Kenneth Lonergan’s tale of astronomy and midlife misery THE STARRY MESSENGER completed its British premiere at Wyndham’s Theatre in London’s West End over the summer. It featured Broadway royalty and double Tony winner Matthew Broderick and Oscar, Emmy and Golden Globe nominee Elizabeth McGovern.
Kenneth, who won the Best Original Screenplay Academy Award for his 2016 film MANCHESTER BY THE SEA, wrote the play specifically for Matthew, a long-time friend, who played the lead role ten years ago in the original off-Broadway production. In his West End debut he reprised his role as Mark Williams, a disgruntled astronomer who teaches the subject at the Hayden Planetarium in New York City, where his life is spiralling out of control and his marriage is on the rocks.
Elizabeth played his anxious wife Anne. In his Independent Review, Paul Taylor wrote, “The actors play characters that range from laugh-out-loud funny to twisty, wrong-footed ambivalence.”
Both Matthew and Elizabeth kindly signed my sketch based on early publicity images during rehearsals in early May
American film director, screenwriter and playwright Kenneth Lonergan was in London recently, visiting Wyndham’s theatre where his play THE STARRY MESSENGER opened last month with Matthew Broderick and Elizabeth McGovern. The original 2009 off-Broadway production also featured Matthew and Kenneth’s wife, J.Smith-Cameron.
Kenneth’s playwriting prowess came to prominence in 1996 with THIS IS OUR YOUTH, followed by THE WAVERLY GALLERY three years later, earning him a Pulitzer Prize nomination and LOBBY HERO in 2002. All three plays collected Tony Award nominations for their respective revivals.
Kenneth’s most notable film work is YOU CAN COUNT ON ME (2000) and MANCHESTER BY THE SEA (2016), both written and directed by him and both included Matthew in their cast. He received Academy Award Best Original Screenplay nominations the two films, collecting the Oscar for the later. He also won the BAFTA Award. David Fear, writing in Rolling Stone said that MANCHESTER proved Kenneth was “practically peerless in portraying loss as a living, breathing thing without resorting to the vocabulary of griefporn.” In 2002 he co-wrote Martin Scorsese’s GANGS OF NEW YORK (2002), once again receiving Academy recognition with an Original Screenplay nomination.
It was great to meet Kenneth at Wyndham’s Theatre, where he kindly signed my drawing.