Drawing: Sir Alan Ayckbourn

Posted on February 26, 2018 by Mark Winter / Chicane

Autographed drawing of playwright Alan Ayckbourn

“I hope my plays hold up in 400 years time, that’s the real test,” Sir Alan Ayckbourn once said. Well, none of us will be around to find out, but all 82 of them are certainly more than holding their own during his lifetime and a few to come.

Regarded as one of the world’s pre-eminent dramatists, Sir Alan is known for satirising middle class manners since his first West End hit RELATIVELY SPEAKING in 1968. Most of his plays started life in his beloved Stephen Joseph Theatre – named after his mentor – in Scarborough where Sir Alan was Artistic Director for 37 years, retiring in 2009. In that time such classics as ABSURD SINGULAR SINGULAR, BEDROOM FARCE, A CHORUS OF DISAPPROVAL, HOW THE OTHER HALF LOVES and THE NORMAN CONQUESTS were born.

“The joy of the English Language is in its infinite capacity for being misunderstood,” he said in a recent interview. I like his 2004 quote, “I am a playwright. Right? Writing is part of my ancient rite. It is my god-given right to write. I exercise that quite rightly, and write, write, write.”

I have had the privilege of meeting Sir Alan on a couple of occasions at London press nights and sent him this quick portrait drawing last week, which he kindly signed and returned.

Drawing: Toby Jones, Zoe Wanamaker, Stephen Mangan, Pearl Mackie, Peter Wight and Tom Vaughn-Lawlor in The Birthday Party

Posted on February 22, 2018 by Mark Winter / Chicane

Autographed drawing of Toby Jones, Zoe Wanamaker, Stephen Mangan, Pearl Mackie, Peter Wight and Tom Vaughn-Lawlor in The Birthday Party at the Harold Pinter Theatre on London's West End

Many happy returns to Harold Pinter’s ‘comedy of menace’, THE BIRTHDAY PARTY as the starry West End revival opened last month. The play turns 60 this year and to celebrate at the theatre that is bearing the playwrights name, Sonia Freedman and seasoned Pinter-director Ian Rickson have assembled a wonderful cast for this British classic.

Famously savaged by all but the Sunday Times after the legendary London premiere in 1958, it has now grown to become one of Pinter’s most famous and most performed works. It’s a disturbing portrait of life in a run-down seaside boarding house on the southern English coast where piano-player Stanley Webber (Toby Jones) lives, run by Meg (Zoe Wanamaker) and Petey (Peter Wight) Boles, who arrange a party to celebrate their lodger’s birthday. The flirtatious Lulu, target of Stanley’s lust (Pearl Mackie) joins them, followed by two sinister strangers, Goldberg (Stephen Managan) and McCann (Tom Vaughn-Lawlor).

Critic Dominic Cavandish, in his five-star Telegraph review “rejoices in the play’s undiminished power to disconcert.” It has all the Pinteresque elements, ambitious identity, confusions of time and place and dark political symbolism.

I left my sketch with Toby at the Pinter stage door on Saturday and he along with the rest of the cast very kindly signed it for me.

Drawing: Justine Mitchell and Sam Troughton in Beginning

Posted on February 20, 2018 by Mark Winter / Chicane

Autographed drawing of Justine Mitchell and Sam Troughton in Beginning at the Ambassadors Theatre in London's West End

After a sell-out run at the National’s Dorfman Theatre, David Eidridge’s masterful new play BEGINNING transferred to Ambassador’s Theatre just off Charing Cross Road in central London until 24 March.

‘The (anti) romance for the 21st Century,’ is a two-hander with Justine Mitchell as Laura and Sam Troughton as Danny, sozzled loners, desperately seeking common ground and a connection. It’s the early hours of the morning, and Danny is the last straggler at Laura’s party. The flat’s a mess and so are they. In his four-star review for the Guardian, Michael Billington said, “Both actors peel away the protective layers in a play that leaves you caring deeply about its characters and which adds unusual poignancy to the dating game.”

Justine and Sam signed my drawing at the stage door, between Saturday shows.

Drawing: Malin Bystrom in Salome

Posted on February 15, 2018 by Mark Winter / Chicane

Autographed drawing of Malin Bystrom in Salome at the Royal Opera House in London

“In Swedish soprano Malin Bystrom, we come as near to perfection as we ever will: a petulant, imperious teenager becoming drugged with lust,” wrote Michael Church in his five-star Independent review for the third revival of David McVicar’s gory and provocative production of Richard Strauss’s SALOME at the Royal Opera House. “Her voice rides easily over the hundred-piece orchestra and the porcelain purity of her tone contrasts ever more starkly with her blood-bolstered presence. Wonderful.”

After six appearances since her Covent Garden debut in 2002, Malin returned for the ROH’s 2017/1018 Autumn season, playing Helene in LES VEPRES SICILIENNES in November and the biblical femme fatale SALOME in January.

Malin signed my sketch for me after I left it at the stage door.

Drawing: Uma Thurman in The Parisian Woman

Posted on February 14, 2018 by Mark Winter / Chicane

Autographed drawing of Uma Thurman in The Parisian Woman at the Hudson Theater in New York

Uma Thurman made her Broadway stage debut late last year in Beau Willimon’s Trump-inspired THE PARISIAN WOMAN at New York’s Hudson Theatre. Known for creating the original Netflix series HOUSE OF CARDS, Beau’s fifth play, a dark humoured drama, is set in Washington DC, where powerful friends are the only kind worth knowing, especially after the 2016 election.

Uma plays Chloe, an ambitious socialite with charm and wit, coming to terms with an unknown future, where truth isn’t obvious and the stakes couldn’t be higher.

I remembered speaking to Uma at the Royal Opera House stage door during the BAFTAs a few years ago when she snuck out for a nicotine break. She was very chatty, signing siggys between ciggys, so I figured she would be nice enough to sign a sketch for me if I sent it to her at the Hudson, and, thankfully I figured right.

Drawing: The Play That Goes Wrong

Posted on February 13, 2018 by Mark Winter / Chicane

Autographed drawing of Dave Hearn, Henry Lewis, Charlie Russell, Jonathan Sayer and Henry Shields in The Play that Goes Wrong at the Duchess Theatre in London and the Lyceum Theatre in New York

One of the big success stories of British Theatre is the creation of the Mischief Theatre Company and their first hit production THE PLAY THAT GOES WRONG. Written by LAMDA graduates Henry Lewis, Jonathan Sayer and Henry Shields, it follows the exploits of members of the fictitious Conley Polytechnic Drama Society and their disastrous attempt to put on a 1920’s murder mystery. The writers were joined in the original cast by Charlie Russell, David Hearn, Greg Tannahill, Nancy Wallinger and Rob Falconer, who used to work at my local pub and said he was working on an interesting theatre project.

From modest beginnings above one of London’s oldest taverns at the sixty-seater Old Red Lion Theatre in 2012, it moved to the Trafalgar Studios a year later then to the Duchess in September in 2014, where it is currently in residence and booking to later this year. It won the Olivier Award for Best New Comedy. Last year it transferred to the Lyceum Theatre on Broadway, where it won the Tony Award for Best Scenic Design. It has now gone global, with productions in over 20 countries, including a UK tour.

Last month the two Henrys, Jonathan, Charlie and David returned to the West End, as part of the ensemble for the improv MISCHIEF MOVIE NIGHTS at London’s Arts Theatre, where I met them to sign this drawing for me.

Drawing: Shirley Henderson in Girl From The North Country

Posted on February 7, 2018 by Mark Winter / Chicane

Autographed drawing of Shirley Henderson in Girl From The North Country at The Old Vic Theatre in London, and the Noel Coward Theatre on the West End

Irish playwright and director Conor McPherson’s new Dust Bowl drama GIRL FROM THE NORTH COUNTRY, incorporating the music of Bob Dylan, opened last Summer with a sell-out run at The Old Vic, before transferring to the Noel Coward Theatre in London’s West End. Claire Allfree, in The Telegraph headlined her review with “A magical fusion of Dylan and the Depression.”

Conor beautifully weaves the iconic songs (21 of them) of Bob Dylan into his show of hope, heartbreak and soul. It is set in a struggling guesthouse in Dylan’s hometown of Duluth, Minnesota, during the Great Depression, where poverty is rife amongst the gathering of the dispossessed and the most affected citizens… a place Ben Brantley in the New York Times describes as “a corner of the United States where it is all too easy to lose your way.”

The production and the cast has received unanimous critical acclaim, with Scottish BAFTA-winning actress Shirley Henderson portrayal of Elizabeth Laine, the wife of the inn-keeper Nick ( Ciaran Hinds) gaining special mention. In the grip of dementia and nearly feral, Shirley’s performance is nothing short of mesmerising.

“Henderson delivers a smoking version of ‘Like A Rolling Stone’,” wrote Natasha Tripney in TheStage. I met Shirley at the stage door last weekend after a matinee, where she signed my montage sketch for me.

Drawing: James Norton and Imogen Poots in Belleville

Posted on February 6, 2018 by Mark Winter / Chicane

Autographed drawing of James Norton and Imogen Poots in Belleville at the Donmar Warehouse Theatre in London

“James Norton and Imogen Poots are brilliant,” wrote Andrzej Lukowski, the theatre editor for Time Out in his review of Amy Herzog’s 2011 play BELLEVILLE, which has just completed its run at London’s Donmar Warehouse. James and Imogen play uprooted American newlyweds Zack and Abby living in Belleville, the Bohemian district of Paris in a romantic dream gone sour. The Independent’s PaulTaylor agreed, “The acting’s terrific.”

I managed to catch up with James and Imogen at the Warehouse, where they signed my sketch.

Sir Nicholas Hytner

Posted on February 5, 2018 by Mark Winter / Chicane

Autographed drawing of Sir Nicholas Hytner

Sir Nicholas Hytner insists he is a theatre director who ‘does other stuff’. He does the other stuff with equal aplomb, directing some of my favourite films, THE HISTORY BOYS, THE CRUCIBLE and THE MADNESS OF KING GEORGE. His film career was born out of his working relationship with playwright Alan Bennett, nurtured at the National Theatre, after Sir Nick became Artistic Director, taking over from Trevor Nunn in April 2003.

In 1989, when Cameron MacIntosh offered him MISS SAIGON. “It just felt like a huge lark… it was gigantic at the time so I threw everything I knew at it-big, honest, brash, kind of crazy. I had no idea it would take off.” It became a huge hit on both sides of the Atlantic. He was on a percentage, so at the age of 34 he never had to worry about money again and “only needed to do what I wanted to do.” During his tenure the National produced some of London’s most successful productions, including WAR HORSE, ONE MAN, TWO GUVNORS and THE HISTORY BOYS. He was knighted in 2010.

He left the National in 2015 along with Nick Starr, the former Executive Director. They set up London’s newest stage venue, The Bridge Theatre – a 900-seat auditorium overlooking the Thames near Tower Bridge, where I left this drawing for him to sign, which he did and returned last week.

Drawing: Stanley Townsend in Glengarry Glen Ross

Posted on January 29, 2018 by Mark Winter / Chicane

The latest London revival of David Mamet’s contemporary classic double-dealing real-estate drama GLENGARRY GLEN ROSS heads into its final week at the Playhouse Theatre. Playing Shelley ‘the machine’ (more accurately ‘has-been’) Levine is distinguished Irish actor Stanley Townsend opposite Christian Slater.

Having just played an American in the Minnesota-set GIRL FROM THE NORTH COUNTRY at the Old Vic, before its transfer to the Noel Coward Theatre, Stanley was already vocally primed for the Chicago-based GLENGARRY when it opened last October.

Richard Jordan in his opinion piece for The Stage wrote, “when the Olivier nominations are announced in March I very much hope to see Stanley Townsend among the nominees… (who) gives a superb performance as Shelley Levine, the beaten-down salesman, clinging on to his job in a toxic workplace.”

Stanley signed my sketch for me a few weeks ago at the stage door after I was fortunate enough to see a Saturday matinee performance.