Drawing: Paula Creamer “The Pink Panther”

Paula Creamer

American golfer Paula Creamer has won 12 tournaments, including 10 LPGA Tour events since her rookie year in 2005. That included the 2010 US Women’s Open.

Nicknamed ‘The Pink Panther’ due to her fondness for wearing pink, Pink Panther club covers and sometimes playing with pink balls, Paula has been as high as number 2 in the Women’s World Golf Rankings.

She recently competed in the final major the year – the Evian Championship at the Evian Resort Club in Evian-les-Banis, finishing seventh after a strong finish wit a bogey-free 66 in the final round. The former champion (2005) signed my sketch at the resort last week… in blue, not pink.

Oh yes, and the other thing, she travels with her dog, a Coton de Tulear called Studley.

Drawing: Joanna Page

Joanna Page

The delightful Welsh actress Joanna Page not only signed my sketch, she sent me a complimentary note with it. After graduating from RADA she spent ten years treading the boards in costume dramas at the National and for the Royal Shakespeare Company, followed by film appearances, including Miss Julie and Love, Actually. But she is probably best known for her lead role in the BBC comedy Gavin & Stacey, playing Stacey the bubbly protagonist from Barry.

Speaking to the Radio Times, Joanna said that despite all her roles, the character of Stacey is the one she still identifies with the most. “I think I will always be seen as this small, blonde 20 year old, even in my fifties. I will be like Felicity Kendall is now.”

Drawing: Richard Armitage in The Crucible at the Old Vic Theatre

Richard Armitage

Maybe it was because he’s Robin Hood on the telly, or more lily because he is Thorin Oakenshield in Perter Jackson’s The Hobbit trilogy that accounted for the hoards of people – mostly female – that became part of the nightly vigil to meet Richard Armitage outside the Old Vic stage door in London during its recent season of The Crucible.

At the heart of Arthur Miller’s tale of religious hysteria in the Salem Witch trials of 1692 was an immense performance as John Proctor from Richard. Apparently his first stage part was playing an elf in a production of The Hobbit at the Alex Theatre in Birmingham. His appearance certainly created some offstage hysteria as well.

Once again I left it to the final week to try and get a sketch signed, with the excepted consequences. Actually, as a back up I did leave one a couple of months earlier at the theatre, but it hadn’t appeared through the mail box by the time the last few days rolled around. This sketch was a quick one of Richard and Samantha Colley in rehearsal.

At three and a  half hours The Crucible‘s Finish time was 11pm, giving a small window of opportunity before the last train home. The line stretched along the entire side wall of the Old Vic, from stage door to front door. I was positioned three quarters down it with tales of woe by ardent ‘Armitagees’ that he doesn’t always complete the line. This night he did, but very quickly. To accommodate everyone’s demands he used the abbreviated initials ‘RA’ not the full version. ‘RA’ with a tail and lower case ‘g’ slipped near the end like an abandoned hair clip. Still, he quickly graphed my drawing and moved on.

Drawing: Nick Moran in Twelve Angry Men at The Garrick Theatre

Nick Moran

Twelve Angry Men was originally written for television in 1954, later adapted as a feature film with Henry Fonda, then for the stage.

The real-time jury room drama, in which a lone crusader for justice (Juror 8) persuades his unforgiving fellow white jurors that the unseen black prisoner on trial for his life may not be guilty, returned to the London stage at the Garrick Theatre at the end of 2013 and early 2014.

Nick Moran, “every mum’s favourite angel-faced thug” (as described by The Spectator), is Juror 7, a nervy, clownish, spivvy marmalade salesman, impatient to delivery any verdict so he can slope off to watch a ball game. He was part of an impressive ensemble cast that included Martin Shaw, Robert Vaughn, Jeff Fahey, Miles Richardson and Tom Conti.

Drawing: Joanna Riding in The Pajama Game at The Shaftesbury Theatre

Joanna Riding

Joanna Riding is one of the true gems of British musical theatre. In a sparkling career that began at the Chichester Festival Theatre in the 80s she has been nominated for four Olivier Awards, winning two, for her role as Julie Jordan in Nicholas Hytner’s revival of Carousel at the National Theatre in 1993 and her performance as Eliza Doolittle in Trevor Nunn‘s revival of My Fair Lady in 2003, also at the National.

This is a quick sketch of Joanna as Babe Williams, the feisty Union rep at the Sleep-Tite Garment Factory in Richard Eyre’s wonderful production of the 1954 Broadway classic The Pajama Game. The West End Transfer from Chichester completes a limited season at London’s Shaftesbury Theatre today, trailing five star reviews.

Drawing: Denise Van Outen as Roxie Hart in Chicago at the Adelphi Theatre

Denise Van Outen

Denise van Outen’s most memorable musical role was the vaudevillian murderess Roxie Hart in the hit musical Chicago at the Adelphi Theatre in London’s West End in 2001. The twenty week run completely sold out. She reprised the role on Broadway in the spring of 2002, before returning to the London production.

Denise signed this sketch I did of her in the role at the Arts Theatre in London after he performance in the one woman musical play Some Girl I Used To Know which she also wrote with Terry Ronald.

Drawing: Ramin Karimloo and Sierra Boggess in Love Never Dies at the Adelphi Theatre

Lover Never Dies

Love Never Dies – the sequel to Andrew Lloyd Webber‘s long running musical The Phantom of the Opera opened at the Adelphi Theatre in London’s West End on 9 March 2010. Ramin Karimloo played the title role with Sierra Boggess as Christine. They coined the term ‘Rierra’. Ramin was the Phantom in the original West End production and the show’s 21st anniversary Phantom in 2007.

Sierra was cast in the Las Vegas production of Phantom in the role of Christien Daaé at the Venetian Resort in 2006. Both Ramin and Sierra were nominated for Olivier Awards, and the production received seven nominations. They signed by sketch after the world premiere at the Adelphi Theatre stage door in pouring rain on 9 March 2010.

Drawing: Kara Tointon and Rupert Everett in Pygmalion

Kara Tointon

The Chichester production of George Bernard Shaw’s greatest play Pygmalion, transferred to London’s West End for a three month season at the Garrick Theatre in the Summer of 2011.

New cast member Kara Tointon, previously know for Eastenders and winning Strictly Come Dancing made a terrific West End stage debut as the cockney guttersnipe Eliza Doolittle, who transforms from torturing innocent vowels into a toff with a posh elocution when becoming the subject of a bet between Professor of Phonetics and confirmed bachelor Henry Higgins and a fellow linguist .

Rupert Everett reprised the role of his devilish and unconventional Higgins from Chichester.

Rupert Everett

Drawing: Sarah Goldberg in Clybourne Park at Wyndham’s Theatre

sarah goldberg

Canadian film, television and stage actress Sarah Goldberg made a swift impression on the London Theatre scene. After graduating form the prestigious London Academy of Music & Dramatic Art she stayed on and picked up an Olivier Award for Best Supporting Actress in Bruce Norris’ Pulitzer Prize winning play Clybourne Park. An ensemble of seven versatile actors plays two sets of characters in a black comedy of manners, fifty years apart.

Sarah played dual roles of Betsy, a deaf, pregnant wife of a racist community activist in the 1950s and Lindsey, the contemporary and also pregnant home buyer whose renovations disturb her African American neighbours.

The production premiered in the UK in August 2010 at the Royal Court Theatre, directed by Dominic Cooke before transferring to Wyndham’s in London’s West End with most of the original cast.

Drawing: Ryan The Bisexual Lion

Ryan the bisexual lion

Ryan The Bisexual Lion is the star of the smash hit solo stand-up show called Sex with Animals. He is the altered-ego of American creator and writer Ryan Good, a longtime member of the Neo-Futurists experimental theatre company.

The title is a bit of a misdirection, but “definitely grabs people’s attentions,” says Ryan. “It’s a show folks – not a lot a call to action! Relax”. He assures everyone that no animals are harmed or pleasured in the making of his show. The idea was sparked after his trip to the Galapagos Islands and the tale of Lonesome George, the last Pinta Island tortoise who was given one last try to carry on his subspecies, but “at the ultimate moment, nothing materialised.”

He uses the animal anecdotes, from gay penguins and monogamous albatrosses, to boobies (the rare blue-footed Ecuadorian bird) to explore relationship experiences where gender, sexuality and dating is becoming in Ryan’s words, “increasingly fluid”. No stone is left un-humped!

His real aim is to put a human face on the topics with details about his own unconventional sex life… wearing an extremely tight, shiny, lion leotard.

“Lions are easily the most ferocious badass creatures out there and the males in particular scurry off into the forest and have 48 hour parties where they play with each other sexually”. Ryan says it’s a chance for people to work out what level of monogamy they should be at.

The show is an expedition through the often hilarious and occasionally profound sexual habits of the animal kingdom. The poster states that it is “Eddie Izzard meets David Attenborough on Grindr”. Ryan returned this year to the Edinburgh Fringe Festival after a sell out run in 2013. He won the Adelaide Fringe Best Comedy Award earlier this year and had a three week residency at Islington’s Hope Theatre in London before arriving back in the Scottish capital, where he signed this sketch. Rarrrrrrr!