Drawing: Anna Goryachova in Carmen

Autographed drawing of opera singer Anna Goryachova in Carmen

Russian mezzo-soprano Anna Goryachova made her Royal Opera debut earlier this year in the title role of Barrie Kosky’s ‘daringly dark’ new production of CARMEN. She shared the role with fellow debutant Gaelle Arquez. The 34 year-old native of St Petersburg began her opera career in her hometown’s Chamber Opera and has been a popular performer throughout Europe and Scandinavia since.

She had previously performed the role of CARMEN at Belgium’s Opera Vlaanderen and Teato Real in Madrid. In London the production broke with convention, resembling more the dazzle-dazzle of Vaudeville. Anna signed my drawing, which I left for her at the Royal Opera House stage door, with a vivid red crayon and returned it to me along with a very nice thank you note.

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Drawing: Gaelle Arquez in Carmen

Autographed drawing of opera singer Gaelle ArquezOne of the world’s rising young opera stars, French mezzo-soprano Gaelle Arquez made her Convent Garden debut earlier this year, performing the title role in the Royal Opera’s production of Bizet’s CARMEN. It’s a role she knows well however, having played the famous gypsy previously this year in Frankfurt and Madrid. After graduating from the Conservatoire National Superieur de Musique de Paris, Gaelle debuted as Zerlina in DON GIOVANNI for the Opera de Paris and has since played all the major opera houses around the world. Gaelle signed my drawing at the Royal Opera House after a performance of CARMEN last month.

Drawing: Nicole Car in Carmen

Nicole Car

“It’s every opera singers dream of singing at Covent Garden,” said the hotly-tipped Australian Nicole Car when she arrived in London and made her Royal Opera House debut late last year in two high-profile roles, playing Micaela in Bizet’s Spanish tragedy CARMEN and the lead, Tatyana in EUGENE ONEGIN.

Her response to performing on to the iconic stage for the first time? “Kind of cool.” An understatement that belied the rave reviews. Nicole never reads reviews during the run, but she could tell by the sustained applause on opening night that she was more than cool. George Hall in his Guardian review of her portrayal of ‘opera’s good girl’ Micaela wrote, “Australian debutant Nicole Car was the evening’s most complete performance… her luminous soprano proves ideal for Bizet’s soaring lines and she acts with intelligence and immediacy.”

The Sydney Morning Herald headlined aa article about Nicole with, ‘The Opera Diva you’ve never heard of, but soon will,” and she signed her name on this drawing I did  of her as Micaela.