Drawings: Prunella Scales and Connie Booth

 

Prunella Scales001

I left this drawing of Prunella Scales at the stage door of the Apollo Theatre, London, where she was performing Carrie’s War in July 2009. It was returned to me, signed, through the mail.

Connie Booth001

I also received my Connie Booth sketch signed back through the mail. She now works as a psychotherapist in London, after ending her acting career in 1995. I sent the sketch to her North London clinic. She very rarely signs, and had declined to talk about Fawlty Towers for 30 years until she had agreed to participate in a documentary about the series in 2009, so I was very happy to get it back signed and dedicated.

Caricature: John Cleese

Back in New Zealand in 2005 John Cleese premiered his latest stage show  John Cleese—His Life, Times and Current Medical Problems at the Civic Theatre in Invercargill. This is my cartoon, published in The Southland Times to commemorate the occasion, and John was lovely enough to sign it for me and write a short note.cleese John Cleese Message

Drawing: Michael Crawford in The Wizard of Oz

Michael Crawford001

I sent this drawing to Michael Crawford at The London Palladium  while he was playing the Wizard in The Wizard of Oz. It came back through the post with this letter:

Michael Crawford001

Drawing: John Hurt and Sir Michael Gambon in Krapp’s Last Tape

John Hurt001Michael Gambon001

KRAPP’S LAST TAPE is a one-act play for one actor by Samuel Beckett. I first saw it performed by John Hurt at the New Ambassadors Theatre in London in March, 2000. It’s genre is  described as ‘minimalist monodrama’. It’s Krapp’s 69th birthday and he hauls out his old tape recorder, listens to a recording he did 30 years earlier, before making a new one.

Sir Michael Gambon performed a revival at the Duchess Theatre in October 2010.

Drawing: Priscilla Presley

Priscilla Presley001

 

Priscilla Presley made her pantomime debut in London last Christmas, playing the wicked Queen in Snow White and the Seven Dwarves. I sent this drawing to the theatre and received it back through the mail in January.

Drawing: Haydn Gwynne as Margaret Thatcher in The Audience

Haydn Gwynne Blog

Britain’s ‘Iron Lady’ died yesterday.The former and first (and only)  female British Prime Minister, Margaret Thatcher’s passing has bought mixed reactions in the UK.  Tony and Olivier nominated actress, Haydn Gwynne currently portrays her in Peter Morgan’s new play, THE AUDIENCE at the Gielgud Theatre. “I don’t know many people who would be neutral about Margaret Thatcher,” she wrote in the programme. “Everything about her was antithetical to what I believe in,but I would never play her through a filter of my own view of her…it’s not what is required. The weird thing is that, as soon as you are asked to play someone like this-and of course I watched bits of footage and read her biography and memoirs-you stop judging.”

I was going to do a sketch of Haydn anyway, along with other cast members,so it seemed appropriate to whip one up and have it signed by the Thatcher ‘stage surrogate’ on the day of Maggie’s passing. It was a surreal atmosphere around the stage door as cast and crew filtered in,with the occasional comment about ‘the event’ of the day. I missed Haydn going in, but did get to meet Peter Morgan,who signed my programme which was a bonus.

Everyone left relatively quickly after the performance and the group gathered at the exit soon dispersed once Dame Helen drove off, leaving only me, Phil, the stage door manager and one or two patrons from the gay bar opposite who had popped out for a ciggy….oh and the guy who feeds the pigeons. Haydn finally appeared around 10.45 and looked surprised..that someone was still waiting,let alone with a sketch. “I guess it must have been an interesting night?” I said. “Very interesting”, she replied. She liked the drawing-thought it was a nice touch and the poignancy of the moment felt as she signed it with a spirit-based sharpie.

Drawing: Helen Mirren as The Queen in The Audience

Helen Mirren Blog

In 2006 Dame Helen Mirren won 29 major awards for her portrayal of Queen Elizabeth II in the film The Queen, including the Oscar, Golden Globe, SAG and BAFTA Awards for Best Actress.

In April this year she once again reprised the role for the stage production of Peter Morgan’s (who also wrote The Queen) world premiere of The Audience at the Gielgud in Shaftesbury Ave.

For the last sixty one years, the Queen has met with 12 Prime Ministers in a weekly audience at Buckingham Palace. Both parties have an unspoken agreement never to repeat what is said… not even to their spouces. The Audience breaks that code of silence and imagines a series of pivotal meetings, charting an arc through the second Elizabethan Age. Prime Ministers come and go through the revolving door of politics, while she remains constant.

The Audience opened to critical acclaim, and is nominated for five Laurence Olivier Awards, including a Best Actress nod for Dame Helen.

She is always very accommodating with autograph requests. If she doesn’t sign in person, the stage-door manager takes material to her. My programme was signed when she was leaving after an evening performance, but I left the sketch at the theatre. When time is limited and there are gazillions of graphs to do, she has abbreviate to ‘H. Mirren” so I was please to get a full signature and the customary wavy underline. I wonder if Elizabeth R will take in the play, after all she and Philip did go to War Horse and did invite Dame Helen to dinner at the Palace in May 2007.

Drawing: Ben Whishaw and Judi Dench in Peter and Alice

Peter and Alice Blog

The Michael Grandage Company’s second of five theatrical treats at the Noel Coward Theatre is Peter and Alice written by John Logan, it’s a moving study of enchanchment and reality after a brief encounter between the real-life models for Peter Pan and Alice in Wonderland, laying bare the lives of two extraordinary characters shaped by JM Barrie and Lewis Carroll. The actual fleeting meeting took place at a literary event in 1932, when Alice Liddell Hargreaves was 80 and Peter Lleweullyn Davies was 35. Logan speculates on their imagined conversations, looking at how we are all shaped by our childhoods. The children who inspired two classics meet as emotionally bruised adults in a dusty old bookstore and explore their views of past relationships with the authors and the price that they have paid when fame is foisted on the child heroine and the boy who never grew up. It is a tale of two tortured souls with Peter struggling the most with the unwanted fame. “I think I know what childhood is for. It’s to give us a bank of happy memories against future suffering.”

Alice passed away peacefully and contented, Peter committed suicide, throwing himself under a train in Sloane Square. The principle characters are played by Dame Judi Dench and Ben Whishaw – transferring ‘M’ and ‘Q’ from the screen to Wonderland and Neverland from the recent Bond film Skyfall (also written by John Logan).

Both actors are terrific on stage and off stage. They are great signers, but the problem is that they leave at opposite ends of the theatre. Alice through the front looking glass (barriered) and Peter flies out the back. In order to avoid having to go back twice, signature strategy requires some prior intelligence. My spies told me that Ben usually exits first, then the mob hot foot it to the front of the theatre for Dame Judi. And that’s exactly what happened. As all good bedtime stories should finish.

Drawing: John Malkovich

John Malkovich001

I’m sure being inside the head of American actor, writer, director, producer and fashion designer John Malkovich would be a fascinating, if not a disturbing space to be. I would settle to be in a space beside him for as long as it took him to sign and dedicate my sketch. That space happened to be The Barbican in central London on a Saturday in mid-June 2011. Like his imagined persona, JM can offer a variety of responses to graph – both auto and photo – requests. One thing I did find out from the zombies, who were circling the foyer in numbers, Mr Malkovich walks in the front door – no sneaking in side entrances for him. His signature used to be recognisable in the early ’90’s – all letters formed in the conventional manner as per the English alphabet, spelling out his name. Now it looks more like the print out from a cardiograph machine.

John Gavin Malkovich has appeared in over 70 motion pictures, spanning a 30 year career. He’s also directed and produced a few and written a screenplay. To complete his Renaissance-man image he set up his own fashion company, ‘Mrs Mudd’ in 2002. Among other things it includes the John Malkovich Menswear Collection called ‘Uncle Kimono’ and he designs the clothing himself.

He was hopefully entering the front door of The Barbican that Saturday afternoon in mid-June to take part in a Q&A following a screening of DANGEROUS LIAISONS . He was also performing a two-day season of the unusual one-man play, THE INFERNAL COMEDY, playing the role of the notorious Austrian serial killer-Jack Unterweger. It was a solo acting part… along with a baroque orchestra and two sopranos, singing arias about murder and abandonment. Not one of your cheeriest days in theatre. So, would he be in character-method acting? Pretty hard to get a graph from a serial killer…without some fatal injury.

As it turned out, Mr M was already in the building, possibly using a side door and was wandering around the foyer, talking on his cell phone… followed by a line of autograph hunters. It resembled the Pied Piper. I decided to remain in one spot and watch the carnival, which eventually came past me.. and stopped… because the prey stopped. He saw my sketch, completed his call and asked me if I wanted it signed by him – a novel reversal to the norm. He did so with his cardiogram sig and dedicated it, as well as signing a BEING JOHN MALKOVICH film poster. Then his phone rang and he popped back on it and the procession started all over again around the Barbican foyer on that bright Saturday afternoon in mid-June.

Drawing: Sir Alec Guinness – the theatrical Jedi Knight

Alec Guinness001

In a galaxy far, far away… actually, in 1994, I drew a quick caricature of Sir Alec Guinness. In the absence of a stage door to stand at or a reliable agent’s address, I found out that he was a member of The Garrick Club, Charing Cross Road in London. I was in the city at the time, so I made a couple of copies, wrote a note and left it with a stamped self addressed envelope before heading back to New Zealand.

This month I read that the British Library had recently bought 1000 letters and 100 volumes of his hand written diaries from his family for £320,000. The archive will go on display next year.

Catherine Ostler in the Daily Mail wrote: “To some fans, Sir Alec Guinness will always be remembered as Obi Wan Kenobi, the sagacious Jedi Knight of the Star Wars films. To others, he is The Bridge On The River Kwai’s resolute but misguided Colonel Nicholson.

These and other brilliant performances — in Ealing comedies, Lawrence Of Arabia, Dr Zhivago and TV’s Tinker, Tailor, Soldier, Spy — should surely have left him secure in the knowledge that he stood at the pinnacle of his profession. Yet his private writings, previously unseen by the public, reveal this titan of the screen and stage to have been a flawed, insecure man who found release in petty malice.”

Nobody escaped his barbed comments, from the Queen down. Even the great Sir Laurence Olivier. For more than half a century they shared the accolades as the greatest actors of their generation, but behind the scenes a poisonous rivalry existed. He called his fellow thespian “cruel, unpleasant, destructive and pretentious.” He did, however, balance that by praising Lord Larry as a “total actor – technically brilliant.”

It is common knowledge he disliked the Star Wars trilogy and would throw away fanmail associated with it. he called it “fairy-tale rubbish”. In spite of an Academy Award and Golden Globe nomination for his role, the theatrical knight wanted the Jedi Knight killed off and convinced George Lucas that it would make the character stronger (and he wouldn’t have to go on speaking that bloody awful, excruciating, banal dialogue, he confided).

The Star Wars films did, however, provide an income for the rest of his life. While he hated the films, he was shrewd enough to realise that the public wouldn’t, so struck a deal for 2% of the gross royalties, along with his initial salary. The franchise went on to become one of the most successful ever. He later said, “I have no complaints, I can live the rest of my life in the reasonably modest way I am now used to and I can afford to refuse work that doesn’t appeal to me.”

One person who he did like, and who sympathised with him was co-star Harrison Ford. Apparently, he said to the director, “George, you can type this shit, but you can’t say it!”

There was no doubt Sir Alec was a complex man – a shy introvert who shone on stage and screen. Melvyn Bragg said he was the weirdest, strangest person he’d ever interviewed. But, back in 1994 he signed my drawing and added some self-mockery. Six years later he passed away,aged 86.  I wonder if I’m mentioned in his diary dispatches. A visit to the British Library next year could be worth it. The force (and the graph) is indeed with me, always.