at the ROH, but stepped into the opening performances for Sonya Yonchevia who has now joined the production. Her single performance in 2010 was also for a similar reason, replacing an ailing Angela Gheorghin.

The Met review said “Marina Rebeka delivers a devastating portrayal of Verdi’s tragic heroine.”

Marina signed my sketch after the opening night performance.

Sketch: Sylvie Guillem

Sylvie Guillem

The Daily Telegraph called French ballet icon Sylvie Guillem “the most charismatic performer on earth”. She has been a star from the age of 19, from the moment Rudolf Nureyev plucked her from the corps de ballet of the Paris Opera Ballet and confided on her the title of étoile (that’s the leading ballet dancer in a company).

In 1988, after performing the title role in a production of Giselle staged by the Royal Ballet to celebrate Nureyev’s 50th birthday, she left Paris for London to become a freelance performer and one of the Royal Ballet’s greatest principal guest artists.

During that time, she was nicknamed ‘Mademoiselle Non’ because of her desire to work independently.

After an unparalleled career that has spanned almost 35 years of both dancing ballet and contemporary work, Sylvie presented her final dance programme in Life In Progress last week at Sadler’s Wells.

Due to extraordinary demand, additional UK dates have been added in London, Edinburgh and Birmingham. “There are some moments that are so extraordinary they defy physical logic,” said The Guardian. She was awarded the Olivier Lifetime Achievement Award in recognition of her exceptional contribution to dance.

Sylvie kindly signed my sketch at Sadler’s Wells.

Drawing: Julie Atherton in Shock Treatment

julie atherton

Julie Atherton, one of the west end’s most versatile entertainers, is currently starring as Janet Majors in the world premiere stage production of Shock Treatment. The ‘equal sequel’ to the Rocky Horror Picture Show at the intimate King’s Head Pub Theatre in Islington.

Predicting the rise of reality TV, Shock Treatment sees the return of Brad and Janet, their marriage in crisis, as they get sucked into a world of crazed contestants, fame-hungry presenters and money-grabbing executives both in from tot and behind the cameras.

“Artherton’s Janet switches from buttoned up innocent to onanistic sex object with effortless panache” wrote Claire Allfree in her Telegraph Review. Julie also released her third album Rush of Life late last year.

I left my sketch with the very friendly pub staff one rainy afternoon, tempted to shelter from the elements and catch Julie in person, but I left it and the drawing came back ‘graphed in no time (warp).

Drawing: Matthew Kelly in Toast

matthew kelly

Written in 1999, Toast was English playwright Richard Bean’s first professionally staged play and premiered at London’s Royal Court Theatre that year. It tells the story of seven men who work in a bread factory in Hull. One Sunday night Walter Nelson (Nellie) is so worn down from a lifetime of making dough, he loses his vest in the mix.

The first London revival starring Matthew Kelly as Nellie opened at The Park Theatre in August 2014 for a two month run.

In his final review for The Telegraph, Charles Spencer gave Toast four stars and commented, “That superb actor Matthew Kelly is mesmerising as old Nellie, a broken down employee of the factory battered into submission by years of hard graft and a wife who only allows him one packet of cigarettes a week. He movingly captures the sheer weariness and almost childlike simplicity of the man… with his baker’s hat and battered face, he puts one in mind of Rembrandt’s ruthlessly honest late self-portrait. You can’t take your eyes off him”.

This brilliantly observed, moving production and funny play also received four stars from all the major London based critics, including The Times, The Guardian, Sunday Times, Time Out, The Stage, Evening Standard, and What’s On Stage.

I did this sketch of Matthew as Nellie and dropped it off at the theatre in the final week. Nothing came back, so I assumed the worst and forgot about it. Until this week, when it arrived in the mail, signed and dedicated.

Matthew wrote a very nice letter apologising for the delay due to his heavy workload and returning the “wonderful picture”. He also included a signed and dedicated black and white photo.

It’s one of the wonderful surprises in this game, so I guess the adage is never give up. Incidentally, the longest an item has take to be returned to me is three years, but that’s another story.