Drawing: Sir Peter Ustinov

peter ustinov001

One of the people I had always wanted to to meet was Sir Peter Ustinov – actor, writer, noted wit and raconteur. In July 1990 I was privileged to see his one man show at the Civic Theatre in Invercargill, New Zealand and meet him afterwards.

In an interview, Sir Peter mentioned the Invercargill incident, “in a theatre that smelled of a furniture depository and made it very clear that it wasn’t very often used. Suddenly in the middle of my performance all the lights went out, including the exit signs.”

He continued performing in the dark, and got more laughs. He compensated for the lack of being seen by verbally expressing his actions in a more descriptive manner. After 20 minutes, the lights came back on, “I was dying for them to fail again,” Sir Peter said.

The interview was in 1992 – two years after the performance, when time allowed him to view the incident in a more positive way. But on the night his mood was colder than the Winter’s evening. At the time I was Deputy Mayor, and hosted a function for Sir Peter after his show. As you could imagine, he was not in a good frame of mind and his sense of humour had vanished. It took some coaxing by our City Manager, Richard King, to get him to the Mayoral Lounge, next to the Theatre.

Once there he was very charming. I asked him to sign my caricature. He looked at it for a while, then quipped, “yes, that’s me.”

My wife, Senga, had given birth to our son Ben the day before, so I asked him to add on “and wee Ben” to the inscription. He duly obliged, with ‘Ben’ in much smaller script. His sense of humour was restored, but no one mentioned the unscheduled black-out.

Cartoon: Billy Connolly

In February 2004 “The Big Yin” Billy Connolly played a gig in my home town of Invercargill, New Zealand. I was involved in Koru Care, which was an organisation established by Air New Zealand staff to provide holidays for terminally ill children. One of my pet projects, incorporating my ‘graph-ic vice’ was asking well known people to produce a doodle using a circle. The intention was to produce a book, entitle Celebrity Circles to assist our fundraising.

Anyway, back to Billy. He’s staying at the Ascot Park Hotel. On the day of his show, The Southland Times published this toon:

billy connolly001

I thought I would drop a copy of it to Billy to sign for me, along with a blank circle and an invitation to participate in the Koru Care project. The show was brill, and a couple of days later I received a package with my signed cartoon, and a drawing for Koru Care.

billy c KC

Buoyed by this success, I was spurred to try again and to ask him to write the book’s intro as well. Soon enough, this arrived in the mail, which made my day: Continue reading

Drawing: Johnny Depp

Johnny Depp001

John Christopher Depp II, abbreviated to ‘Johnny‘, is not short of a bob or two. His films have grossed over $3.1 billion alone at the US Box Office, and $7.6 billion worldwide. He is reported to be the highest paid actor of all time.

I sketched this quick portrait, which he signed on his walk about in the current British heatwave at the UK premiere of The Lone Ranger at the Odeon Theatre in London’s Leicester Square. With his wealth, he could do a sequel entitled The Loan Arranger….

Drawing: Hugh Jackman

hugh jackman001

In 2004 ‘The Sexiest Man Alive’ according to a number of publications, including People Magazine, Australian actor and producer Hugh Jackman won a Tony Award for his role in The Boy From Oz – a jukebox musical based on the life of fellow antipodean singer/songwriter Peter Allen. After it’s world premiere in Sydney on 5 March 1998, it opened on Broadway at the Imperial Theatre on 16 September 2003 with Hugh taking over the lead role from showman Todd McKenney and ran for a year. It also returned to Australia from August/September 2006 with a specifically designed arena production.

Hugh liked the sketch and amongst the madness and mayhem of screaming fans (mostly of the female persuasion) at the UK premiere of The Wolverine he signed it and interrupted his ‘graph to go’ speed signing to pass on complementary remarks.

Drawing: Olivier Wilde

Olivia Wilde

Oliva Jane Cockburn has dual citizenship, holding both American and Irish passports. She derived her stage name – Olivia Wilde – from one of the latter’s most famous authors, Oscar Wilde.

She signed this quick profile portrait at the premiere of Cowboys and Aliens at London’s O2 in August 2011, and I later found myself captured and published by the swarming paps.

Drawing: Olga Kurylenko

Olga K.001

The Ukranian-born French actress Olga Kurylenko became the Bond girl Camille in the 22nd franchise film, Quantum of Solace in 2008.

She has featured in a number of films since, including Oblivion, with Tom Cruise. She signed my sketch in person at its UK premiere at the BFI IMAX in London in April this year, with her abbreviated ‘premiere graph’ ‘Olga K’.

Back in 2008 I got a full name siggy (and a smiley face) on another sketch at Pinewood Studios while she was filming Bond, apparently a rarity.

Olga K.002

Caricature: Barry Humphries

barry humphries

Barry Humphries has a face destined for caricature. I was visiting Sydney in early 1991, actually I was visiting Sydney every year since the late 70’s … but on this particular occasion Barry was performing his solo show, The Life and Death of Sandy Stone – his third most recognised alter-ego behind Dame Edna, the Melbourne housewife with a rampant ego and Sir Les Patterson, cultural attaché to the court of St James. Sandy Stone is the ‘returned gentleman’ – a digger from WWI.

I saw this great pic of Barry in a local rag, so I drew this caricature. I thought, he could keep the original and sign a copy for me… so I sent 4 copies for good measure. I could donate one or two to my favourite charities.

I dropped it off at the Theatre. I’m not sure which one, I think the Philip Street Theatre where Barry had connections since the late 50’s.

Anyway, a week later a parcel arrived back in New Zealand with the copies all signed… as you would expect with a witty twist. This one is simply his sig. On the others – remembering it was a copy of the same sketch – he wrote “I like this one,” “this one’s not me,” and “not a bad likeness”.

I couldn’t get a ticket to his show – sold out – but he is doing a farewell tour, which is headed for London later this year and includes Sandy Stone. So here’s hoping!

Drawing: Hayley Mills

Hayley Mills

Hayley Catherine Rose Vivien Mills found fame at the age of 13 in Walt Disney’s Pollyanna. She won a special juvenile Oscar for her role and went on to make five other films for Disney to become one of the most popular actresses of the early sixties. Despite her long and successful career, Hayley isn’t sure she would have made it in acting had she not been a child star. “I started work at the right time. At 13 I was still spontaneous and unselfconscious.”

She mad an early stage debut as well, in the 60s  West End revival of Peter Pan, as the title character. Her Godfather was the playwright, actor and singer, Sir Noël Coward. In 1992 she toured New Zealand, Australia and the UK in his play Fallen Angels with her sister Juliet. It played my home town of Invercargill, New Zealand, and I was lucky enough to meet them both at the stage door of the Civic Theatre.

Hayley signed my sketch in London, at her agent’s office in 2010.

Drawing: Oliver Stone

oliver stone

Three time Academy Award winner Oliver Stone has always focused on contemporary and controversial political and cultural issues. His feature length documentary ‘South of the Border‘ – the story of firebrand Venezuelan President Hugo Chavez and his leftie Latin American allies was no exception.

Oliver attended screening of the film at Mayfair’s Curzon Cinema in London in July 2010, followed by a Q+A session. I quickly drew this sketch and as you can imagine, he was a popular target for ‘graphers’.

As he walked down the cobble stoned street outside the theatre, a marauding band attacked him for his sig as he headed to a local constabulary for some hospitality.

He signed on the run, but I managed to stop him with the sketch. For some reason my kiwi accent made ‘Mark’ sound like ‘Max’, or maybe he only hears American accents. Either way, I was very happy he signed, as he zeroed in on a waiting entrée, which was probably only another hundred autographs away.

Drawing: Sir Peter Jackson

peter jackson001

I drew this sketch of Peter Jackson to illustrate my feature article on the chances of the first instalment of the Lord of the Rings trilogy – The Fellowship of the Ring – at the 2002 Academy Awards.

A friend of mine was a production assistant at WingNut films. I sent the sketch to her and she got Sir Peter to sign it for me.