Drawing: James and Jack Fox in Dear Lupin

Dear Lupin

Continuing the theme of yesterday’s post about parents and their children currently sharing the London stage, Dear Lupin opened this week at the Apollo Theatre, with father and son, James and Jack Fox in the poignant two-hander, after a successful UK tour.

Adapted for the stage by Michael Simkins, the play is based on the award-winning 2012 surprise best-seller,’Dear Lupin, Letters To A Wayward Son’ by the late racing journalist Roger Mortimer and the humorous father and son letters that spanned 25 years.

Members of Britain’s most famous acting dynasty, two-time BAFTA winner James plays Mortimer (and a host of walk-on characters, including an ageing Soho prostitute) with  his youngest son Jack as the rebellious offspring Charlie-“a youthful delinquent who grows into a mature delinquent…much loved by his dad.” In her four-star review for the Evening Standard, Fiona Montford wrote, “The real-life affection between James and Jack Fox perfectly suits this charming tale of parental love.”

I managed to catch James and Jack, together at the Apollo stage door after their first Saturday matinee. They both signed this sketch, adding simple dedications, with the senior Fox resisting his character’s quest to write me a letter regarding my wayward vices of drawing theatre sketches and sig-stalking.

Drawing: Jane Asher and Katie Scarfe in The Gathered Leaves

jane asher katie scarfe

The world premiere of Andrew Keatley’s second play, The Gathered Leaves at North London’s Park Theatre features a top-notch cast of 11 that includes two generations of two theatrical families. The story revolves around the first reunion in 17 years of a divided upper-class family gathering for the 75th birthday of its monstrous patriarch William Pennington. His long-suffering wife and mutinous daughter are played by Jane Asher and her daughter Katie Scarfe. Alexander and Tom Hanson play William’s younger son and grandson. In his four-star review for The Guardian, Michael Billington said that the real-life parent and child combination  “leads to an instant plausibility to the family relationships.”

I left this portrait montage of Jane and Katie, based on rehearsal images for the production, at the theatre. Both signed it for me, with Jane also enclosing a nice complimentary note. The Gathered Leaves runs until 15 August, but given the positive critical response, many expect it to transfer to the West End.

Drawing: Inbee Park

Inbee park

“The greatest day of my life,” is how world number one golfer Inbee Park described her win in the Women’s British Open  at the Turnberry Golf Course in Scotland last Sunday. The 27 year-old Korean equalled the course record with a seven-under-par 65 in the final round to finish 12 under. winning by three strokes over compatriot Jin-Young Ko. “The golf god was on my side,” she said, claiming her seventh major title. She is well on her way to becoming one of the all-time greats with her sixth victory out of the last 14 majors and is the second youngest to complete the career ‘Grand Slam’, behind Tiger Woods.

Inbee signed, dedicated and returned this sketch for me after I sent it to Turnberry.

Drawing: Natalie Drew and Jamie Campbell Bower in Bend It Like Beckham

natalie drew jamie bc

The new musical adaption of the cult 2002 film  Bend It Like Beckham opened in the West End in May with Gurinder Chadhas reprising her directorial and writing duties for the stage production at London’s Phoenix Theatre. Jess (Natalie Drew). the eighteen-year-old, Beckham-worhipping daughter of a Sikh family, living in the suburbs of West London faces a culture clash. The second generation Punjabi Sikh defies her conservative parents to sneak off and play football (that’s soccer to some) for the Hounslow Harriers and soon falls for the dashing young coach Joe (Jamie Campbell Bower), creating a love triangle with her friend and tam captain Jules (Lauren Samuels). “Irresistible”, is how The Telegraph’s Dominic Cavendish described the show in his five-star review, reflecting similar sentiments from most of the main-stream UK critics.

It took me a couple of attempts to get this sketch signed, because I just missed Jamie a week ago, but got Natalie, who was surprised but very happy to graph it. I went back after last Saturday’s matinee to catch Jamie. As you can imagine, the Hollywood star, making his West End debut was ultra-popular and since I’m still a Knight from the age of chivalry (and the only male waiting), my MO was ladies first.  And again, as you can imagine, It was a wait, but worth it. He was uber-cool, excellent with all the gathered groupies …and me. He loved the drawing and probably grateful I don’t do selfies, just a siggy was suffice.

Drawing: Brendon McCullum

brendon mccullum

New Zealand’s inspirational Brendon McCullum is considered cricket’s best captain at the moment by the world’s media. Even the Australians have acknowledged that his positive, aggressive approach and risk-taking has “put soul back into cricket”, which is the reason that the Black Caps have emerged as the most improved side in all three forms of the game, including reaching their first final at the recent World Cup. The UK’s top cricket scribe, Mike Selvey called him “exceptional” in The Guardian. Always humble, Brendon shies away from all the plaudits that separates him from his teammates. In a recent interview with the New Zealand Herald he was quick to point out that leadership was a team effort. ‘It’s really important to lead by example in a team environment”. he said. And lead by example he does… in bucket loads! His phenomenal batting and fielding are second to none. In fact the Asian media have labelled him the ‘best batsman in the international game at the moment”. The ‘New Zealander of the Year’, finished 2014 with a triple century and two double centuries. He shared a record sixth wicket  352 run partnership against India with B.J. Watling at Wellington’s Basin Reserve last February, becoming the first kiwi to join the elite 300 group. He  finished on 302 to record the highest third innings total in the history of the game. He has the top International Twenty20 score with123 against Bangladesh in 2012 and the second highest T20 total of 158, which he’s achieved twice. In 2008 playing for the Kolkata Knight Riders in the Indian Premier League against the Royal Challengers and more recently for the Birmingham Bears in the T20Blast against Derbyshire last month. His 158 came off only 64 balls!…and is, not surprisingly, the highest score in the English and Welsh domestic competition.

Brendon had a short spell with the Bears after the Black Caps summer tour of the UK. He signed this sketch at his final game against the Yorkshire Vikings at Headingly in Leeds on 24 July 2015.

 

Drawing: The King’s Speech

The Kings Speech

Before it reached the big screen, The King’s Speech was a play. At its heart is the relationship between the stuttering King George VI and the Australian speech therapist Lionel Logue’s treatment to correct the English Royal’s debilitating impediment.

As a child, writer David Seidler developed a stammer caused by the emotional trauma of World War II, including the murder of his grandparents during the Holocaust. King George VI’s success overcoming his stammer inspired him . He began researching the story in the 1970s and 80s but abandoned it after the Queen Mother asked him not to pursue the project during her lifetime. After she died in 2002, he returned to it. David discovered his own uncle was also a stutterer, who had been sent to see Lionel Logue by David’s grandfather. At a reading of the play in London’s small Pleasance Theatre in 20015 to a group of Australian expats, Tom Hooper’s mother was present and contacted her son with his “next project”.

Tom asked David to develop the screenplay. It went on to win the BAFTA and the Best Picture Oscar, however the play was left unproduced until 2012.

It made its West End premiere at Wyndhams Theatre in March after a UK tour and strong reviews. It featured Charles Edwards as the King, Jonathan Hyde as Lionel, Emma Fielding (Queen Elizabeth), Joss Ackland (George V) and Ian McNeice (Winston Churchill).

They all signed this sketch on the 12 May 2012 after the final performance.