Drawing: Sabine van Diemen and Josephine Lee in Impossible

Sabine van diemen

It’s the Summer Holiday season and the magic spectacular IMPOSSIBLE has returned to it’s West End home at the Noel Coward Theatre. This reboot finally welcomes two female performers – ‘cutting edge conjuror’ Sabine van Diemen and ‘grand illusionist’ Josephine Lee, after being rightly criticised last year for its, as Fiona Mountford calls it in the Evening Standard, “bombastic all-male line-up … It’s pleasing to report that the new team boasts two women headline performers alongside the usual glamorous female assistants,”  or as the Telegraph’s Claire Allfree states, “…the testosterone overloaded show that unbalanced it last year.” She among other critics made the point that in the previous production the purpose of anyone on stage with an extra X chromosome was either to be cut in two, made to disappear or have arrows fired at her head from a crossbow.

To be fair, Britain’s leading female magician Katherine Mills was included in last year’s line-up, but had to pull out for ‘unforeseen personal reasons’. But magic is predominately a male domain with only 100 of the UK’s 1,500 Magic Circle members are women. That imbalance has been addressed with Sabine and Josephine, both ex-assistants of the famed Vegas act Hans Klok.

Sabine gets her own back on the magic patriarchy by bisecting a man in a box and Josephine strikes one for the sisterhood with two escapologist acts-one involving a padlocked water tank. The other five IMPOSSIBLE acts include this years’s Britain’s Got Talent winner the Household Cavalry’s Lance Corporal Richard Jones, hip-hop street magician Magic Bones who backflips while doing card tricks, escapologist and self-proclaimed ‘daredevil’ Jonathan Goodwin who sets his own crotch on fire, the charismatic mind-reader Chris Cox and the ‘boundary -breaking’ Ben Hart , both from BBC’s ‘Killer Magic’.

Sabine and Josephine appeared at the stage door after last Saturday’s matinee performance and signed their respective portrait sketches for me. Magic!

Josephine Lee

Drawing: Pixie Lott in Breakfast At Tiffany’s

Pixie Lott

One of Britain’s best-loved pop performers, Pixie Lott has made her stage debut as Holly Golightly, the dizzy, enigmatic New York good-time girl in the theatrical adaption of Truman Capote’s classic novella BREAKFAST AT TIFFANY’S. After opening at The Curve Leicester Theatre in March and a brief tour, the production has settled into the Theatre Royal Haymarket in the West End. Pixie will play Holly, the role immortalised by Audrey Hepburn in the 1961 film version, for a limited 12 week run, ending in September.

The production is the latest stage version adapted by American playwright Richard Greenberg from Capote’s original rather than the film script. It was first performed on Broadway in 2013 with GAME OF THRONES star Emilia Clarke as Holly.

Pixie knows a thing or three about singing. Her Platinum-record selling pop career started with a bang. Her debut single ‘Mama Do’ went to Number 1 in June 2009 and things have continued on an upward trajectory since. She insists she’s not ditching singing, just developing a wider audience appeal with her acting.

In fact she gets to perform three songs in the play, including the classic Academy Award winning number ‘Moon River”. Pixie has been making a strong sartorial display arriving and leaving the theatre each day, keeping the tabloids busy, so the paps were positioned along with a handful of us graphers in equal numbers, outside the stage door on a sunny Saturday afternoon.

The amiable Pixie arrived, (now for a rare moment of fashion commentary) in a stylish pastel pink tea dress, snakeskin ankle boots with a small silver handbag and matching winged sunglasses, adding a blue sharpie to the accessories and everyone got what they wanted.

Drawing: Alexander Hanson and Frances O’Connor in The Truth

The Truth

Eighteen months ago very few theatre-goers in London had heard of Florian Zeller. Now the Parisian playwright is “the go-to man if you are looking for 90 minutes of elegant perceptive drama that plays games with the slippery nature of theatrical reality,” according to WhatsOnStage critic Sarah Crompton.

His latest offering, THE TRUTH completes a dazzling hat-trick that includes THE FATHER and its companion piece THE MOTHER, both of which have graced the London stage to critical acclaim recently. THE TRUTH, directed by Lindsay Posner, opened at the Menier Chocolate Factory earlier this year and has transferred to the West End’s Wyndham’s Theatre. In her five-star review for the Guardian, Kate Kellaway described it as “a devious must-see.”

Like his previous English successes, LA VERITE, which was written in 2011, has been translated by Christopher Hampton. It’s a confounding and unsettling tale of infidelity and the lying game as Michel (Alexander Hanson) attempts to keep his wife (Tanya Franks), his mistress (Frances O’Connor) and his best friend (Robert Portal) in the dark about his intentions. Sarah Crompton wrote, “It’s a plot as slim as a Parisian woman, and just as sophisticated, with a faint whiff of 1950’s wreathing its etiolated gestures.”

Both Frances and Alexander signed my drawing at the stage door after last Saturday’s matinee.

Drawing: Rebel Wilson in Guys And Dolls

Rebel Wilson

‘There’s a new Doll in town’ proclaims all the billboards around London, announcing Australian Hollywood star Rebel Wilson’s West End debut in the 1950’S Broadway musical GUYS AND DOLLS at the Phoenix Theatre. The 36 year old  bubbly blonde, ‘Sydney-born sensation’ (as the Telegraph’s critic Dominic Cavendish called her) plays the show’s interminably engaged New York night-club singer Miss Adelaide for an eight-week engagement.

She received a standing ovation on her opening night, tweeting to her 3.3 million followers afterwards, thanking the audience and saying how honoured she was and saying “sooo… one down, 63 performances to go.”

On Saturday night I positioned myself at the stage door barriers among the hoards where she signed my sketch.

Drawing: Stephanie Cole in This May Hurt A Bit

steph cole

Stella Feehily’s NHS-in-crisis drama THIS MAY HURT A BIT ran at the St James Theatre in London, appropriately in May 2014 after a National tour. Directed by her husband Max Stafford-Clark, the play is based on his own experience after suffering a stroke. Beloved British actress Stephanie Cole played Iris, a feisty 90 year-old suffering from bouts of memory loss. In hospital she shares a ward with a recently expired corpse and John, a vicar, who has lost his ability to speak.

“Stephanie Cole breaks your hearts with Iris’s mixture of gallantry and pathos,” wrote Jane Shilling in her Telegraph review.

Stephanie’s long and distinguished stage and screen career has seen her appear in a number of high-profile productions. Her TV roles include Aunty Joan in DOC MARTIN, Delphine Featherstone in OPEN ALL HOURS and STILL OPEN ALL HOURS and Sylvia Goodwin in CORONATION STREET. Her stage appearances include Miss Casewell in THE MOUSETRAP at the Ambassador’s Theatre in 1968 and her most prominent role as Betty in the 1994 hit comedy A PASSIONATE WOMAN at the Comedy Theatre, which enjoyed an extended nine-month run. After the final night’s curtain call she was the subject of THIS IS YOUR LIFE.

I left this sketch of Stephanie with her London agents and it came back signed with a note attached, ‘what a good portrait!’… so I guess she liked it.

Drawing: Zoe Rainey in Romeo and Juliet

zoe rainey

Northern Irish actress Zoe Rainey is appearing in her second Shakespearian production of the Kenneth Branagh Theatre Company’s season of Plays at the Garrick, playing Romeo’s mum, Lady Montague in ROMEO AND JULIET. Earlier this year she played Emilia in the tragicomedy THE WINTER’S TALE. Prior to that Zoe had worked with Kenneth in  the live action remake of Disney’s CINDERELLA and will be seen next year in another live action adaption of an animated classic, BEAUTY AND THE BEAST, also playing a maternal role, this time Belle’s mother. Her extensive stage career includes WICKED at the Apollo, GUYS AND DOLLS and PARADE at the Donmar Warehouse and the World Premiere of FINDING NEVERLAND at the Leicester Curve.

Zoe signed this sketch leaving the Garrick after an evening performance of R&J last week.

Drawing: Trevor Dion Nicholas, Dean John-Wilson and Jade Ewen in Aladdin

aladdin

The stage adaption of Disney’s 1992 animated film ALADDIN transferred from Broadway to London’s West End at Soho’s Prince Edward Theatre last month. Joining British stars Dean John-Wilson as Aladdin and Jade Ewen as Jasmine was Trevor Dion Nicholas from the New York production as the Genie.

The musical premiered in Seattle in 2011 before opening on Broadway in March 2014 at the New Amsterdam Theatre where it still continues. It was nominated for five Tony Awards.

I left this drawing of the three leads at the theatre with one wish and it was granted… I mean graphed.

Drawing: Frank Langella in Frost/Nixon and The Father

Frank Langella

Frank Langella has won four Tony Awards. His latest was for his role as Andre in Florian Zeller’s THE FATHER this year. He played Richard Nixon, the only US President to resign the office in Peter Morgan’s FROST/NIXON at London’s Donmar Warehouse and the Gielgud before transferring to Broadway’s Bernard B Jacobs Theatre in April 2007, winning his third Tony. He reprised the role in the film version the following year, earning Oscar, Globe,SAG and BAFTA Award nominations.

I sent Frank this sketch of him in both roles while he was in THE FATHER at the Samuel J. Friedman Theatre last month and he signed it with his unique abbreviated initials graph.

Drawing: Michael Brandon and Cherie Lunghi in Off The Kings Road

Michael Brandon Cherie Lunghi

Top Hollywood publicist, manager and producer Neil Koenigsberg’s debut play, the bittersweet comedy drama OFF THE KINGS ROAD transferred to London’s Jermyn Street Theatre this month after successful runs in New York and Los Angeles. Michael Brandon plays Matt Browne, a recent widower, who takes a week’s respite in his favourite city, London, in a small hotel off the King’s Road. His stay turns into a voyage of self-discovery with a number of unplanned encounters, including a Russian prostitute and her jealous boyfriend. WestEnd Wilma described it as ‘an intelligent little gem.’

A unique part of the production is the e-appearance of Oscar winner Jeff Bridges as Matt’s LA-based psychologist Dr Kozlowski via Skype in three short segments.

Cheri Lunghi makes a delightful cameo as the nosey hotel resident and cat lover Ellen.
I left this sketch of Michael and Cheri at the theatre on the final day and it came back today signed and dedicated.

Drawing: Bec Hill

Bec Hill

“I used to think an ocean of soda existed, but it was just a Fanta sea.” Just one of Bec Hill’s zillion one-liners in her show ELLIPSIS, which was a sell-out at the Edinburgh Fringe and at London’s Soho Theatre last year.

The pint-sized Australian born, London based dynamo founded the PUN-RUN with her writing partner Gavin J. Innes, the UK’s only pun-based comedy night. It’s an evening of good old fashioned wordplay that takes place bi-monthly at The Phoenix in London’s Cavendish Square.

“My brother and his friends spend all their time floating out to sea. Well, boys will be buoys.” Another one-liner.

The Scotsman called her “exuberant, daft and inventive.” She calls herself “Comedian. Presenter. Dork.” on her website.

Bec’s cult following in Oz, UK and Ireland is due to her award-winning solo shows, Twitter presence and YouTube videos, including delightful low tech animation. She also hosts Sky’s DC FANCAST and is seen on CBBC’s MY DOG ATE MY HOMEWORK. Bec won a golden toilet seat for the nation’s favourite toilet joke.” For Christmas last year I got given Sudoku toilet paper. It’s useless. You can only fill it with number ones and number twos.”

She returned to the Soho this month with her latest show CAUGHT ON TAPE and signed my sketch, incorporating a toon  from her DINOSAUR vid. She decided to sign with a black sharpie, although obviously she had a few colours to choose from.