Drawing: Tom Kerridge

Autographed drawing of chef Tom Kerridge

Tom Kerridge doesn’t think of himself as a ‘Michelin-star kind of guy,’ but he is… well he has two of them, so technically he’s a Michelin-stars kinda guy. The very popular TV chef, who describes himself as ‘big, bald and easily distracted,’ and his sculptor wife Beth opened their gastropub ‘The Hand & Flowers’ in the Buckinghamshire town of Marlow on the river Thames thirty miles west of London in 2005. Within a year it had won its first Michelin, followed by a second, becoming the first pub to achieve the accolade.

Tom’s philosophy is based on the premises that food brings people together. His French, British fusion dishes are ‘sophisticated yet familar’. ‘I don’t go in for that ‘temple of gastronomy’ thing,” he says, “I just want people to have a nice time.” His signature dish is a take on the traditional hog roast, cooking pork belly in a Bain-Marie, wrapped in skin and roasted, accompanied by the stuffed pig’s trotters. Yum.

I sent this sketch to The Hand & Flowers for Tom to sign, which he did and returned immediately. Star.

Drawing: Suranne Jones in Beautiful Thing and Orlando

Autographed drawing of Suranne Jones in Beautiful Thing at the Arts Theatre in London and in Orlando at Manchester's Royal Exchange Theatre

Currently back on the London boards in Bryony Lavery’s psychological thriller FROZEN at the Theatre Royal Haymarket, Suranne Jones plays Nancy, a grieving mother who faces her child’s killer. It’s a performance that Michael Billington described as ‘riveting’ in his four-star review for The Guardian.

Suranne is no stranger to critical acclaim, mostly from her TV appearances. After her prominent role as Karen McDonald in the iconic British soap, CORONATION STREET (2000-2004), her breakthrough came as convicted killer Ruth Slater in the mini-series UNFORGIVEN in 2009, followed by five years as detective Rachel Bailey in SCOTT & BAILEY then GP Gemma Foster in DOCTOR FOSTER, which won her a TV BAFTA and two National Television Awards.

Her last two stage appearances received equal acclaim, playing single mum Sandra in the comedy BEAUTIFUL THING at the Arts Theatre in the West End and the epoch-hopping title role in Sarah Ruhl’s adaption of Virginia Woolf’s novel ORLANDO at Manchester’s Royal Exchange Theatre.

Arriving at the Theatre Royal stage door on a bitterly cold Saturday afternoon she happily stopped and chatted to the waiting few, commenting on the irony of the play’s title and the chilly climate and signing autographs, including this montage sketch.

Drawing: Jennifer Saunders in Lady Windermere’s Fan

Autographed drawing of Jennifer Saunders in Lady Windermere's Fan at the Vaudeville Theatre on London's West End

After a 20 year wait, Jennifer Saunders has returned to the West End, this time as the imposing Duchess of Berwick in Kathy Burke’s production of Oscar Wilde’s LADY WINDERMERE’S FAN at the Vaudeville Theatre.

One of the most influential women in British television comedy, Jennifer kept to prominence as Vyvyan in THE YOUNG ONES and, with her comedy partner Dawn French, launched the sketch show FRENCH AND SAUNDERS in 1987, which became staple BBC viewing through to 2007. Let’s not forget the champagne-quaffing PR Edina Monsoon opposite Joanna Lumley in ABSOLUTELY FABULOUS, among a raft of other memorable characters and appearances, collecting a truck-load of accolades along the way.

Her current stage performance has garnered equal plaudits, The Guardian’s Lyn Gardner calling her portrayal, “a monstrous star turn,” as “A Duchess with a walking stick like a taser and a hat like a homunculus.”

The two things Jennifer and I have in common is our age and being at the same stage door at the same time after Saturday’s matinee, where I asked her to sign this sketch. “Well done you,” she said, which is always a good sign.

Drawing: Nina Sosanya in Frozen

Autographed drawing of Nina Sosanya in Frozen at the Theatre Royal Haymarket on London's West End

Nina Sosanya has made a welcome return to the London stage, playing Agnatha, a clinical psychiatrist in the West End revival of Bryon Lavery’s psychological thriller FROZEN, which opened last month for a limited run at the Theatre Royal Haymarket.

The dark and compelling 1998 three-hander with Suzanne Jones and Jason Watkins is not for the faint-hearted, dealing with the abduction and murder of a ten-year old girl. Nina’s character looks at the difference between crimes of evil and crimes of illness. This is a rehearsal sketch that Nina kindly signed for me when she arrived for last Saturday’s matinee.

Drawing: Rory Keenan in Long Day’s Journey Into Night

Autographed drawing of Rory Keenan in Long Day's Journey Into Night at Wyndham's Theatre on London's West End

Irish actor Rory Keenan joined the cast after Richard Eyre’s 2016 production of Eugene O’Neill’s LONG DAY’S JOURNEY INTO NIGHT after it transferred to the West End last month. He plays Jamie, one of the Tyrone’s two son’s opposite Jeremy Irons and Lesley Manville in the 1945 study of the hellish damage a sick person can wreck on a family.

This is Rory’s second play under Sir Richard’s direction, having played the title role in LIOLA at the National. He won Best Supporting Actor at the Irish Times Theatre awards for his portrayal of Ronan in THE LAST DAYS OF THE CELTIC TIGER at Dublin’s Olympia Theatre in 2009. His extensive screen work includes PEAKY BLINDERS and the BIRDSONG mini series. In her Arts Desk review for JOURNEY, Ismene Brown wrote, “Rory Keenan’s terrific, (as the) cynical Jamie… roughens and undersells himself to very touching effect.”

I caught up with the likeable and friendly Rory at the Wyndham’s stage door on a bitterly cold lunchtime prior to last Saturday’s matinee and he managed to get the sharpie to work on my sketch.

Drawing: Jessica Regan in Long Day’s Journey Into Night

Autographed drawing of Jessica Regan in Long Day's Journey Into Night at Wyndham's Theatre in London's West End

Kilkenny-born actress Jessica Regan reprised her role as Catherine, the Irish housemaid in Richard Eyre’s revival of Eugene O’Neill’s Pulitzer Prize-winning family drama, LONG DAY’S JOURNEY INTO NIGHT which premiere at the Bristol old Vic in 2016 before transferring to london’s Wyndham’s Theatre. It’s also Broadway-bound after it’s April West End conclusion.

Jessica will be familiar to soap fans, appearing in EASTENDERS and more recently as regular Niamh Donoghue in the BBC’s DOCTORS, for which she won the Best Newcomer at the British Soap Awards.

The Guardian’s Michael Billington wrote that Jessica’s Catherine was a “welcome relief in a play that, if well done, as it is here, leaves you emotionally pulverised.” Allison Vale in the British Theatre Guide said Jessica added “moments of real sparkle.”

It was great to meet her at the stage door after the matinee a couple of Saturdays ago where she signed my sketch.

Drawing: Michel Roux Jr.

Autographed drawing of Chef Michel Roux Jr

My latest favourite culinary wizard is two-star Michelin chef Michel Roux Jr, owner and Chef Patron of one of London’s finest restaurants, ‘La Gavroche’ (named after a character in Victor Hugo’s LES MISERABLES) in Mayfair. Opened in 1967 by Michel’s father Albert and his uncle Michel Snr, it was the first UK restaurant to be awarded a Michelin star in 1974 and then a second, three years later. Michel Jr grew up in the kitchen, where he developed and refined his cooking skills, before embarking on his culinary journey that took him to France and around a number of the established restaurants in London, eventually returning to ‘La Gavroche’ to take over in 1991.

Other notable chefs who have graced the Gavroche kitchen are Marco Pierre White, Gordon Ramsey and Marcus Wareing. Specialising in the classical foundations of French cooking, with a mixture of contemporary meals, some of the notable dishes include, the ‘Soufflé Suissesse (cheese soufflé baked on double cream), Omlette Rothschild and Le Caneton Gavroche (whole duck in a light consommé).

The restaurant, which has a three-month advance reservation list, gained some notoriety, with an entry in the Guinness Book of Records for serving the most expensive meal per head when three diners spent $20,945 on one meal… admittedly $19,248 was for six bottles of wine.

Michel has appeared in a variety of TV cooking shows, the latest as one of the co-presenters of SATURDAY KITCHEN since James Martin left in 2016. I dropped this sketch in to ‘La Gavroche’ for Michel to sign, which he kindly did.

Drawing: Grace Molony in Lady Windermere’s Fan

Autographed drawing of Grace Molony in Lady Windermere's Fan at the Vaudeville Theatre on London's West End

Dominic Dromgoole’s year-long effort to stage all of Oscar Wilde’s plays at London’s Vaudeville Theatre continues with his four-act comedy, LADY WINDERMERE’S FAN.

Playing the title role is recent LAMBA graduate Grace Molony in her West End debut. Last year she won Best Actress in a Play at the Stage Debut Awards for her first professional role, playing Kate in THE COUNTRY GIRLS at the Minerva Theatre in Chichester.

The Telegraph’s Claire Allfree described her as a “freshly hatched chick, full of undimmed optimism and awkward passion.” As the funny, winsome and good-hearted Lady Windermere, who suspects her husband is having an affair, Grace “is terrific in a part where she has to hold her own against (Jennifer) Saunders’s stonkingly good Duchess of Berwick,” wrote Mark Brennan in The Times.

I met Grace at the stage door after Saturday’s matinee where she signed and inscribed my sketch.

Drawing: Sir Alan Ayckbourn

Autographed drawing of playwright Alan Ayckbourn

“I hope my plays hold up in 400 years time, that’s the real test,” Sir Alan Ayckbourn once said. Well, none of us will be around to find out, but all 82 of them are certainly more than holding their own during his lifetime and a few to come.

Regarded as one of the world’s pre-eminent dramatists, Sir Alan is known for satirising middle class manners since his first West End hit RELATIVELY SPEAKING in 1968. Most of his plays started life in his beloved Stephen Joseph Theatre – named after his mentor – in Scarborough where Sir Alan was Artistic Director for 37 years, retiring in 2009. In that time such classics as ABSURD SINGULAR SINGULAR, BEDROOM FARCE, A CHORUS OF DISAPPROVAL, HOW THE OTHER HALF LOVES and THE NORMAN CONQUESTS were born.

“The joy of the English Language is in its infinite capacity for being misunderstood,” he said in a recent interview. I like his 2004 quote, “I am a playwright. Right? Writing is part of my ancient rite. It is my god-given right to write. I exercise that quite rightly, and write, write, write.”

I have had the privilege of meeting Sir Alan on a couple of occasions at London press nights and sent him this quick portrait drawing last week, which he kindly signed and returned.

Drawing: Toby Jones, Zoe Wanamaker, Stephen Mangan, Pearl Mackie, Peter Wight and Tom Vaughn-Lawlor in The Birthday Party

Autographed drawing of Toby Jones, Zoe Wanamaker, Stephen Mangan, Pearl Mackie, Peter Wight and Tom Vaughn-Lawlor in The Birthday Party at the Harold Pinter Theatre on London's West End

Many happy returns to Harold Pinter’s ‘comedy of menace’, THE BIRTHDAY PARTY as the starry West End revival opened last month. The play turns 60 this year and to celebrate at the theatre that is bearing the playwrights name, Sonia Freedman and seasoned Pinter-director Ian Rickson have assembled a wonderful cast for this British classic.

Famously savaged by all but the Sunday Times after the legendary London premiere in 1958, it has now grown to become one of Pinter’s most famous and most performed works. It’s a disturbing portrait of life in a run-down seaside boarding house on the southern English coast where piano-player Stanley Webber (Toby Jones) lives, run by Meg (Zoe Wanamaker) and Petey (Peter Wight) Boles, who arrange a party to celebrate their lodger’s birthday. The flirtatious Lulu, target of Stanley’s lust (Pearl Mackie) joins them, followed by two sinister strangers, Goldberg (Stephen Managan) and McCann (Tom Vaughn-Lawlor).

Critic Dominic Cavandish, in his five-star Telegraph review “rejoices in the play’s undiminished power to disconcert.” It has all the Pinteresque elements, ambitious identity, confusions of time and place and dark political symbolism.

I left my sketch with Toby at the Pinter stage door on Saturday and he along with the rest of the cast very kindly signed it for me.