Drawing: Sam Clemmett as Albus Severus Potter

Sam Clemmett

Twenty-two year-old English actor Sam Clemmett plays Harry Potter’s troubled middle son Albus Severus in the eighth and latest instalment of the Potter juggernaut, HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO at London’s Palace Theatre.  Albus is a shy, introverted, often misunderstood character, having to deal with his famous father’s past, who is propelled into a massive journey as he follows in Harry’s footsteps at Hogwarts and the wizarding world.

Sam, from a non-theatrical family, didn’t go to drama school. He joined the National Youth Theatre sometime between the ages of 16 and 17, which led to his first professional stage role in THE LORD OF THE FLIES at the Regent Open Air Theatre. His TV roles include THE MUSKETEERS, FOYLE’S WAR, DOCTORS and HOLBY CITY. Actually he doesn’t look 22. In a recent Evening Standard interview he said he looks, “Around 12. I’ll be ID’d forever,” an obvious advantage when it comes to playing the child wizard.

My recent frequent visits to the Palace Theatre stage door in Soho included the World Premiere gala performance on a whirlwind Saturday afternoon a couple of weeks ago, where I managed to catch Sam, who graphed my sketch.

Drawing: Lin-Manuel Miranda in Hamilton

Hamilton Lin Manuel Miranda

The  new musical obsession, HAMILTON is the hottest ticket on Broadway at the moment. Written by Lin-Manuel Miranda, who also starred in the title role, the hip-hop homage to American founding father and George Washington’s chief aide Alexander Hamilton is based on the biography by Ron Chernow. After an initial run off-Broadway at the Public Theatre in early 2015, the production transferred to the Richard Rodgers Theatre in August with unprecedented advance box-office sales. It garnered a record 16 Tony nominations, winning eleven, including Best Musical.  It also picked up  a Grammy and the Pulitzer Prize for Drama.

Lin-Manuel’s Tony and Olivier-winning musical IN THE HEIGHTS is currently playing London at the King’s Cross Theatre. It collected 13 Tony noms, winning four, two Olivier Awards and a Grammy.It was also nominated for a Pulitzer. HAMILTON is scheduled to hit the West End next October at the Victoria Palace Theatre with Sir Cameron Macintosh spending £30 million renovating the venue for its much anticipated arrival.

I did this montage drawing with Lin-Manuel as the centre-piece and sent it to the Richard Rodgers Theatre, with low expectations. While I’ve had some success through the mail from Broadway, the ratio isn’t encouraging. When he finished his lead role in early July and nothing came back I thought it will be a case of waiting until next year in London. But to my surprise it arrived back signed, dedicated and inscribed ‘siempre’ (always) on Saturday. That’s a rap!

Drawing: Poppy Miller as Ginny Potter

Poppy Miller

HARRY POTTER’S Geneva Weasley, known as ‘Ginny’ to her family and friends is the youngest of seven Weasley children and the first girl for several generations. In the films, her ‘crush’ on Harry develops further and in the eight instalment of the Potter phenomenon, the play HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO, which is currently taking the West End by storm, she is married to Harry, who is now a Ministry of Magic employee.

English actress Poppy Miller plays the adult Ginny Potter. Her extensive stage and screen roles include DC Carol Browning in the British detective series THE COMMANDER, several parts in the Almeida Theatre’s production of THE LAST DAYS OF JUDAS ISCARIOT, including Mary Magdalene and both Viola and her twin brother Sebastian in TWELTH NIGHT at the Tricycle in 2008.

I met Poppy at the stage door of London’s Palace Theatre after the World Premiere gala matinee performance of PART ONE last Saturday. My rendering reputation or as some might say, sketch stalking had obviously gone before me. She greeted me with “Ah, the drawing man” with a smile and signed this Ginny montage.

Drawing: Anthony Boyle as Scorpius Malfoy

Anthony Boyle

Little-known Belfast-born actor Anthony Boyle has become the talk of the town after the early wave of reviews flowed in for HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO. Critics agree that J.K.Rowling’s blockbusting Potter play at the Palace Theatre is a spectacular and stunning production. They are equally unanimous that while the 42 cast members are excellent, one particular character steals the show – Scorpius Malfoy, played by Anthony in his first major role. Henry Hutchings in the Evening Standard described his portrayal as “the most layered and absorbing of all the performances”.

Potter pundits would expect that the son of Draco Malfoy must spell trouble, but the gawky, book-reading, fish out of water with brilliant comic timing, quickly befriends Albus Potter, Harry’s son at Hogwarts as they make their way in the wizarding world. The 22 year-old Anthony, not long out of the the Royal Welsh College of Music and Drama has gained a small amount of stage time in his home town and a  minor role in the GAME OF THRONES before his breakout star turn debut on the West End.

I managed to catch up with the amiable young actor at the extremely busy stage door as he quickly slipped out for some nourishment between the matinee PART ONE matinee and the evening’s PART TWO at the World Premiere gala performances on Saturday and he was more than happy to sign this sketch.

Drawing: Lily James as Juliet

Lily James

I couldn’t resist doing another sketch of Lily James as Juliet, currently starring in the Kenneth Branagh Theatre Company’s ROMEO AND JULIET as part of the Plays At The Garrick season in the iconic London venue. Matt Trueman wrote in his Variety review, the fawnlike James is “beautifully expressive, stretching the verse like silly putty…”

Lily signed this second drawing for me last week after an evening performance. The production on 13 August.

Drawing: Noma Dumezweni, Jamie Parker and Paul Thornley in Harry Potter and the Cursed Child, Parts One and Two

Harry Potter and the Cursed Child

Saturday saw the World Premiere gala performance of HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO, following six weeks of previews at London’s Palace Theatre.  The eighth story in the Harry Potter adventure, set nineteen years after the final novel ‘Harry Potter and the Deathly Hallows’ is a play by John Thorne, based on an original story by J.K. Rowling and directed by Jack Tiffany. It’s actually split into two plays, cunningly named Part One and Part Two and follows a middle-aged Harry, who is now a Ministry of Magic employee and his son Albus Severus Potter. Originally booking until 18 September, tickets went on sale in October 2015 and immediately sold out, extending the run into next year.

Norma Dumezweni as Hermione Granger, Minister for Magic, Jamie Parker as Harry, Head of Magical Law Enforcement and Paul Thornley as Ron Weasley who is married to Hermione play the leads. Other major casting includes Sam Clemmett as Albus, Poppy Miller as Ginny Potter, Harry’s wife and Cherrelle Skeete as Ron and Hermione’s daughter, Rose Granger-Weasley.

The most pre-ordered book of the year – a ‘Special Rehearsal Edition’ of the script, not a novelisation, went on sale the day after the Premiere (incidentally Harry’s and JK Rowling’s birthdays) with people queuing at bookstores for the midnight release on Saturday. Since revisions were still taking place after it was printed, a ‘Definitive Collector’s Edition’ is due in 2017.

Noma, Jamie and Paul signed this sketch for me in the first week of previews.

Drawing: Sabine van Diemen and Josephine Lee in Impossible

Sabine van diemen

It’s the Summer Holiday season and the magic spectacular IMPOSSIBLE has returned to it’s West End home at the Noel Coward Theatre. This reboot finally welcomes two female performers – ‘cutting edge conjuror’ Sabine van Diemen and ‘grand illusionist’ Josephine Lee, after being rightly criticised last year for its, as Fiona Mountford calls it in the Evening Standard, “bombastic all-male line-up … It’s pleasing to report that the new team boasts two women headline performers alongside the usual glamorous female assistants,”  or as the Telegraph’s Claire Allfree states, “…the testosterone overloaded show that unbalanced it last year.” She among other critics made the point that in the previous production the purpose of anyone on stage with an extra X chromosome was either to be cut in two, made to disappear or have arrows fired at her head from a crossbow.

To be fair, Britain’s leading female magician Katherine Mills was included in last year’s line-up, but had to pull out for ‘unforeseen personal reasons’. But magic is predominately a male domain with only 100 of the UK’s 1,500 Magic Circle members are women. That imbalance has been addressed with Sabine and Josephine, both ex-assistants of the famed Vegas act Hans Klok.

Sabine gets her own back on the magic patriarchy by bisecting a man in a box and Josephine strikes one for the sisterhood with two escapologist acts-one involving a padlocked water tank. The other five IMPOSSIBLE acts include this years’s Britain’s Got Talent winner the Household Cavalry’s Lance Corporal Richard Jones, hip-hop street magician Magic Bones who backflips while doing card tricks, escapologist and self-proclaimed ‘daredevil’ Jonathan Goodwin who sets his own crotch on fire, the charismatic mind-reader Chris Cox and the ‘boundary -breaking’ Ben Hart , both from BBC’s ‘Killer Magic’.

Sabine and Josephine appeared at the stage door after last Saturday’s matinee performance and signed their respective portrait sketches for me. Magic!

Josephine Lee

Drawing: Pixie Lott in Breakfast At Tiffany’s

Pixie Lott

One of Britain’s best-loved pop performers, Pixie Lott has made her stage debut as Holly Golightly, the dizzy, enigmatic New York good-time girl in the theatrical adaption of Truman Capote’s classic novella BREAKFAST AT TIFFANY’S. After opening at The Curve Leicester Theatre in March and a brief tour, the production has settled into the Theatre Royal Haymarket in the West End. Pixie will play Holly, the role immortalised by Audrey Hepburn in the 1961 film version, for a limited 12 week run, ending in September.

The production is the latest stage version adapted by American playwright Richard Greenberg from Capote’s original rather than the film script. It was first performed on Broadway in 2013 with GAME OF THRONES star Emilia Clarke as Holly.

Pixie knows a thing or three about singing. Her Platinum-record selling pop career started with a bang. Her debut single ‘Mama Do’ went to Number 1 in June 2009 and things have continued on an upward trajectory since. She insists she’s not ditching singing, just developing a wider audience appeal with her acting.

In fact she gets to perform three songs in the play, including the classic Academy Award winning number ‘Moon River”. Pixie has been making a strong sartorial display arriving and leaving the theatre each day, keeping the tabloids busy, so the paps were positioned along with a handful of us graphers in equal numbers, outside the stage door on a sunny Saturday afternoon.

The amiable Pixie arrived, (now for a rare moment of fashion commentary) in a stylish pastel pink tea dress, snakeskin ankle boots with a small silver handbag and matching winged sunglasses, adding a blue sharpie to the accessories and everyone got what they wanted.

Drawing: Alexander Hanson and Frances O’Connor in The Truth

The Truth

Eighteen months ago very few theatre-goers in London had heard of Florian Zeller. Now the Parisian playwright is “the go-to man if you are looking for 90 minutes of elegant perceptive drama that plays games with the slippery nature of theatrical reality,” according to WhatsOnStage critic Sarah Crompton.

His latest offering, THE TRUTH completes a dazzling hat-trick that includes THE FATHER and its companion piece THE MOTHER, both of which have graced the London stage to critical acclaim recently. THE TRUTH, directed by Lindsay Posner, opened at the Menier Chocolate Factory earlier this year and has transferred to the West End’s Wyndham’s Theatre. In her five-star review for the Guardian, Kate Kellaway described it as “a devious must-see.”

Like his previous English successes, LA VERITE, which was written in 2011, has been translated by Christopher Hampton. It’s a confounding and unsettling tale of infidelity and the lying game as Michel (Alexander Hanson) attempts to keep his wife (Tanya Franks), his mistress (Frances O’Connor) and his best friend (Robert Portal) in the dark about his intentions. Sarah Crompton wrote, “It’s a plot as slim as a Parisian woman, and just as sophisticated, with a faint whiff of 1950’s wreathing its etiolated gestures.”

Both Frances and Alexander signed my drawing at the stage door after last Saturday’s matinee.

Drawing: Anne Archer in The Trial of Jane Fonda

Anne Archer

THE TRIAL OF JANE FONDA is a one-act play inspired by a meeting between the Hollywood ‘wild-child’ of Henry Fonda and angry American war vets disgusted by her visit to Hanoi and photographed with North Vietnamese soldiers sixteen years earlier.

Written and directed  by seven-time Emmy Award-winner Terry Jastrow, the production debuted at the Edinburgh Fringe in August 2014, featuring his wife, the Oscar-nominated actress Anne Archer as ‘Hanoi Jane’. The meeting took place after irate Vietnam veterans, outraged by her anti-war protests, threatened to halt shooting of the her film STANLEY AND IRIS in Waterbury, Connecticut.

She agreed to meet 26 of them (in the play there’s a lot less) in the local St Michael’s Episcopal Church on 18 June 1988 to listen to them and explain her side of the argument and her outrage at a brutal foreign policy based on a flawed ‘domino effect’ theory about the spread of Communism.

Last seen in the London in her West End debut as Mrs Robinson in THE GRADUATE at the Gielgud in 2001, Anne Archer reprises her role as Jane Fonda, which is currently running at the Park Theatre directed by Joe Harmston until mid August. I left this portrait of Anne at the venue which she signed  and dedicated for me.