Drawing: Sir David Attenborough

David Attenborough

Naturalist Sir David Attenborough is one of my favourite broadcasters. In fact he’s considered by most as ‘the greatest broadcaster of our time’. The 89-year-old has also been called one of Britain’s ‘living treasures,’ a term Sir David does not like.

“My shoes are very unfashionable shoes. I’m the last in a particular style that was established 30 years ago. People make different kinds of programmes now. I don’t think anyone’s trying to fill my shoes” he once said. Which is true, both literally and figuratively. He is one of a kind. The only person to win BAFTAs for programmes in each format – black and white, colour, HD and 3D. among a gazillion accolades, including 32 honorary degrees.

Although I have had the pleasure of meeting him on a couple of occasions, I actually sent this sketch of Sir David to his production company in Surrey and he immediately returned it, signed.

Drawing: Lady Rizo at the Soho Theatre

Lady Rizo

‘New York City’s prized cabaret superstar’, comedian and chanteuse (that’s a female singer of popular songs) Amelia Zirin-Brown, alias Lady Rizo returned to London’s Soho Theatre last month for a sell-out season of her new show MULTIPlIED, exploring how her newfound fecundity and parenthood fitted in with a glamorous show-pony, gypsy lifestyle.

Lady R modus operandi is ripping apart carefully chosen pop songs and her own stirring originals. In 2005 she co-created the  cult caburlesque spectacular LADY RIZO AND THE ASSETTES and five years later won a Grammy Award, followed by the TimeOut and Soho Theatre Cabaret Award at the 2012 Edinburgh Fringe.

I dropped this sketch off at the Soho and she returned signed and dedicated it for me.

Drawing: Kate Fleetwood

Kate Fleetwood

I finally got to meet the wonderfully versatile British actress Kate Fleetwood on Saturday as she arrived at London’s latest fashionable pop-up theatre Found 111 in Charing Cross Road for the matinee performance of Tracy Letts’ BUG in which she plays the lonely waitress Agnes opposite James Norton. She remembered my other drawing with affection, which she signed for me after I left it at the National when she played Goneril in KING LEAR in 2014.

Evening Standard critic Fiona described her ” beguiling feline face and wonderfully pronounced cheekbones and startling oval eyes” in her interview with Kate this month.All the more reason to draw her.

Raised in the Stratford-upon-Avon area,  Kate joined the Royal Shakespeare Company and her career defining role was one of the Bard’s most famous role as Lady M in the Chichester Festival Theatre 2007 production of MACBETH opposite Patrick Stewart, directed by her husband Rupert Goold at the National, which transferred to Broadway and earned her a Tony nomination. She was also nominated for an Olivier in 2012 for her role as Julie in the ground-breaking musical LONDON ROAD.

It’s been a gloriously hectic year for Kate playing the prickly socialite Tracey Lord in HIGH SOCIETY at the Old Vic, the ferocious MADEA in Rachel Cusk’s 21st Century take on the Greek tragedy at the Almeida and appearing in STAR WARS:THE FORCE AWAKENS as a First Order Officer.

I drew this sketch of Kate incorporating her roles as the goaler’s daughter in THE TWO NOBLE KINSMEN at the Globe in 2000, MEDEA and Agnes in BUG, which she signed for me.

Drawing: James Norton in Bug

James Norton

James Norton is certainly flavour of the month, if not the year and according to The Sunday Express, the 30 year old British actor is “set to become one of the biggest names of his generation”. A BAFTA nomination for his role as a psychopath in the TV crime drama HAPPY VALLEY, a lead role in WAR & PEACE and the crime-solving vicar, Sidney Chambers alongside Robson Green in the latest cult series GRANTCHESTER has cemented his status.

He is currently treading the London boards at Found 111, the tiny 130 seat pop-up theatre space on Charing Cross Road in Tracy Letts 1996 paranoia play BUG. He plays Peter, a Gulf War vet who is on the run from being experimented on at an army hospital and arrives at a seedy hotel where he meets lonely waitress (Kate Fleetwood).

Both are damaged souls and both become concerned with the infestation of bugs, both insects and surveillance devices. Henry Hutchings wrote in his Evening Standard review, “the impressive Norton slowly exposes Peter’s psychological injuries. As he treats his body like a laboratory for a series of gruesome (one audience member fainted during Wednesday’s evening performance) experiments, every audience member’s flesh starts to crawl.”

Jame arrived with plenty of time to spare for Saturday’s matinee and was happy to spend time with a gathering of fans, mostly female and a couple of us male types and signed this sketch for me. He even said he liked it, but I guess what he has to suffer on stage being sketched is the least of his worries.

Drawing: Tom Conti in Jeffrey Bernard is Unwell

Tom Conti Jeffrey Bernard Is Unwell

JEFFREY BERNARD IS UNWELL was a  famous one-line apology on a blank page in the respected British magazine, The Spectator, when the infamous columnist and constant soak Jeffrey Bernard was either to drunk or hung-over to produce the required copy for his LOW LIFE column. It is also the title for Keith Waterhouse’s hit play and loving tribute to the legendary Soho drunk, which premiered in the West End at the Apollo Theatre in 1989 with Peter O’Toole in the title role. He also revived the part in the sell-out run at the Old Vic ten years later. Peter was followed by Tom Conti, who also revived the role at the Garrick Theatre in 2006.

According to the playwright, Jeffrey Bernard was born in 1932 – probably by mistake. He had few friends at school, preferring to sit at the back of the classroom, playing with himself. He left, a chain smoker with no worthwhile academic qualifications. In 1946 Jeff paid his first visit to Soho and from that point he was never to look forward, finding himself in his element as a registered layabout in the cafes and pubs of Dean and Old Compton Streets. It was here that he ‘developed his remarkable sloth envy and self-pity.’

He failed at a number of odd jobs, including a disastrous stint as a barman, which was to lead to his chaotic life of alcohol abuse and ‘chronic unwellness’.

A sycophant, he mixed with the famous Soho residents including Dylan Thomas and Francis Bacon and by chance became a journalist firstly for ‘Sporting Life’ before establishing himself as one of the funniest columnists in British journalism. He was the first racing correspondent to write from the point of view of the loser, a stance that was to become the basis for his future writing.

He once wrote the following, which summed up his existence. “I have been commissioned to write an autobiography and I would be grateful to any of your readers who could tell me what I was doing between 1960-1974.”

Tom signed this appropriately chaotic sketch I drew of him in his role as Jeffrey Bernard at the Garrick, which he signed for me at the Park Theatre last week during his season in THE PATRIOTIC TRAITOR.

Drawing: Tom Conti and Laurence Fox in The Patriotic Traitor

Tom Conti Laurence Fox

Jonathan Lynn’s new play THE PATRIOTIC TRAITOR examines the gripping encounter between two giants of history, France’s WWI hero Philippe Petain and his protege Charles de Gaulle and the infamous armistice with Nazi Germany signed during the Second World War, which resulted in de Gaulle trying his life long friend for treason. Tom Conti played Petain and Laurence Fox was De Gaulle, which completed its run at North London’s Park Theatre last week. In his five-star review for the Daily Mail, Quentin Letts wrote “… scintilla tingly topical, beautifully written and magnificently acted.”

Both Tom and Laurence signed this montage drawing for me on the final night.