Drawing: The Philanthropist at the Trafalgar Studios

Posted on April 17, 2017 by Mark Winter / Chicane

Simon Callow directs a brand new production of Christopher Hampton’s most celebrated play THE PHILANTHROPIST at London’s Trafalgar Studios, which opens this week after a fortnight of previews. It’s a ‘fiendishly clever inversion’ of Moliere’s THE MISANTHROPE, which the writer describes it as a ‘biting bourgeois comedy’, centring on an academic whose morbid compulsion to please everyone has the opposite effect.

After a ‘try-out’ at the Royal Court in London, the play premiered on Broadway at the Ethel Barrymore Theatre in March 1971. It was nominated for three Tony Awards, including Best Play. “Christopher Hampton was 23 and it was his first big hit – a stonking success,” said Simon Callow, who has gathered together a young cast, light on theatre experience, but well known to TV audiences.

THE INBETWEENERS star Simon Bird makes his stage debut, joined by Tom Rosenthal, his co-star in Channel 4’s FRIDAY NIGHT DINNER, FRESH MEAT and CALL THE MIDWIFE’s Charlotte Ritchie, BAFTA winner Matt Berry from the IT CROWD and actress-model Lily Cole, who all signed my montage sketch heading in for Saturday’s matinee.

Drawing: Sergei Polunin

Posted on April 14, 2017 by Mark Winter / Chicane

The Ukrainian urban rebel, iconoclast and ballet prodigy Sergei Polunin is regularly acknowledged as the greatest dancer of his generation. His astonishing power and poise saw him become the Royal Ballet’s youngest principal at 19. At the peak of his success he rocked the arts establishment with his shock departure from the Company in 2012.

The ‘bad boy of ballet’ made the art form go viral, walked away, driven by stardom and self-destruction, his talent more a burden than a gift. How can you be free to be yourself when you are ballet’s ‘hottest property’?

He is now the subject of Oscar nominee Steven Cantor’s latest film DANCER, which premiered last month. It includes David LaChapelle’s 2015, video sensation TAKE ME TO THE CHURCH. Coinciding with the release of the documentary, Sergei performed PROJECT POLUNIN for five nights at London’s Sadler’s Wells where he signed and dedicated my sketch.

Drawing: Alfie Boe in Les Miserables

Posted on April 13, 2017 by Mark Winter / Chicane

Tony Award winner, Alfie Boe first played Jean Valjean in the concert performance celebrating the 25th Anniversary of LES MISERABLES at London’s O2 arena in October 2010, before taking on the role in the full stage production at the Queen’s Theatre from June to November the following year. In 2015 he reprised the role at the Imperial Theatre on Broadway, succeeding Ramon Karimloo. He shared the 2003 Tony Award with the other principal leads of Baz Luhrmann’s LA BOHEME. He was born Alfred Giovanni Roncalli Boe to Irish-Norwegian parents in Blackpool. It’s the Italian name of Pope John XXIII. Thankfully he shortened it to ‘Alfie’, which takes less time to sign, and he did just that last Saturday at the London Coliseum, before the matinée of CAROUSEL in which he stars with Katherine Jenkins.

Drawing: Marin Alsop

Posted on April 11, 2017 by Mark Winter / Chicane

If you search any list of the greatest conductors of all time, Marin Alsop appears on most, if not all of them. The American ‘batonist’, violinist and Bernstein protege was the first female to become a principal conductor of a major orchestra – the Baltimore Symphony, where she is still musical director. She also holds the same position with the Sao Paulo State symphony orchestra. In the UK she has been involved with the Royal Scottish National Orchestra and the City of London Sinfonia.

She was also with the Bournemouth Symphony from 2002-2008. Marin became the first woman to conduct the Last Night at the Proms in 2003. She is the recipient of many awards, including the prestigious MacArthur Fellowship – the only conductor to do so and the only classical musician to be included in The Guardian’s Top 100 Women list. On a less elevated level she is the first conductor I have drawn.

I drew this very quick two-minute sketch to capture the energy of her performance, which she signed for me at the Royal Festival Hall in London last Friday evening, after she conducted the European Union Youth Orchestra.

Drawing: Marcelo Puente in Madama Butterfly

Posted on April 10, 2017 by Mark Winter / Chicane

Argentina tenor Marcelo Puente is so good at being bad, he gets booed at the curtain call. Making his Covent Garden debut as Pinkerton, one of Opera’s great villains in the latest revival of Puccini’s MADAMA BUTTERFLY at the Royal Opera House, the 38 year old has fulfilled a fourteen-year dream to perform at the iconic venue. Taking a break from his opera scholarship in Düsseldorf in the summer of 2003 he came to London and took a job as a waiter in an Italian restaurant near the ROH. They found out he was a singer so he performed between waiting tables and everyday passed the Opera House dreaming one day he would be on the famous stage. He actually gave up medical school and changed his career direction after hearing a recording of Pavarotti.

The reviews have been excellent. Tim Ashley, in the Guardian also mentioned opera audiences habit of booing reprehensible on stage characters and commented, when Marcelo takes his curtain call they greet him with “the kind of noise usually accorded a pantomime villain, despite giving one of the most complete and convincing portrayals of the role to be heard for some time.” He went on to say that, “Some might argue that the response validates his characterisation, though whether it’s a fitting acknowledgement for such a superb achievement seems to me debatable.”

Drawing: Steven Isserlis

Posted on April 6, 2017 by Mark Winter / Chicane

I’ve drawn plenty of violinists but this is my first ‘big violinist’ sketch, or as they like to call it, a cellist and it just so happens to be Steven Isserlis, one of the world’s best. Britain’s greatest cellist, who could pass for a Brian May sibling, is known for his diverse repertoire and distinctive sound using gut strings. It was reported that he has never taken more than three consecutive days away from his cello since he was ten years old. He believes cellos have souls rather than characteristics. “It’s like breathing to me,” he said.

Steven has a calming ritual before a concert. Rehearse in the morning on his Marquis de Coberon Stradivarius on loan from the Royal Academy of Music, have a huge lunch, drink coffee and listen to The Beatles. “It’s partly superstitious – but my father was Russian so I was bought up with superstition,” he said. Steven performed at the Royal Festival Hall in London where he signed my ‘big violin’ sketch.

Drawing: Wendy Wason

Posted on April 5, 2017 by Mark Winter / Chicane

“She’s absolutely hysterical,” said Jimmy Carr about fellow comedian, Wendy Wason. The Sunday Times added “charming, clever and funny.’ The Edinburgh-raised actress and writer’s initial career was in film and TV, appearing in TAGGERT, SHERLOCK, MIDSOMMER MURDERS, THE IT CROWD and in feature films such as THE LIBERTINE with the three Johnnies, Depp, Malcovich and Vegas. She branched out into stand-up comedy in 2004 at Edinburgh’s Guided ballroom, followed by successful shows at the Edinburgh Fringe Festival – THINGS I DIDN’T KNOW I DIDN’T KNOW (2008), OTHER PEOPLES SECRETS (2010), FLASHBACKS (2011), HOTEL CALIFORNIA (2014) and last year, TINY ME, which she performed at the Soho Theatre in London for three nights last week. On one of those nights she signed this sketch for me.

Drawing: David Flynn in School of Rock

Posted on April 4, 2017 by Mark Winter / Chicane

The charismatic Irish actor David Fynn’s performance as the equally charismatic Dewey Finn in Andrew Lloyd Webber’s latest musical SCHOOL OF ROCK has earned him his first Olivier Award nomination. It’s based on the 2003 film, starring Jack Black in the Dewey role as a faded rocker who takes a job teaching at a posh prep school and enters the precocious pre-teens in the local Battle of the Bands contest. Lord Webber bought the stage rights and wrote the musical score with lyrics by Glen Slater and the book by fellow Lord and DOWNTON ABBY author Julian Fellowes.

It premiered at The Winter Gardens on Broadway in the Autumn of 2015 before transferring to the New London theatre in the West End this year to rave reviews. David’s no stranger to TV viewers appearing in GAME OF THRONES, SHERLOCK, DOCTOR WHO, and SPOOKS among others. He joined the Hollywood set three years ago as the gay barman Brett in NBC’s sitcom UNDATABLE.

But he’s also done his fair share of stage work and has been a lifelong fan of Lord Andrew’s work, recalling his first taste of musical theatre was JOSEPH AND THE AMAZING TECHNICOLOUR DREAMCOAT at the age of ten. “Musical theatre has always been in me,” he recently said in an interview, “Nothing beats the rush of theatre,”…except maybe winning an Olivier, which he’ll find out this weekend.

Drawing: Ermonela Jaho in Madama Butterfly

Posted on April 3, 2017 by Mark Winter / Chicane

Albanian-Italian soprano Ermonela Jaho is the toast of the opera world this week after her opening performance in the title role of Puccini’s tragedy MADAMA BUTTERFLY at the Royal Opera House.

Critics from all the mainstream papers in the UK and beyond have cemented the 43 year-old’s star status. “The best Cio-Cio-San London has seen in years,” wrote Michael Church in the Independent. The Guardian’s Tim Ashley headlined his five-star review of the Moshe Leiser and Patrice Caurier production with “The whole evening is outstanding.” He went on to write,”Ermonela Jaho, one of the great verismo interpreters, brings uncompromising veracity to the title role.”

I left this drawing at the stage door and it came back signed along with a dedicated photograph.

Drawing: Milton Jones

Posted on March 29, 2017 by Mark Winter / Chicane

Milton Jones? “Oh that’s the bloke with the shirts and sticky-up hair,” most people would probably say, according to the man himself, a regular panallist on BBC Two’s MOCK THE WEEK and one of the UK’s stand-out stand-up comedians. Known for his one-liners involving puns delivered in a deadpan and slightly neurotic style, his loud shirts and wild hair… and his sublimely surreal takes on the world. “I was walking along the other day and on the road I saw a small dead baby ghost. Although, thinking about it, it might have been a handkerchief.”

MOCK THE WEEK can be a hard show to do. It’s always seven people trying to fit through a door for two he said in a recent interview. But his advantage is his style. “Yes I win. I do short bits. I get in, chuck a grenade and get out quickly.” It’s a style The Guardian acknowledged, “No one can touch Jones when he’s in his stride.”

He did a couple of nights at the Soho Theatre in London last week trying out new material for his next tour and signed my sketch with a two-liner.