Drawing: Dianne Pilkington in Mamma Mia! and Young Frankenstein

Dianne Pilkington’s impressive stage career began in 1997 when became a cast member in the West End production of LES MISERABLES, including understudying the role of Fantine. After the UK tour of CATS, Dianne was selected to portray Glinda in the musical WICKED at the Apollo Victoria Theatre in 2007. From 2013-2016 she played Donna Sheridan in MAMMA MIA! at the Novello Theatre. This month Dianne began the West End run of Mel Brook’s musical version of his 1974 film YOUNG FRANKENSTEIN at the Garrick Theatre, playing Frederick Frankenstein’s fiancée Elizabeth Benning. Dianne signed my drawing after Saturday’s matinee.

Drawing: Christian Slater in One Flew Over The Cuckoo’s Nest

After a ten year hiatus, Christian Slater has returned to the West End in the revival of David Mamet’s landmark 1983 drama GLENGARRY GLEN ROSS, which is currently in previews, opening on 9 November at the Playhouse Theatre. Last seen in the business satire SWIMMING WITH SHARKS at the Vaudeville in 2007, Christian made his London stage debut as the rebellious Randle Patrick McMurphy in Dale Wasserman’s adaption of Ken Kesey’s cult novel ONE FLEW OVER THE CUCKOO’S NEST at the Gielgud in 2004. He reprised the role for a return season two years later at the Garrick. Christian very kindly met a few of us waiting at the Playhouse stage door after the first GLENGARRY matinee and signed my CUCKOO’s NEST sketch.

Drawing: Craig Revel Horwood in Annie

The STRICTLY COME DANCING judge Craig Revel Horwood is dividing his time these days between the popular BBC show at Elstree Studios and his role as the tyrannical orphanage manager Miss Hannigan in the musical ANNIE at the Piccadilly Theatre in London’s West End. He took over from role from Miranda Hart in mid-September for a limited 10 week run (minus Saturdays).

The Australian-born British dancer, choreographer and theatre director’s West End credits include CATS, MISS SAIGON, CHESS, CRAZY FOR YOU and SUNSET BOULEVARD. But it is his STRICTLY appearance as one of the original and most formidable judges since the show’s inception in 2004 that TV viewers know him best.

In 2012, commenting on KImberley Walsh’s dance routine he said it was “indecent, improper, absolute filth… and I loved it!” Craig is also known for his catch phrases. A common utterance is ‘Fab-u-Lous’ with the syllables of each word articulated in three separate words. He included it in the dedication on this signed sketch I drew of him as Miss H, left at the theatre last week.

Drawing: Shuler Hensley in Young Frankenstein

The ‘gentle giant’, 6′ 3′ American singer and actor Shuler Hensley revived his role as the Monster in Mel Brook’s musical version of his 1974 YOUNG FRANKENSTEIN when it opened at the Garrick Theatre in London’s West End this month. It’s a role he originated on Broadway in 2007, earning a Tony nomination before continuing the part for the US National tour.

Schuler is no stranger to London audiences, winning the Olivier Award for his portrayal of Jud Fry in OKLAHOMA at the National Theatre in 1998, before transferring a year later to the Lyceum in the West End. In 2002 it crossed the Atlantic to Broadway’s George Gershwin Theatre where he continued his winning ways, collecting the Tony in the process. Shuler signed my Monster sketch at the Garrick stage door on Saturday on his way in for the matinee.

Drawing: Kelsey Grammer in La Cage Aux Folles

Best known to TV audiences for his two-decade portrayal of psychiatrist Dr Frasier Crane in the sitcoms CHEERS and FRASIER, Kelsey Grammer is making his London stage debut next week in BIG FISH THE MUSICAL, based on the Tim Burton film, at The Other Palace. No stranger to the boards, Kelsey’s first Broadway role was Lennox in MACBETH, taking over the lead in 1981. It wasn’t until April 2010, however that he did his first Broadway musical, playing Georges in a revival of LA CAGE AUX FOLLES, collecting a Tony Award nomination for his performance.

In fact, for major awards, Kelsey has received 45 nominations, winning 18, including five Emmys and three Golden Globes. He was the first American actor to win nominations for the same character on three different television shows- CHEERS, FRASIER and a one-off crossover appearance in WINGS. He collected his only Tony win to date for producing THE COLOUR PURPLE last year.

It was great to catch up with Kelsey last week in London, while he was rehearsing for BIG FISH. He is one of the nicest people I have met in the business and was more than happy to sign my drawing of him.

Drawing: Martin Freeman and Tamsin Greig in Labour of Love

Playwright of the moment, James Graham currently has two plays featuring in the West End, only doors apart on St Martin’s Lane. INK, the story of the Sun newspaper opened at the Duke of York’s in September after transferring from the Almeida Theatre and at the Noel Coward Theatre, his take on the Labour party’s thorny past, LABOUR OF LOVE opened earlier this month with Martin Freeman and Tamsin Greig in the lead roles.

It’s very rare to have a new play open directly into the West End without a prior try-out lelsewhere. Martin plays David Lyons, Oxford educated Blairite MP for the East Midlands and Tamsin is Jean Whittaker, the long-time constituency office agent of the staunch leftie old guard persuasion. Described as a political romcom, LABOUR OF LOVE is set on the night of the 2017 election night rewinding back through the party’s history over the previous 27 years.

It’s full of gags such as this one when Jean comments on the party selecting the red rose when rebranding in the nineties, “it looks pretty, but it’s full of pricks.” Both Martin and Tamsin signed this sketch for me last weekend at the stage door.

Drawing: Lesley Joseph in Young Frankenstein

English actress Lesley Joseph sobbed… but in a good way, when she found out she had won the role of housekeeper and superannuated lover of the original Doctor F Frau Boucher in Mel Brook’s new West End stage production of his 1974 film YOUNG FRANKENSTEIN. “Oh my God I’m going to be working with Mel Brooks!”

Lesley became an international name as Dorian Green in the British TV sitcom BIRDS OF A FEATHER and recently as a contestant on STRICTLY COME DANCING with partner Anton Du Beke. In his four-star review for The Independent, Paul Taylor wrote, “Lesley Joseph brings a superb hatchet-faced obsessiveness to Frau Blucher and her idiotic goose-stepping devotion to the memory of the violent older Frankenstein.”

Lesley signed my Frau B sketch going into the Garrick Theatre for Saturday’s matinee.

Drawing: Charlotte Spencer in Love In Idleness

Charlotte Spencer

I drew BAFTA-nominated English actress Charlotte Spencer in her role as Christine Keeler in Andrew Lloyd Webber’s musical STEPHEN WARD, which she signed for me at the Aldwych Theatre back in 2013. She returned to the London stage earlier this year in the Menier Chocolate Factory’s revival of Terrance Rattigan’s LOVE IN IDLENESS, which transferred to the Apollo in May, playing Diane Fletcher, the estranged ‘yet not entirely uncooperative wife” of Tory minister Siri John Fletcher. Charlotte also signed this drawing for me at the stage door.

Drawing: Edward Bluemel in Love In Idleness

Edward Bluemel’s immediate family all have one thing in common, his mum is an Oxford physicist, his dad an Oxford chemist, his sister a Cambridge philosopher and his brother an Oxford classicist so when he decided not study at Oxbridge, opting instead for an acting career and studying at the Royal Welsh Academy. It was a bold move. But it has proved fruitful.

Since then the 24 year-old has appeared in numerous screen roles, most notably as the young aristocrat Toby Hamilton in the ITV ‘s drama THE HALCYON. This year he made his professional stage debut in Trevor Nunn’s revival of Terrance Rattigan’s LOVE IN IDLENESS at London’s Menier Chocolate Factory, which transferred to the Apollo Theatre in the West End. It’s the third in Rattigan’s ‘war plays’ set in the same period as THE HALCYON, so Edward had a good reference. He played Michael a young evacuee who develops socialist tendencies while spending the war years in Canada. He returns home to his widowed mother who is now the mistress of a right wing government minister.

It’s a part Edward described as ‘a complete millennial snowflake.’ In her review for the Guardian, Kate Kellaway said, “Edward Bluemel is spot on as Michael” and Mark Shenton was equally impressed writing, “As that son, Edward Bluemel catches the arrogant sense of youthful entitlement with an appropriately irritating vigour.” I could up with Edward at the stage door after a matinee performance in May and he signed this sketch for me.

Drawing: Natalie Dormer

English actress Natalie Dormer has returned to the West End this month as the brash, vulgar, unschooled actress Vanda Jordan in the Patrick Marber-directed two-hander VENUS IN FUR at the Theatre Royal Haymarket. Natalie’s last appearance on the London boards was Patrick Marber’s AFTER MISS JULIE at the Young Vic in 2012. Reviews said she was “nothing short of sensational”. She also appeared two years earlier on the same stage as Mitzi in SWEET NOTHINGS. Natalie gained international prominence on the big screen as Cressida in THE HUNGER GAMES: MOCKINGJAY, Parts 1 and 2 and on the small screen as Margaret Tyrell in THE GAME OF THRONES.I meet her after Saturday’s evening performance at the stage door where she signed this drawing for me.