Drawing: John Hopkins in Holy Warriors

John Hopkins Holy Warriors

I am an unashamed fan of the British TV series MIDSOMER MURDERS. John Hopkins featured in 14 episodes as DS Daniel Scott, sidekick to John Nettles’ DCI Tom Barnaby. After leaving the show he returned to the stage. One of his recent theatrical appearances was in the critically acclaimed HOLY WARRIORS at Shakespeare’s Globe last year.

The David Eldridge play centres on Richard I’s Third Crusade against Saladin over the possession of Jerusalem, the medieval clash between Christianity and Islam that has lead to a direct line to the violence still engulfing the Middle East today. Richard is one of the few English Kings that is still known by his epithet – Richard the Lionheart, rather than his Regnal number. He had an ignominious ending, killed while laughing at a defender of a castle he was besieging who was using a frying pan as a makeshift shield.

John played the ‘Coeur de Lion’, receiving excellent reviews.

I drew this sketch of John as Richard, which gave me the chance to meet him last Saturday at London’s Tricycle Theatre where he is currently featuring in the hilarious spoof BEN HUR. He happily signed this drawing, while we discussed the general state of the world and… MIDSOMER MURDERS.

Drawing: Ben Forster and Kimberley Walsh in ‘Elf The Musical’

Elf

A sense of deja vu prevailled as I waited for Ben Forster to emerge from the Dominion Theatre’s stage door after a matinee performance as Buddy in ELF THE MUSICAL. Based on the popular 2003 film. The production premiered on Broadway during the festive season of 2010-11 before it’s 2014 UK debut in Plymouth with Ben in the lead role, reprising it for the west end transfer.

One of theatre’s genuinely nice guys, Ben has been the subject of a number of my sketches. Last year I was standing in the same spot for him to emerge from another matinee, this time playing Magaldi in EVITA. The usual band of admirers were waiting, probably the same people on both occasions. After the ritual selfies with them, or in this case ‘elfie’ (sorry) Ben signed the drawing with his usual kind compliments. I asked him what he was doing next and he said “Phantom.” “The masked man himself?” I quipped  and he confirmed he will  take on the title role across town at Her Majesty’s from early February.

Playing opposite Ben as Jovie was pop star Kimberley Walsh from ‘Girl’s Aloud” fame, who was also included in my sketch. I had to return another day to get her to sign it because, as Ben explained, with a young baby she needed all the rest she can get so didn’t come out between shows. However the night returned it rained and my untrustworthy umbrella lived up to it’s status. That didn’t deter Kimberly, who signed through the drops with the spirit-based sharpie which slipped over the damp paper without a smudge.

Drawing: Janet McTeer in The Taming of the Shrew

The Taming of the Shrew

I was very pleased to hear that Olivier and Tony Award winner Janet McTeer has returned to the London stage and is in currently appearing in LES LIAISONS DANGEREUSES at the Donmar Warehouse. Not only is it a chance to see this wonderful British actress perform, but an opportunity to meet her and, naturally the possibility of having a sketch or two signed crossed my mind ( and yes, before you think it… not a long journey). This particular drawing is based on her role in Phyllida Lloyd’s all-female production of THE TAMING OF THE SHREW at the Shakespeare’s Globe in 2003.  She played Petruchio, a young man, intent on taming the ‘shrew’. Blurring the fringes between genders has been a rewarding theme in Janet’s career. Her Oscar-nominated role as Hubert Page in ALBERT HOBBS is another recent example. Actually I read that after hearing of her nod for that role, she and her husband had a low-key celebration, drank some champagne, ate cheesecake and watched DOWNTON ABBEY. “It doesn’t get better than that”, she said. With that type of down-to-earth philosophy I thought she wouldn’t mind signing my sketch. I was right.

Drawing: Ben Hur at the Tricycle Theatre

Ben Hur

The William Wyler 1959 blockbuster BEN HUR won 11 Oscars with a cast of thousands, including 10.000 extras, 365 speaking parts, 2,500 horses, a swelling score, the entire Roman Empire, chariot racing, sea battles, a galley of half-naked slaves, glistening torsos, Charlton Heston, did I mention the Roman Empir…oh yes I did. Tim Carroll’s production is a more modest version, not quite the biblical proportions of the original epic, but has kept some elements and a cast of….ur …four. But an excellent one  at that.The energetic quartet playing  hapless fictional thesps, staging the show are John Hopkins, Ben Jones, Richard Durden and Alix Dunmore who endlessly recycle themselves into various characters.

I remember seeing John in the ‘superlatively skewered’ Hitchcock spy spoof THE 39 STEPS a few years ago. The hit show, which was described as one of the best things to come out of the West End in the last decade, played London’s Criterion Theatre for nine years, winning multiple awards and is currently on a National Tour.

The very same playwright, Patrick Barlow is responsible for this pocket-sized, ‘redux maximus’ adaption, which began life in 2012 at The Watermill Theatre in Newbury, and has been subject to numerous rewrites since. The latest version is currently being staged at the Tricycle Theatre in North London.

“The thing with bad comedy is that it needs, paradoxically, to be really good indeed to be funny and this is very funny”, declared Jane Shilling in The Telegraph. She says ‘The jokes are signalled from so far off that when they arrive, you greet them like old friends.” Fiona Mountford in the Evening Standard decreed it “a palpable hit.”

I drew this sketch of John, Richard and Alix from the promo poster. It’s probably not right that Ben is missing from a BEN HUR drawing, so I will have to do a separate one and return. I caught up with them after last Saturday’s matinee and got the sketch signed.

It runs until 9 January at the Tricycle, although John said that it may transfer to the West End.

Drawing: Andrew Scott, David Dawson and Joanna Vanderham in The Dazzle

The Dazzle

The top floor of the derelict Central St Martins School of Art on London’s Charing Cross road is an intriguing space and home to the fledgling theatre venue called Found 111. It’s the site-specific for the UK debut of Tony-winner Richard Greenberg’s THE DAZZLE, the  American Gothic story of the real-life Collyer Brothers whose retreat from society to their Fifth Avenue Harlem apartment along with 136 ton of junk including 14 grand pianos.

The reclusive eccentrics and compulsive hoarders made national headlines when their dead bodies were found under sordid, booby-trapped piles of clutter in 1947. Their ‘folie a deux’ has a name – disposophobia – a fear of getting rid of stuff, known as the ‘hoarding disorder’.

SHERLOCK and SPECTRE star, Andrew Scott  and LUTHER and RIPPER STREET’s David Dawson play Langley and Homer respectively. They are joined by Joanna Vanderham from TV’s BANISHED, as Milly, the beautiful guest whose arrival throws their lives into sharp focus. Michael Billington from The Guardian described the performances, “Both actors are hypnotic and the exquisite Joanna Vanderham radiates a damaged sensuality.”

The season, which finishes at the end of this month is sold out, but returns are available resulting in a daily queue running the length of the frontage and beyond. It’s also on one of London’s busiest pedestrian routes, so one has to be on one’s guard to get one’s drawing signed by the three cast members going in. This is the reason it took me two days to achieve the three graphs on one’s sketch.

Happy New Year

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New Year 4