Drawing: Evanna Lynch and Colin Campbell in Disco Pigs

Enda Walsh’s two-hander debut play DISCO PIGS is currently enjoying its 20th Anniversary revival at London’s Trafalgar Studios 2, directed by John Haidas. HARRY POTTER’S Evanna Lynch joins Irish actor Colin Campbell as ‘Runt’ and ‘Pig’, two teenagers born at the same time, on the same day and in the same hospital, who have been inseparable until their 17th birthdays when their cocooned world is destined for a head-on crash with reality.

Review Hub scored it 4 stars under the banner ‘Pig’s Fly’. I meet both Evanna and Colin at the stage door last weekend and we’re more than happy to sign and dedicate my sketch. The production ends this weekend.

Drawing: Stockard Channing in Apologia

Stockard Channing has made a successful return to the London stage after a ten year absence in Jamie Lloyd’s revival of Alexi Kaye Campbell’s family drama APOLOGIA at the Trafalgar Studios. The 73 year-old Tony and Emmy award winning actress plays the celebrated art historian, activist and ‘monstrous matriarch’ Kristin Miller who is at odds with her two sons and their partners who gather to celebrate her birthday. Central to the story is the debate about ‘bad’ sixties mothers and their abandoned-feeling offspring which surfaces when her recent memoir that omits her sons becomes a touchy subject. Quite brilliant,” wrote Ann Treneman in her Times review, Dominic Cavendish headlined his Telegraph review with “Stockard Channing is a contemptuous treat,” and ” Stockard Channing is in top form,” said Tom Wicker in The Stage.

I was very fortunate to see the play thanks to the generosity of Nick, a fellow ‘grapher, who I met at the stage door as we waited to meet Stockard prior to last Saturday’s performance. He had a spare comp ticket, which he kindly offered me. She popped out after the matinee to sign for us including this drawing and was very chatty and complimentary. So I got to see her on and off the stage – bonus!

Drawing: The Girls

The Award-winning THE GIRLS has just finished its West End run at the Phoenix Theatre. Based on the 2007 hit film CALENDAR GIRLS, this musical stage adaption was written by Take That’s Gary Barlow and Tim Firth who also scripted the film’s original screenplay based on a true story of a group of spirited, middle aged Yorkshire housewives who strip for a calendar to raise money for a cancer charity. I left this montage sketch of the cast-Joanna Riding, Claire Moore, Claire Machin, Sophie-Louise Dann, Michele Dotrice and Debbie Chazen- at the stage door and it came back signed in the final week. A UK tour is planned for next year.

Drawing: Peter Firth in Equus

British actor Peter Firth will be known to TV viewers as Sir Harry Pearce in the BBC spy series SPOOKS – the only cast member to appear in every episode of its ten series. My favourite role however was his stage and subsequent film appearance as the disturbed equine-worshipping teenager Alan Strang, who blinds the eyes of horses in Peter Shaffer’s EQUUS, which ran at the National Theatre in London in 1974 and transferred to Broadway the following year, earning him a Tony nomination.

In 1977 he reprised the role for the film adaption, opposite Richard Burton who played the psychiatrist Dysart attempting to find the root of Alan’s equine worship. He won a Golden Globe Award and was nominated for an Academy Award. EQUUS is one of my favourite plays and I had the honour of meeting its author and the privilege of directing it in New Zealand many moons ago. I left this sketch of Peter as Alan with London agent and was very pleased to get it back signed.

Drawing: Clare Halse in 42nd Street

English newcomer Clare Halse has been winning acclaim and applause for her performance in the pivotal role of Peggy Sawyer in the ‘mother of all showbiz musicals’, 42ND STREET at London’s Theatre Royal Drury Lane. The Telegraph’s Dominic Cavendish gave the “achingly beautiful revival of an American classic” five stars and called Clare a “resplendent Peggy”.

Like her starry-eyed character, the nervous but enthusiastic new chorus girl, Clare who’s brief stage career includes stints in WICKED and SHREK said the 42ND STREET experience is “fun and also terrifying”. I just missed Clare at the stage door a few weekends ago so left it there and it came back signed.

Drawing: Laura Donnelly in The Ferryman

The real-life experience of Northern Irish actress Laura Donnelly inspired the plot for Jez Butterworth’s latest hit play THE FERRYMAN, directed by Sam Mendes, which became the fastest selling production at the Royal Court earlier this year and has now transferred to the Gielgud in London’s West End.

The disappearance and murder of Laura’s uncle Eugene Simmons was the basis for this Troubles-era story. She was only a child, but remembers how he was taken away by the IRA, shot and his body dumped in a bog. Laura, best known to TV audiences for her roles in CASULTY, MERLIN and BEOWULF worked with Jez on his play THE RIVER at the Royal Court alongside Dominic West and Miranda Raison and on Broadway with Hugh Jackman.

Laura has attracted high critical praise for her portrayal of the victim’s widow, Caitlin Carney in THE FERRYMAN and signed my drawing of her in the role at the stage door last month.

Drawing: Anthony Head as Frank, John and Hook

British actor Anthony Head is probably best known globally as the stuffy Librarian Rupert Giles in TV’s BUFFY THE VAMPIRE SLAYER, but his stage beginnings were much more elevated, debuting as Jesus in GODSPELL, which lead to his complete role-reversal at the opposite end of the character scale, the sweet transvestite himself, Frank N. Furter in THE ROCKY HORROR SHOW at London’s Piccadilly Theatre in 1998. He later claimed his Frank was much more demonic than any of the Franks that went before.

I drew this montage of Anthony which includes him as Frank, Captain Hook in the PETER PAN at the Savoy Theatre in 2003 and his latest outing as Cabinet Minister Sir John Fletcher in Trevor Nunn’s critically acclaimed production of Rattigan’s LOVE AND IDLENESS, which has just completed its run at the Apollo after transferring from the Menier Chocolate Factory. He happily signed it for me at the stage door, after a Saturday matinee last month.

Drawing: Paddy Considine in The Ferryman

Paddy Considine Drawing

“Paddy Considine puts in a phenomenal performance as a father fighting against his past,” wrote Variety’s Matt Trueman in his review of Jez Butterworth’s latest masterpiece, THE FERRYMAN, directed by Sam Mendes, which transferred from the Royal Court to the Gielgud Theatre last month. It’s Paddy’s professional stage debut and the double BAFTA winner has earned unanimous critical praise. Michael Billington in his five-star Guardian review described his performance as “uncompromising brilliance”.
Paddy signed my drawing before last Saturday’s matinee.

Drawing: Patti LuPone

Patti LuPone is musical theatre royalty on both sides of the Atlantic. Since making her professional debut 45 years ago she has played every major role and won every major West End and Broadway accolade, including the Olivier and two Tonys. She’s also collected a couple of Grammys for good measure.

Patti originated the title role of Eva Peron in the 1979 Broadway production of EVITA, picking up her first Tony. She played the part of Fantine in the original London cast of LES MISERABLES in 1985, the same year she appeared as Moll in THE CRADLE WILL ROCK, winning the Olivier for both roles. In 2008 she won her second Tony for portrayal of Rose in the Broadway revival of GYPSY.

Her latest appearance on the Great White Way is as Helena Rubinstein in WAR PAINT at the Nederlander Theatre, which garnered her seventh Tony nom. I sent her this montage sketch in March this year at the theatre and it came back dedicated and signed.

Drawing: Sam Wills as Tape Face

New Zealander Sam Wills and his alter – ego Tape Face found International notoriety last year, reaching the finals of America’s Got Talent, where he was the ‘most buzzed- about’ contestant. Described as a ‘modern day Chaplin’ Sam’s contemporary comedic mime revives silent film acting with a piece of tape over his mouth and the traditional stripped shirt, using facial expressions and body movements to captivate his audiences.

He began performing as an apprentice clown at the age of 13. Sam rarely gives interviews to continue the illusion of not speaking, although he was happy to chat in our antipodean accents with a fellow London-based Kiwi and sign my sketch before his matinee show at the Garrick Theatre where he is resident until 23 July.