Drawing: Zoe Rainey in Romeo and Juliet

zoe rainey

Northern Irish actress Zoe Rainey is appearing in her second Shakespearian production of the Kenneth Branagh Theatre Company’s season of Plays at the Garrick, playing Romeo’s mum, Lady Montague in ROMEO AND JULIET. Earlier this year she played Emilia in the tragicomedy THE WINTER’S TALE. Prior to that Zoe had worked with Kenneth in  the live action remake of Disney’s CINDERELLA and will be seen next year in another live action adaption of an animated classic, BEAUTY AND THE BEAST, also playing a maternal role, this time Belle’s mother. Her extensive stage career includes WICKED at the Apollo, GUYS AND DOLLS and PARADE at the Donmar Warehouse and the World Premiere of FINDING NEVERLAND at the Leicester Curve.

Zoe signed this sketch leaving the Garrick after an evening performance of R&J last week.

Drawing: Marisa Berenson as Lady Capulet

Marisa Berenson Lady Capulet

When Marisa Berenson signed my portrait sketch a couple of weeks ago I promised to return with a drawing of her as Lady Capulet-her role in the Kenneth Branagh Company’s ROMEO AND JULIET which is currently running at the Garrick Theatre in London.

Gracing the cover of every magazine during the seventies Marisa was one of the world’s most in-demand and highest paid models. Now, in her sixties she makes her West End debut as Juliet’s mother,not a model parent. The detached and superficial Lady Capulet’s relationship with her daughter is not a close one and Marisa’s portrayal was described by Quentin Letts as “nicely stiff appearance” in the Daily Mail.

I caught up with the very engaging Marisa at the Garrick stage door on Friday afternoon as she arrived for the evening performance and she was happy to sign this sketch for me as well.

Drawing: Meera Syal in Romeo and Juliet

Meera Syal

In another life when I trod the boards, I once played Peter in the Bard’s classic romantic tragedy ROMEO AND JULIET. Not a major character, but the one charged with adding comic relief to the sad tale – the story of my life.

Peter was the loyal servant of Juliet’s Nurse, a major character who acts as a go-between for Romeo and Juliet and is the only person besides Friar Laurence to know of the star-crossed lovers’ wedding. I say this as a feeble intro and my loose connection to the Nurse, a major role in Shakespeare’s archetypal love story.

Meera Syal plays the Nurse in the Kenneth Branngh Company’s latest revival at the Garrick Theatre in London. The comedian, writer, playwright, singer, journalist, producer and actress is probably best known for her portrayal as one of Britain’s most loveable Indian personalities, Sanjeev’s grandmother Ummi in THE KUMARS AT NUMBER 42.

Meera signed this sketch for me as she arrived for Saturday’s matinee.

Drawing: Lily James in Romeo and Juliet

Lily James

Young English actress Lily James’s star continues its meteoric rise with the title role in Shakespeare’s tragic tale of young star-crossed lovers, ROMEO AND JULIET as part of Kenneth Branagh Theatre Company’s Plays at the Garrick season in London.

Already well known for her roles are Lady Rose Aldridge in ITV’s period drama DOWNTON ABBEY, for which she and the ensemble cast have won two Screen Actors Guild Awards and this year’s BBC drama series WAR & PEACE, Lily is no stranger to the stage. After graduating from London’s The Guildhall School of Music and Drama in 2010 she quickly appeared in a variety of prominent plays, including the modern version of Chekhov’s THE SEAGULL at the Southwark Playhouse and as Desdemona in OTHELLO alongside Dominic West at the Crucible Theatre in Sheffield. The Daily Mail’s Quentin Lett’s wrote “…she practically sweeps all before her as Desdemona, poise, diction, allure – she has them all.”

I managed to position myself in a good place at the Garrick’s stage door barriers after the first night performance last Thursday, where initially two security officers were in attendance and soon joined by a third after he had finished his duties at Kit Harington‘s meet-and-greet one street over at the Duke of York’s. Obviously they were anticipating a large gathering and that proved to be the case. Eventually, both Lily and her ‘Romeo’, Richard Madden, who was also her Prince Kit in Disney’s 2015 live-action version of CINDERELLA appeared and Lily signed and dedicated this sketch for me.

Drawing: Tom Conti in Jeffrey Bernard is Unwell

Tom Conti Jeffrey Bernard Is Unwell

JEFFREY BERNARD IS UNWELL was a  famous one-line apology on a blank page in the respected British magazine, The Spectator, when the infamous columnist and constant soak Jeffrey Bernard was either to drunk or hung-over to produce the required copy for his LOW LIFE column. It is also the title for Keith Waterhouse’s hit play and loving tribute to the legendary Soho drunk, which premiered in the West End at the Apollo Theatre in 1989 with Peter O’Toole in the title role. He also revived the part in the sell-out run at the Old Vic ten years later. Peter was followed by Tom Conti, who also revived the role at the Garrick Theatre in 2006.

According to the playwright, Jeffrey Bernard was born in 1932 – probably by mistake. He had few friends at school, preferring to sit at the back of the classroom, playing with himself. He left, a chain smoker with no worthwhile academic qualifications. In 1946 Jeff paid his first visit to Soho and from that point he was never to look forward, finding himself in his element as a registered layabout in the cafes and pubs of Dean and Old Compton Streets. It was here that he ‘developed his remarkable sloth envy and self-pity.’

He failed at a number of odd jobs, including a disastrous stint as a barman, which was to lead to his chaotic life of alcohol abuse and ‘chronic unwellness’.

A sycophant, he mixed with the famous Soho residents including Dylan Thomas and Francis Bacon and by chance became a journalist firstly for ‘Sporting Life’ before establishing himself as one of the funniest columnists in British journalism. He was the first racing correspondent to write from the point of view of the loser, a stance that was to become the basis for his future writing.

He once wrote the following, which summed up his existence. “I have been commissioned to write an autobiography and I would be grateful to any of your readers who could tell me what I was doing between 1960-1974.”

Tom signed this appropriately chaotic sketch I drew of him in his role as Jeffrey Bernard at the Garrick, which he signed for me at the Park Theatre last week during his season in THE PATRIOTIC TRAITOR.

Drawing: Brandon Victor Dixon in The Scottsboro Boys

scottsboro

The final collaboration between legendary composing duo John Kander and Fred Ebb (Cabaret, Chicago) The Scottsboro Boys, tells the story of a group of nine black teenagers brought together by fate in a case that sparked the American Civil Rights Movement and led to two pivotal Supreme Court rulings. The show premiered off Broadway in February 2010, moving to Broadway’s Lyceum Theatre in October. The musical then opened in London’s Young Vic Theatre in 2013 where it sold out, before moving to the Garrick Theatre in the West End in October 2014.

Grammy and Tony nominee Brandon Victor Dixon made his West End debut as Haywood Patterson in The Scottsboro Boys. A Columbia University graduate, Brandon was a scholarship winner at the British Academy of Dramatic Acting at Oxford.  He recently created the role of Berry Gordy in Motown, The Musical with a Drama League Award nomination.

His Tony nomination was for his role as Harpo in Broadway’s The Colour Purple and won the Drama Desk, Lucille Lortel, Out Critic’s Circle, Drama League and AUDLCO award for his outstanding portrayal of Haywood Patterson in the original off-Broadway production of The Socttsboro Boys.

His producing credits include Of Mice and Men (2014) and Hedwig and the Angry Inch which won the 2014 Tony Award for Best Revival of a Musical.

In recognition of this intelligent musical about a notorious episode of American racial injustice, The Scottsboro Boys was nominated for 12 Tonys and 6 Olivier Awards, but failed to win any. It did win the London Critics’ Circle and Evening Standard Awards for Best Musical.

The West End run finishes today.

Drawing: Tamsin Greig in The Little Dog Laughed at the Garrick Theatre

tamsin greig

Tamsin Greig said she was inspired to become an actor going to rehearsals of school plays… because it got her out of science and the only other thing she was good at was trampolining which didn’t seem to have much of a future in it.

In 2010, Tamsin played Diane, a ferociously ambitious agent in The Little Dog Laughed, alongside Gemma Arterton, Rupert Friend and Harry Lloyd at the Garrick Theatre in London. By all accounts she stole the show, some critics even said “saved it”. She had all the best lines.

In fact, the play is more a vehicle for Diane’s character. As Michael Bilington calls it, “the play depends on an ingenious imbroglio. Diane… this power-dressed female Machiavel.”

“Tamsin Greig dominates as the lethally sharp agent, detonating every line with killer punch and timing.” Said The Daily Express.

She was nominated for an Olivier Award for Best Supporting Actress (having previously won in 2007 for Much Ado About Nothing) and won the WhatsOnStage Theatregoers Choice Award. Tamsin is known for doing both dramatic and Comedic roles, although the latter generally cause problems. Sh has admitted to ‘corpsing’ which is British theatrical slang for unintentionally breaking character by laughing.

When I looked at this sketch, which Tamsin signed in February 2010, I thought ‘her hands are disproportionally larger”. Taking into account some foreshortening with the left. So I looked at a number of photos of her and she does have large hands and long fingers! Art indeed imitated life. That must have been the same for Michelangelo when he was sculpting the the David statue.

Drawing: Miss Polly Rae

miss polly rae001

Miss Polly Rae is one of the leading singers and dancers in the Neo-burlesque scene.

Fusing fashion, music and popular culture, her ‘Hurly Burly Show’ was the first major burlesque inspired musical spectacular to be staged in a West End Theatre, playing the Garrick in 2011.

Full of wit and joie de vivre, it transferred, it transferred for a 12 week limited season at the Duchess Theatre in 2012, where Miss Polly signed my sketch.

Drawing: Lynda Baron

Lynda Baron001

Nurse Gl-Gl-Gl-Gladys Emmanuel – the object of Arkwright’s affections  in Open All Hours – alias Lynda Baron signed my sketch after a performance of J.B. Priestley’s  When We Were Married at the Garrick Theatre in the West End in November 2012.

She is currently featuring in D.H. Lawrences’s The Daughter at the Sheffield Crucible.

Drawing: Gemma Arterton in A Little Dog Laughed at the Garrick Theatre

Gemma Arterton001

 

Gemma Arterton signed my drawing at the Garrick Theatre in London, in 2010, after a performance of “A Little Dog Laughed”.